Feature Friday #018 — Yaron Schoen

Feature Friday #018 is here! Today we’re chatting with product designer extraordinaire and all around good dude Yaron Schoen. Check out Yaron’s website, and shop his collection on Cotton Bureau.  

Yaron! It’s so good to catch up. I’m trying to remember when we met, was it Brooklyn Beta 2013? Does that sound right?

Nathan! Same here! You know, I’m not really sure. If memory serves, we might have been hanging out at SXSW even before that? Maybe? TBH my long term memory is not something I’m known for. We definitely hung out at Brooklyn Beta, though, that I do remember. Good times!

I love your personal site. It’s clean and informative, yet not without a spritz of whimsy. (I loled at the advanced pronunciation of Schoen.) It feels completely appropriate for a UX-focused designer who doesn’t mind having a little fun. Tell me more about the process that went into creating it. I’m sure it wasn’t your first personal site given your 25 years and counting of experience.

Thanks Nathan, I really appreciate that. Yea this is probably the umpteenth version of my portfolio. My first version was around 2001 or so and it was in Flash and even had a “skip intro” button. Since then I’ve been constantly iterating on it, turning it into HTML, adding and removing a blog, and now it’s the most minimal version yet.

Throughout the years, I really enjoyed experimenting with various methods of self-expression through the site. It wasn’t only about my work and career, but also a playground for conveying ideas through writing and presentation. However as time went on, my work became more challenging to quantify or represent through the traditional portfolio narrative. Long story short, I transitioned from a web designer into a product designer. Conveying what I do as a product designer, in a case study, is really hard, it’s very time consuming, and I am no longer certain it provides as much value as it used to. And to be quite frank, I’m a married 44 year old with two kids, a dog and cat. There is just so much time I want to spend on vertically aligning elements in a browser. 

That said, I still love the old school web, and I do find enjoyment in writing html and css… well, sometimes. Also given the fact that I no longer have a social media presence, I still want some sort of representation on the web. So I whipped up this version which is really just a collection of short snippets. Mainly focused on things that I have done in my career, and a little bit of how I think. The site is minimal on purpose, I basically wanted less to maintain or think of. It acts kinda like a CV but with some extra bonus material.

And yea, thanks for noticing the whimsiness of it! I try to pepper some fun where I can. I find it a real bore when people take themselves too seriously, so if I can make someone smile then I achieved my goal. 

I hear you on the time required to maintain an online presence, and especially the diminishing returns to social media as we get older and more established. Still, I do miss the fun of building those early sites and making connections (like SXSW).

One other quick question on your personal site. I love the energy of your monogram. It’s bold, easy to remember, and has a great flow. Are you intentionally referencing a menorah, or am I just seeing things? How did you end up developing this mark?

Thanks! I really don’t consider myself much of a logo designer, so it’s nice to hear that someone appreciates a logo I made. I didn’t intentionally make it resemble a menorah, but now I can’t unsee it ha!

Candidly, because I don't design logos on the regular, when it came down to creating a logo for myself, I had a very healthy dose of impostor syndrome. I tried coming up with a whole slew of illustrations, but none worked. So eventually I just decided to use a monogram and call it a day. But I didn’t want it to be too obvious that it is a monogram, so I searched for an obscure font and landed on Bauhaus 93. It’s a pretty random font that I dont think anyone really uses all that much. I then edited it a bit and combined the two lowercase letters Y and S.

Let’s talk a little bit about your career to this point. It seems fair to say that you’ve been around (and likely seen some things). When you look back at the last 25 years, how would you describe the path that you have taken to get to where you are now?

Oh boy, where do I start? Well, throughout the years I have been given many different job titles, Web Designer, Flash Animator, Application Designer, Product Designer, and now UX Architect. But really, I’m just a designer, and all these roles boil down to one thing: problem solving. I love solving problems and optimizing experiences. My constant goal is to make life a bit easier, so that people can focus on things that are more important to them. Not only in the digital sphere btw, but in many aspects in the physical world too. Even down to the annoying little things in life. Like when sitting at a restaurant I need to make sure the table is optimized in terms of sound (not too quiet or too loud), location (not smack in the middle, but not in the far corner), etc. It drives my wife crazy lol… but I am fun to be around, I promise!

When I was a kid, I never realized that being a product or web designer is even a career path that one could take. My career was never really planned in any way. I stumbled upon it by taking a few courses in “multimedia” where I learned how to use all the various software and simple web languages (PS/Freehand/3DMax/Flash/HTML etc). After finishing the course, the school connected me to a local web design shop and I ended up working with them for over 6 years. The rest is history. When I started, the “real” designers were all print designers, and as a web designer I was actually a bit of an outcast. It’s funny how that world changed.

In addition to being a designer, I’ve always had an entrepreneurial spirit. I have been employed by agencies like Fantasy Interactive, but also founded and sold my own agency named Made for Humans. I've been employed by tech companies like Twitter/Compass/ServiceNow/etc, but also founded a couple of my own product companies. I love initiating concepts and bringing them to life. There’s something very rock ‘n roll about creating a company. It’s scrapy, creative, and represents a sort of mission that you take on. This is why I have so much respect for what you guys have achieved at CottonBureau. I know how hard creating a company is, let alone sticking with it and succeeding.

Ah, yes, a classic min/maxer. I have to confess I drive everyone around me crazy with the same endearing personality trait. It feels like we started on a similar path (for me it was Geocities) with similar personalities except you became a problem-solving “designer” and I became a problem-solving “developer” — and we both started a few companies along the way.

Something else I wanted to ask you. How are you enjoying working remotely? I would imagine you have experience both in an office and being on your own. Are you happy with your current setup?

For my entire career I have preferred working from home. However, I acknowledge that there is real value in in-person collaboration from time to time, mainly for deeper collaboration needs. I also acknowledge that it’s much harder to gain mentorship as a newcomer in the field. So as a person with a lot of experience already, I can enjoy the luxury of not being surrounded by team members that mentor me. I’m also an Individual Contributor at my current job, which I suspect makes it much easier to work from home than a people manager.

All that said, I love working from home! Mainly because I dislike the open office environment that’s prevalent in tech companies. It’s extremely distracting for me. I actually get more done at home where it is quiet, less distractions, and designed exactly to my preferences. 

We left our NYC apartment during the pandemic and now live in a house in Connecticut. We currently have a decently sized room dedicated to being an office, that has two big windows pointing towards our very lush and green backyard. It’s so much nicer than anything in the city ha! So I can’t truly say I enjoyed working from home in our NYC apartment during the pandemic as much as I do now… today it’s a different story. I guess perhaps it really depends on your home office situation? 

Btw another hidden benefit is that I get to see my kids every day when they come back from school! Which is a lot more than when I schlepped myself to the office every day.

Nothing like watching kids get off a bus and run in the door. I’ve been working three days at the office and two days at home since 2019. It’s a nice mix.

Let’s pivot to my favorite question to ask: where are you on generative AI and design? To me it feels like we’re trending toward it being accepted (perhaps even expected) as a tool — provided the designer is driving and ultimately making the decisions. Yet, to the degree that the AI corpus relies on source material that has been obtained in, uh, less than ethical ways, even that usage feels problematic.

Big topic! Okay so from a 10k feet view, I’d say that if the computer is the bicycle for the mind, generative AI is its sonic speed missile. It’s both a time saver and an empowerer of ideas. So I never really understood the idea of not accepting it, because why wouldn’t you want to increase your abilities to do anything? I don’t see AI as a replacement, I see it as an enhancement.

That said, I’m a product designer so I can’t fully speak about graphic or marketing design. But from a product design perspective, I think the designer can be in full control of the decision making. Mainly because our job is less about producing a specific artifact, but rather more about observing user behavior and communicating with team members. So for example, I use it for editing communications, researching a topic, producing visuals for a presentation, etc. I’d actually argue that generative AI might be one of my most used daily tools. So yea, I think it would be a shame if product designers felt they shouldn’t use it. 

Though I now realize I should disclaim that I vowed not to use AI for this interview. That would be cheating! I don’t usually use it to pretend I’m someone I am not. So for example, when I say “editing communications”, I mean help me get to the least amount of words that best convey the message. In a company setting, whether large or small, the transfer of information within a team is the key to shipping great products. You gotta make your message short and understandable. You know the saying “if I had more time I would have written a shorter letter”? Well now you don’t need more time. So it’s not about pretending you are someone you're not, but rather making sure that the idea you want to explain is optimally conveyed. AI is a killer tool for that.

Regarding IP, I have mixed feelings about that. I understand concerns about using potentially protected IP, but it's complicated. For example, a song I love called Bittersweet Symphony by the Verve, which features a violin riff inspired by a chain of prior works. That riff was based on Andrew Oldham Orchestra’s version of a Rolling Stones song named “The Last Time”, which was based on a song by the Staple Singers called “This May Be The Last Time”, which was based on an old gospel song. Who then owns what? The Verve couldn't profit due to legal issues with song rights—a situation I find morally unfair. Long story short, they were sued by the record labels for getting the rights to the Andrew Oldham Orchestra’s version and not the Rolling Stones version. New creations are almost always inspired by existing work, so how exactly is that different from how AI operates? 

That said, I of course fully understand the need to protect IP from a business perspective. Especially if the AI is merely “copying” and not “stealing”. Kinda like what Picasso once said “Good artists copy, great artists steal” (which, btw, may have actually been inspired by W.H. Davenport Adams who said "Great poets imitate and improve, whereas small ones steal and spoil"). 

So I guess this is a long winded way to say (maybe I should have passed this through GPT to shorten it 🤔) that I understand and support the business need to protect certain IPs, but I also hope that we don’t go overboard and prevent human progress either. What’s the fair middle ground? I don’t know, but it will be interesting to see how this evolves.

That makes a lot of sense. I’m not sure I’m personally out of the disconcerted stage — and maybe I never will be — but there’s really no way to close Pandora’s box at this point.

As long as we haven’t completely surrendered to our future AI overlords though, I guess we’re going to have to continue thinking and reasoning for ourselves. On your website, you have a beautiful set of illustrations of various laws and concepts that help us do just that. Which one is your favorite, or, if you prefer, which one do you think is most under-rated? Do you regularly revisit them, or have they become so ingrained in your process that they have become rote?

Thanks, yea I routinely use these laws and concepts in work and life. They are basically things that I’ve intuitively always known or things I’ve encountered along the way, but never really knew they were actually documented and codified. Being able to apply a name and description to a concept or law is liberating, and helps me communicate them to others.

The ones I use the most are usually the ones that apply to both my work but also life in general. Ones like the Dunbar's Number, Dunning-Kruger Effect, Occam’s Razor, Hanlon's Razor, and even Conway’s Law. They all very much apply to my life, and as an extension apply to my work as well. I think the most underrated one is the Dunbar Number. I bet the majority of the chaos we are seeing these days has to do with the fact that our brains cannot biologically contain the amount of information and relationships we consume daily.

One last question if you don’t mind. Can we talk about this line on your site? “Social media is no longer something I am a part of, so...” I couldn’t agree more with that sentiment (my own usage ended almost completely in 2020), yet I still have fond memories of the early days when we were trying to figure out what Twitter was even for. What went into your decision to abandon social media, and how have you replaced the conversations and connections it enables?

Even though I was addicted to it, I always knew deep down that social media was terribly unhealthy for me, for all the obvious reasons (I won’t go into them all because duh). But actually the Dunbar Number that I mentioned in my previous answer was able to codify that feeling in simple words that even a dummy like me could understand. Basically, from an evolutionary perspective, the human brain cannot process more than an average of 150 stable social relationships. I highly suspect that once you start going over that number you effectively add more stress and burden to your mental health. On Twitter alone I followed almost 350 people, not to mention all the other networks I was part of. That can’t be healthy for anyone.

Being born in the late 70s, I grew up without all this tech around us, and remember a life where I didn’t stress over what someone in a different hemisphere thought of the breakfast photo I just shared. When I discovered Dunbar’s Number, it made so much sense to me and of course it also was helpful that I am a reductionist. So in order to get to the desired 150 count, the obvious low hanging fruit was to kill social media.

Since then I’ve really been liberated. I can focus on fostering the important relationships of my life, and reduce the self inflicted artificial stress caused by social media. But there are more added benefits I didnt even think of. For example, I regained my personal perspective and opinions on things, and am no longer brainwashed or a leaf in the wind that blows to whatever direction my echochamber mob dictates. Yes, I do miss the connections I made throughout the years with folks like you and our whole tech/design crew, and no I haven't really replaced it with anything else because that would defeat the whole point of getting rid of it in the first place. But that’s okay, it’s the price to pay for my well being. Going back to basics is awesome, I highly recommend it.

Sounds like a good plan. Maybe we’ll do that — right after we share this interview with 150,000 of our closest friends.

P.S. Use code featurefriday15 for 15% off all Yaron’s products now through 5/24!

Hand-Picked Links — May 13, 2024

A few of our favorite links, long-reads, Kickstarters, and short videos from last week.

DoughBed by Sourhouse

If you’re serious about bread, you need to control temperature and humidity. Luckily our friends Erik and Jenny just launched a gorgeous glass-and-cork proofer to ensure the perfect mix of both on your sourdough’s journey from lump to loaf. Already almost 10x funded on Kickstarter with two weeks left. Go ahead and grab the Goldie sourdough starter home from their website so you’re ready when your DoughBed ships.


American Premier League

The Yankees are coming for English soccer.

This season, nine of the 20 Premier League clubs are owned by Americans. The sale of a 10th awaits approval. All of them, you could argue, are being run far more professionally than ever, as the billion-dollar businesses that many have become. Yet most of the Americans spotted in the owners’ box from time to time — or, worse, seldom spotted there at all — are disdained by their club’s fans.

And here’s the kicker:

If a proposed sale of Everton to a Miami-based firm is approved, as many as 13 of the 20 clubs could be owned by Americans next season. That’s one short of the two-thirds supermajority that would have the power to remake the Premier League along the contours of, say, the N.F.L. A cap on player wages could be imposed, which would greatly benefit the competitive prospects of midsize clubs like Aston Villa. Gate receipts and the income from merchandise like shirt sales could be shared. Even the promotion-and-relegation system that has formed the basis of English soccer’s organizational system for more than a century could be eliminated.

Will any of those doomsday scenarios come to pass? Probably not, but whatever the synthesis of English football and American business looks like, it won’t be the same as it used to be.

via Craig Calcaterra’s Cup of Coffee newsletter.

Alexander Coggin for The New York Times

Sacred Modernity

Incredible photos of mid-century modern church architecture from Jamie McGregor Smith. I had the privilege of visiting La Sagrada Familia in 2015, and it was easily the most impressive man-made space I had ever seen. Now I kind of want to go visit all of these.

via Kai Brach’s Dense Discovery newsletter.


Pretty Good is (Coming) Back

The Jon Boisiverse is a weird and wonderful place, ranging from Jack Bauer to 17776. If you like it, you love it. Maybe it’s not for you though. If it is, you probably already know the Jon (and Alex) recently launched a Patreon to bring back Pretty Good and provide a home for whatever other content their addled brains conceive.


Strata

Beautiful contrast of water, natural rock, and… skateboards? If requests are being taken, can we see Moab next?

via Jason Kottke

Feature Friday #017 — Brianna Eng

Feature Friday #017 is here! Checkout Brianna's IGWebsite, and full Cotton Bureau collection here. Read on to hear about all things art, bad roommates, and a guide to surviving Walmart after-hours. 

Hiyah! I'm so excited to catch up with you. How's the art world? Are you still doing exhibitions? If not, what are you spending your time on as of late?

I haven't worked toward any exhibitions in the past few years but have been making lots of things in the background! I've been spending a lot of time improving my sewing skills and have been making some collages and design zines as my main creative outlets. Lately I've been working as a product designer and an art teacher. I love teaching in a studio space, working with different age ranges in different mediums. It's given me a lot of creative energy that helps me create more on my own time.



I saw the collages! I went creeping on your IG and was so intrigued, I kept going back to the same ones and noticed something new each time. They're incredibly fun to look it, I bet creating them is just as entertaining. 

As someone who took every art class offered in high school I give you serious props. Maybe I just got lucky but I think art teachers are the kind of people who can inspire new ideas and have the patience to trust the process. That takes some real charisma in my opinion. Teaching art is an art. Do you have a favorite medium to work with? Do your students tend to gravitate towards anything specific? 


Aww that means a lot that you took the time to look at my work! It's all pretty exploratory and mostly an outlet for myself, so it feels so magical when others want to engage with it. Thank you for that! :)

And I love that you took advantage of art opportunities in school! It probably sounds cheesy but I think a lot of teaching is learning from students: opening it up to them to be creative and not feel too confined by the project. Plus it's always fun to see what everyone comes up with, and how unique artistic voices can emerge.

I usually mix materials but I think my favorite medium is watercolor. I love how fluid it is, and how loose I can be with it. I could paint something highly representational, or I could let it splatter and drip and decide how it wants to be. Plus I think it's beautiful to look at. I find that students also enjoy using paint, exploring how colors blend and getting a little messy with it. It's definitely a favorite especially when we're doing abstract work!



Not surprised paint is a fan favorite, and is it even art if you're not getting a little messy? Watercolor always looks fun but I think I might end up with a big brown blob if I tried it. I always see reels on IG where people draw an outline of their dog (or whatever) then color it in with watercolors and I just love it. My dog is all black but I think he'd enjoy a pop of color if he got to choose. 

Do you have any pets? I couldn't help but notice the cutest bunny when I was doing my Brianna due diligence (stalking).


Oh that's my bunny Grady! You're right, he is definitely the cutest. He's a very funny, sweet, snuggly, soft and round little bean and definitely the perfect studio buddy. He's kind of the ideal roommate besides never doing any chores for himself. I highly recommend his company.

I feel you can represent your dog with other colors! Grady is a pretty dark gray but I always color him in blue or purple when I doodle him. And I'm sure you could still have fun with watercolors, especially given how much you enjoyed art in school. You'd be surprised what lovely colors you can blend together, and I'm sure if you did end up with a big brown blob it would be beautiful anyway.



Oh my gosshhhh Grady! I love him. I never knew I wanted a bunny but now I know (I'm learning through these interviews that I should've been a farmer). TBH I don't think Grady is the only freeloader pet out there. I think they pull their weight by providing emotional support <3

Alright, let's get serious for a minute. Suppose you were trapped in Walmart for 1 month. You can use/eat/move anything in the store, just no communicating with the outside world. What does that first week look like for you?


Being a farmer honestly sounds amazing, I would love that life! And I agree, Grady definitely does do his part. He's impossible not to love.

Hmmm I think after the initial visit to the snack section, I would take out those big plastic inflatable balls and set them loose. I've always wanted to play a massive game of dodgeball or soccer in the store with those. If I were alone in there I'd just kick them around everywhere. Then I'd take every blanket and non-creepy stuffed animal I could find and set up a mega blanket fort. In there, I'd get some popcorn and find some way of watching movies and then go wild with materials from the craft section. I think they have a pretty solid sewing machine selection so I would definitely want to play with all of those!


A mega fort is brilliant and Walmart sounds a little scary at night TBH so the non creeper stuffed animals are essential. Are you sure you're not a survivalist? I think you have a really good thing going here. 

Alrighty, last question. Assuming it's not Walmart, tell me about your favorite place on earth. Could be a vacation spot, childhood home, nearby park, etc. Where is your happy place?


Hahah I could only be a survivalist if it's in a contained, safe environment and snacks are already provided!

Oooh this is a good one. I feel like I love and get sentimental about almost every place I live, and I move around a lot so at the same time I can't get too attached. I'd say my favorite place is a quiet park with a good view of the sky so I can witness a sunset. It's sunny but shady, not too hot and not too cold and I can hang a hammock and read a book or doodle or be with a good friend or eat a burrito or all of the above. A lot of my favorite moments have been in this sort of setting and it just fills me with so much joy and contentment. I know that's not a specific place, so I hope that counts!

Yesss, that totally counts! Just thinking about a hammock with a book in a nice park is relaxing, then add a burrito? What's not to love. 

Well hey, it was so nice catching up with you! We love having you on the site and can't wait to see what you get into next.


P.S. Use code featurefriday15 for 15% off all Brianna Eng's Products now through 5/17!

Hand-Picked Links — May 6, 2024

A few of our favorite links from last week, plus a short video on the history of an iconic Apple sound.

NWSL Stadium Guide

Longtime friend of Cotton Bureau Matt Haughey recently vowed to start trying more weird stuff. His first project? Writing an unofficial guidebook to every National Women’s Soccer League stadium with his wife Kay Livesay.

We just wish Pittsburgh had an NWSL team so we could hang out.


Utah Hockey

In other sports news, the Phoenix Coyotes relocated almost over night to Utah to become the, well, it hasn’t been decided yet, but according to the new owner, there will be a fan bracket to determine the final name. We’re not hating the Utah Yetis.

Regardless of the name, people are excited. The team received over 20,000 season ticket deposits in less than 24 hours after announcing the migration north.

Hear us out… the Utah Mountain Goats.

Money Stuff, the Podcast

Matt Levine’s financial writing is brilliant, accessible, and often hilarious. Sadly it’s locked behind the Bloomberg paywall. His new podcast on the other hand is freely available and, unlike his column, easy to enjoy while walking, driving, cooking, etc.

Really big podcast art. It’s a bag full of money.

Universal Principles of Typography

New book from Elliot Jay Stocks, joining, we can only imagine, the canon along with Robert Bringhurst’s The Elements of Typographic Style and Matthew Butterick’s Practical Typography.


Rick Steves

If you’ve ever visited Europe, you know Rick’s guides are required reading. His frankly unbelievable level of knowledge provides a comprehensive trip planning framework. At least 90% of any given book won’t be relevant, but the 10% that’s left is invaluable. Get to know the man behind the manuscripts better with this trio of profiles: Washington Post (2024), The New Yorker (2021), New York Times (2019).

P.S. Another essential resource for any trip to Europe: The Man in Seat Sixty-One.

Feature Friday #016 — Ben Stafford

Collage master, CB alum, and new high school teacher Ben Stafford joins the program this week. His second stint in the interview chair explores how the younger generation uses AI, where his inspiration comes from, and what *hasn't* changed in the past 10 years. You find more of his awesome work over at benillustrated.com. Or you can shop his Cotton Bureau collection here.

Ben! So good to talk to you again. It's been almost a decade since we last sat down. Tell me, are you still in Columbus? Do you and your wife still work together? Are you still a fan of cheesecake (most important of the 3)? What's been going on over the past decade?

I can't believe it's been that long! I feel like the only thing that hasn't changed is my haircut. Some life-changing events happened in the past ten years and some of those things I could have never predicted.

My spunky daughter was born in 2013. In 2014, I began focusing a lot of my time and energy into editorial illustration. Our family moved to a great small town about an hour away from Columbus in 2015. In 2020, I decided to pursue my Master's in Education so I could teach art. While pursuing that degree, I had the privilege of being an adjunct professor at The Modern College of Design.

During the pandemic, I dove head first into making analog collages out of magazines I had available. It was addicting. What started out as a therapeutic way to express myself turned into making collages for clients and giving collage workshops. My whole website changed with that focus now in the forefront. I am now just about to finish up my first full year as an 6th-12th grade art teacher. It has been incredibly rewarding and I have zero regrets making the career change. My wife, Beth, and I will still conduct business together but most of my time is focused on school.

As for the cheesecake, as long as it's gluten-free, I'm in!

Backstop Bear by Ben Stafford. Available on Cotton Bureau.

Holy smokes you're not kidding! That's top-down change, which I imagine was both nerve wracking and exciting. Seems like you picked the *ideal* time to reenter the education system haha. But honestly, now that we're a few years removed from the initial COVID wave I have to think that working with kids in a focus that you're passionate about is extremely rewarding.

What are some of the challenges you face in the classroom? With 6th-12th you get the whole gamut. Is it tough to keep them on track or is it encouraging to see them forming a love for art at such a young age?


I think my biggest challenge is realizing how green I really am. I have to give myself a lot of grace knowing that I'm a career changing adult and this is my first full year at doing something new. As a person, I try to be the best at whatever I'm doing so I set a high bar for myself. I have to realize that I'm not going to get everything right, I'm going to learn from my mistakes, and hopefully I'll get better at them the next opportunity I get.

As far as keeping them on track, some days are harder than others! I love to challenge and encourage my students to do hard things, especially when sometimes projects feel long. There's a sign in my classroom that says, "Great Art Takes Time." Sure, sometimes it's hard to keep the students motivated, but when they see the finished piece, my hope is they realize it was all worth it.

Some students are naturally gifted while others have to work harder at building on their skills. Watching any student grow is a privilege and it's what keeps me coming back! If I can play a small role in that, then I think I'm doing a pretty good job.

That's a very balanced approach. Everything these days feels so rushed while simultaneously having the maximum amount of social pressure. Drilling down on that approach during long projects should benefit them as they progress through their schooling and careers. That has to feel good.

Talk about your time at the Modern College of Design. How did it differ from teaching younger students? I know this might be a bit gauche, but did you enjoy it more than 6th-12th? Less? At that point you have very serious students looking to make a career out of their passion, which is quite different than the younger crowd first exploring their love of art. Was there more pressure as a professor?

I completely agree with you regarding the importance of taking time in their work. It does feel good!

The wonderful people over at The Modern asked me to teach some online branding courses. I got to create videos teaching content as well as explain what the students should do for their assignments. In addition to those video modules, I did get to host video conferences with my students to review their progress and give them feedback. Obviously that part was the most fun! I tried to provide them with my expertise and speak encouragement into their strengths. I'd say that I do that with my younger students too!

I believe you're right that college level students tend to be more serious but I don't think I felt the pressure to help them achieve some kind of status or get a perfect job after graduation. I tried my best not to be that stuffy professor. Instead, I tried to keep things light, fun, and interesting. I felt my role was to be more of a guide, helping these students hike through unknown territory and find some hidden treasures along the way.

As far as "teaching enjoyment level" goes, I have no favorite age. I'm kind of like the Lego box that says "Ages 4-99." I've taught kindergartners, elementary schoolers, middle schoolers, high schoolers, college students, and adults. I love watching light bulbs go off and the students having fun. I have felt joy and fulfillment at each level, but of all of those groups, I will say that adults are the most engaging. I love facilitating collage workshops and would love to host more of them soon!

Justice Collage Concept by Ben Stafford

So just no students age 3 or under. Got it ;)

But honestly, finding enjoyment out of teaching all ages just shows how much enthusiasm you have for the industry and the process. It's refreshing, and something we need more of these days.

I'm glad you mentioned the collages again because I kind of have all the questions on this one. Tell me how you first got the idea for them… were you inspired by someone's work or just trying to create your own niche? Do you have favorite resources for the material? How often do you produce them and how long does it take? (ok you don't have to answer all of these… I'm just fascinated because it's so unique)

My collage journey began in March 2020 during the "two weeks to flatten the curve." I had just begun my simultaneous journey to become an art teacher by going back to school to receive my Master's degree. I was a bit anxious about that but also questioning, "Am I an artist?" After seventeen years as a graphic designer and illustrator, I wanted to go back to my art roots and test myself. Collage was an entirely new medium for me.

Honestly, I just used what I had available: an X-Acto knife, child's glue sticks, several years worth of Wired magazines, and a large art studio desk, also known as my ping pong table. I limited myself to those things plus the small addition of a digital graphite brush in post-production. Some days I would spend thirty minutes, other days three hours. I chose not to look at other people's collage work because I wanted these to feel like my own. And surprisingly, I felt like those initial twelve I created actually do. My design and illustration work is very geometric and grid-based and my collage work captures some of those visual cues. All in all, it was a great way for me to process my emotions and to create by exploration. After posting those, clients began reaching out asking me to create digital-based collages for their book covers, editorial work, or blog posts.

In the years since 2020, I completely redid my website to be collage focused. I now almost exclusively use old Life magazines from the 1930s-60s. They are incredibly rich with inspiration, history, colorful advertisements, and amazing photography. Many of my compositions and subject matter form by honest play and moving things around until two things click and then a third! Much like the 2020 series, sometimes they take me a few hours and sometimes it takes days or weeks for me to find the right pieces to go together. I try to get down to my studio desk (now a quite real one) at least once a week. I'm hoping I get to make a lot more when school lets out for summer. I have no plans on stopping any time soon!

“Window in the Skies” by Ben Stafford

Old LIFE magazines from 50+ years ago? Now we're talking. To me these present as eerie, nostalgic, and futuristic all at the same time. Not sure if that makes complete sense but I can't get enough of them. The way they come together is really striking!

I won't take up too much more of your time but since we're (sorta) talking about the future…

Throughout this series we've been asking what the next 5-10 years of design look like. You might be in the best position to answer out of anybody. Do you incorporate AI into your classes at all? Have students submitted AI-aided projects without permission? The feedback so far is that it's used as a tool, but technology is largely driven by the younger generations. I'm curious if you've seen students adapt to AI easily or use it differently than professionals do at this early stage.

In regards to the feelings you get when you look at my collage, that's an excellent interpretation and I love that you feel all of those things! That's intentional! Thanks for the compliment.

Because I generally stick to hands-on physical mediums, I don't have to worry about AI in my classroom. Last year, I showed my students what AI was capable of doing in the art realm, but I haven't pursued it more than those conversations. I want them to know that exploration is fundamental to making art, no matter the medium. The biggest lesson I can teach my students is to adapt by using tools, old and new, to make works that make them (or others) feel something.

To answer your question about where I may see myself in 5-10 years, I'd have to say I hope I'm still teaching! I'm thankful to God for the ability to have a tiny impact at a great school. It really is incredibly fulfilling work.

Unfollow The World — 03 by Ben Stafford. Available on Cotton Bureau.

Love the way you view this. As exploration. Couldn't have said it better myself.

Okay final question and then you're dismissed (sorry, not sorry). With your focus not being affected by AI as much as others, do you foresee a different source of inspiration for future art projects? I'm assuming you don't have access to a never-ending supply of old LIFE magazines. Any anticipation about your collage style changing or shifting to new material? We always love hearing the speculation about what's coming next in the industry, so it feels like the perfect way to wrap up.

Wow! I love this question and I honestly can say I haven't really thought of "what comes next" after my Life magazine resources are depleted. I still very much believe in using a printed medium. There is a richness to printed things that adds a special amount of story in my work. The tangible will always hold more value than anything digital in my personal opinion. I'm all for style changing or evolving, but I will definitely be continuing to use magazines and photos. I'd like to believe that whatever path my art takes, it will continue to delight, inspire, and spark curiosity.

Cheers, Joel! Thanks for having me and for your thoughtful questions!

Thanks so much Ben. This was fun!

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