Feature Friday #027 - Steve DeCusatis

Photo by Sam Fritch

Jack of all trades Steve Decusatis joins us this week to talk about snowboarding, Europe, and Philly's penchant for producing top tier design talent. 

Browse his site to discover more of his work and enjoy 20% off all of his on-demand items through Sunday, August 17 with coupon code featurefriday20 at checkout. Now on to the chat!


Before we get too deep into your process and experiences, I have to know: is there something in the water in Philadelphia? We've chatted with Martha Rich, Mario Zucca, Maria Tina Beddia… it's no question your city has produced the most interviewees in this series.

What's the design community there like? Is it so big that you have little interaction or is it tight knit with plenty of collaboration? Whatever the answer, Philly is doing it right. The collection of talent is impressive!


There just might be! Take the Schuylkill and mix in a splash from the Delaware, and there you have it. I'm in good company here with the people you mentioned. All great folks-and extremely talented!

I've known Mario since school; we studied together at Tyler School of Art and have collaborated a bunch over the years doing logos, apparel, icons, etc. We even spoke at a conference together about our collaborations. Big high-five to Mario!

Martha is super cool. Martha and Mario spoke at a Philly lecture that I hosted many years ago called Multifaceted. Come to think of it, Martha and Mario have both done some snowboard illustrations with me. Maria took part in two PhilaMRKT events as a vendor, and her illustrations are dope.

PhilaMRKT is a pop-up marketplace hosted by Mario Zucca, Josh Carter, and myself. We feature Philly's best designers, illustrators, printmakers, independent artists, and more.

The design community is wonderful here. It's one of those cities that feels like a small town; especially when you're at a design event. There are some very talented designers (and illustrators) in the Philly area and new talent emerges often. It's inspiring.

Phila MRKT with Mario Zucca and Josh Carter

That's some sort of cocktail! Your city definitely has a few of our favorite CB folks (don't tell the others).

You mentioned two very interesting points that I want to followup on. First, and more simply, what's your favorite snowboard destination? You can certainly do worse than our Appalachian resorts in PA, but having recently experienced Breckenridge and Park City, holy moly the Rockys are a different animal.

Snowboarding is such a fun way to get outdoors and be creative. I started riding in 1994 and have immense passion for it, even though I don't get out too often.

My favorite destination would be Killington or Pico, and we lived nearby for a few years. From Philadelphia for a day trip, I would say Bear Creek or Blue Mountain are two solid options.

Vermont is next on my list! I've heard Killington is a great East Coast resort. And Blue Mountain looks pretty awesome. Really at this point I'll take any non-90°-full-humidity weather.

Okay a little more topical, tell me more about PhilaMRKT. How did it get started? What's unique about it? Does the city have the grease the lamp posts when you have the event?


I'm typing this on a day with a high of 95º, so any mountain right now would be incredible!

PhilaMRKT is super cool, I must admit. It's a pop-up event where we take over a space and fill it with graphic designers and illustrators. Most artist markets are more "artsy" and we're more "designy" if that makes sense. It's fun, community-focused, and we started it in 2017.

The vendors set up shop and sell their goods, and before the events we promote the heck out of it. No grease needed, haha. You can check out our website or @PhilaMRKT on Instagram for a glimpse into the events. Josh, Mario, and I are kinda on a bit of a hiatus, but PhilaMRKT could resurface again.

Snowboard design for Gilson

The 'designy' market is definitely evident. It's very cool to see the community creating such exposure. It's a great collection of talent but clearly features a lot of variety as well. That seems par for the course with you personally, no? An Italian study abroad program with history, language, and cinema courses… that's a full experience! How did the time away affect your work, in regards to both juggling projects and expanding your skillset?

Yes, I like variety. It's the generalist vs. specializing debate that's tough for me sometimes. I love designing logos, but I also like doing packaging design, apparel design, snowboard design, etc. I also love being a student as much as I can to learn new things.

Studying at Temple's Rome Campus has been amazing. I've completed their adult study abroad program twice now, with different classes, professors, and classmates each time. This time around, I had a wonderful drawing class-highly recommended. Luckily, I was able to juggle some ongoing design projects while being there. I usually spent my evening hours catching up on emails and keeping designs moving forward. A nightly gelato break didn't hurt the momentum.

Temple Rome's Adult Study Abroad program

Speaking as a fellow generalist, I 100% get this mentality. And I have a few questions about your versatility, but we're going to keep this one simple: What was the best thing you saw or did in Rome and will there be a third trip some day?

Trying to keep this one simple: Arriving in Rome on the first day of the Conclave was special. Witnessing the energy and global news reporters in St. Peter's Square during such a historic time was unique. Another trip to Rome? Absolutely.

That's so cool! It's definitely a bucket list trip. And with minimal interruption to your work projects, it sounds like you're getting the best of both worlds. But I do want to focus on the business side of things for a second…

Clearly AI design has become more prevalent over the past few years. Have you seen an impact to your logo or packaging work? Either positively through its usefulness as a tool or negatively with client expectations and demand? I also wonder if you're set up to be in a stronger long term position because of your proficiency in multiple areas. A wider scope means more security, no?


It's hard to say too much about the direct impact of AI. I think having a diverse set of skills is important for designers. Adaptability, creativity, and flexibility are crucial. I've been leaning into teaching a bit more lately as well.

Peddler Coffee Company client work

Teaching is such a great way to give back to a community you're active in. I don't think there's anything more valuable than hearing from successful business owners and accomplished designers about their methods and experiences.

Has the teaching process mainly been facilitated through a studio, online classes, or more student based school systems? I'd expect to see a younger demographic more invested and enthusiastic about generated art. Have you noticed a similar theme?

Thank you! Teaching is wonderful. Challenging at times, but overall impactful. I've been teaching at Philadelphia and NJ universities part-time for almost 20 years.

I touch on some of the generative AI tools via Adobe. For example, the Generative Color feature in Illustrator and the Generative Fill feature in Photoshop. Some of the students are into it. These tools are useful at times. I like to show multiple ways to handle design scenarios. It's important to explore and improvise. Generative Fill is insanely powerful. Adobe even has a similar feature in InDesign now. It's totally wild what you can do!

“Give” t-shirt design on Cotton Bureau

Agreed. The possibilities are some weird combination of exciting, scary, and intimidating. I think we've done our due diligence on your process and experience. Let's wrap up with this one…

Many of your CB designs revolve around Philly even though it's the second best city in the state (😉). If the Acme cheesesteak factory exploded tomorrow and buried the city in whiz, what does your fresh start look like? Maybe a new location, different industry, or focusing on passion projects… anything is on the table.


Anything is possible. My wife and I are both close to getting dual citizenship in Italy. That opens up some doors to the EU. Winning the lottery and/or retiring early would be amazing too! Working less and traveling more is an ideal scenario.

Thanks so much for your time and fun questions, Joel! Much appreciated! Also, much love to Pittsburgh. Cheers!

Appreciate the time, Steve. This was a lot of fun!

💡
P.S. Use code featurefriday20 for 20% off all Steve Decusatis products now through Friday, August 17!

The needle just dropped.

Big news! While we started Cotton Bureau over a decade ago with a simple pre-order campaign model for screenprinted tees, each year we’ve been able to grow our offerings, gradually increasing not only the ways to sell (adding stock and on demand) but the also types of products available, which now includes hats, drinkware, totes, phone cases, and, as of last month, stickers.

We’re thrilled to announce today the most recent expansion: we’re bringing our ultra-premium on demand embroidery program to t-shirts and sweatshirts, effective immediately. Get started with apparel embroidery now.

Though our on demand hat program has been met with universal acclaim, there’s one small problem: not everyone wears hats. As far as we know, however, pretty much everyone wears a shirt, most of the time.

Graphic tees have been popular at least since the ’90s. Nobody knows if they were popular before then because the internet did not exist. Embroidered tees though present an entirely new fashion frontier, a frontier that we humbly invite you to explore with us.

From day one (today), most core apparel products are included in our new on demand catalog, from all-time favorites like the premium lightweight Next Level 6010 tri-blend tee and outrageously soft Bella + Canvas 3901 raglan crewneck sweatshirt to popular newcomers like the 100% cotton vintage Comfort Colors 1717 tee and the premium midweight Bella + Canvas 3739 zip hoodie. Chances are if you have bought (or sold) a shirt on Cotton Bureau, it’s now eligible for some fancy stitching.

Here’s the full list of available styles for 2025:

  • Comfort Colors 1717 — 100% cotton, premium heavyweight tee
  • Next Level 3600 — 100% cotton, premium lightweight tee
  • Next Level 3900 — 100% cotton, premium lightweight women’s junior fit tee
  • Next Level 6010 — tri-blend premium lightweight tee
  • Next Level 6710 — tri-blend, premium lightweight women’s junior fit tee
  • Bella + Canvas 6400 — 100% cotton, premium lightweight women’s regular fit tee
  • Gildan 18000 — basic midweight 100% cotton hoodie
  • Bella + Canvas 3901 — premium midweight crewneck sweatshirt
  • Bella + Canvas 3719 — premium midweight hoodie
  • Bella + Canvas 3739 — premium midweight zip hoodie
  • Bella + Canvas 3501 — premium lightweight 100% cotton longsleeve tee
  • Bella + Canvas 3501CVC — premium lightweight poly-cotton longsleeve tee
  • Independent IND4000 — premium heavyweight hoodie

We hope (and expect) that list to grow over time. Let us know if we missed your go-to tee.

FAQs for On Demand Apparel Embroidery

Where can I position my artwork?

The pocket. We may eventually expand to more locations, but for now, your only choice is the left chest pocket. Sorry.

How big can I make it?

Maximum size is 3.75" ⅹ 3.75". That’s pretty big. You can set a custom size anywhere from there down to 1" ⅹ 1". Anything smaller than that and it’s pretty hard to embroider. Speaking of…

What else should I know about apparel embroidery?

The same embroidery limitations apply to clothing as apply to hats.

In general, the smallest details that can be rendered are about 0.04" (1mm). The smallest gaps that can be maintained are 0.01" (0.25mm). Here’s a good way to think about it: for a design of 1.5", you have a canvas that is roughly 75 x 75 pixels. It’s possible to get creative with running stitches and contrasting stitch directions to show subtle detail, but the best designs are going to avoid squishing too much detail into too small a space. When in doubt, err in favor of smaller and simpler.

Unlike the hats we offer, shirts range from extremely thin and light fabric to heavy-duty fleece. Please be advised that the larger and heavier your artwork, the more prone to puckering and pulling on lighter weight fabrics. Less is better, usually.

I have a Cotton Bureau account. Can I offer on demand embroidery?

Maybe. Embroidery is limited (for now) to accounts with a strong sales history because of the complexity and hard costs associated. That said, if you think you’re hot stuff, just email us. We’ve been known to make an exception from time to time.


As with hats, we’re extremely excited to see what new and existing designs you’ve got up your sleeve, so to speak, and we can’t wait to share them with everyone else as well. Get started creating on demand embroidery apparel now. The next Cotton Bureau t-shirt Tuesday just got a whole lot more interesting. 👕

On demand stickers are live.

While we’re not in the habit of pre-announcing new products and features, once we’re getting close, we do occasionally drop a hint or two. When you see the timeline for on demand stickers, you’ll understand why it’s best to ship first, talk later.

The first public mention of on demand stickers was in our 2023 in review email way back in January of 2024. At the time, we felt confident enough that stickers were happening to tease them. Well. Fast forward to the 2024 year in review email six months ago, and, as they say, even the best laid plans often go awry. Believe it or not, as recently as April we were still confident stickers would ship sooner rather than later. Our best guess at the time was just prior to our big birthday celebration in June. Mmhmm.

In the end, here we are. A task that was originally created in February of 2022 and conceived as a possibility long before then can finally be checked off in July of 2025. We’re so pleased to be able to finally, finally, finally deliver on demand stickers. 😅

If you, like us, have been champing at the bit for high quality vinyl on demand stickers, your wait is over. All Cotton Bureau accounts (including Custom accounts), are immediately eligible and can create new on demand stickers right now.

Keep reading if you’re one of those people that likes to ask questions.

On Demand Sticker FAQs

While we’ve had plenty of folks offer stickers over the years, the only way to do that in the past was by purchasing hundreds of stickers upfront and storing them to be sold as a stock product. That’s great if you’re offering something more exotic like holographic or unicorn dust. For your everyday, basic, just-the-facts-ma’am stickers, the new on demand stickers are just the ticket.

First, to be clear, on demand stickers are… on demand. That means they’re printed (and shipped) when you order them, and you can have as many or as few in your store as you want.

The standard sizes are 2" and 3", but you can create custom sizes between 1" and 4" as well. Max of three sizes per sticker.

On demand stickers are kiss-cut only and are printed on a matte white vinyl backing with a 0.15" border. The cut is automatically determined, so if you want full control and a smooth border, we recommend filling any little gaps with an opaque white background, or even augmenting the border to create circles, squares, and other containing shapes.

As with everything else, only one artwork file per product which means alternate colorways need to be additional products.

Could you make a mini sticker sheet? If you’re careful… yes. Any colored area at least 0.25" away from another area will receive its own cutout. (Stickers can’t have holes, fyi. No donuts.)

Recommended sticker retail price is $3, shipping is a flat $1.99. That’s a sticker delivered anywhere in the US for less than $5.

One unfortunate but necessary caveat: on demand stickers can only be shipped independently inside the United States. We’re working on finding an affordable way to have them shipped internationally. (It is possible to order a sticker with a t-shirt or other on demand product for shipment outside the US.)

Sticker-only orders are currently completely untracked and usually take about a week to arrive.

Okay, let us have it. What are you thinking? We’d love to offer more styles and options in the future (transparent stickers anyone?), so if you have questions or suggestions, let us know.

If you like stickers, try adding a few of your existing designs as sticker products or creating something new. We’ll be heavily promoting stickers all through July, so kick back by the pool and fire some products into the sun.

That’s it for now. We (hopefully) will have another big announcement for you in a month, though we’re keeping this one mum.

Cotton Bureau Turns 12

It’s Throwback Thursday, and we’re tossing it allll the way back to the mid-90s with some freaking good tees.

We’re not going to dwell on the fact that we’re 40 years old now and that, since launching in 2013, Cotton Bureau has been both the foreground and background of an inconceivable 30% of our lives. We’re really not.

Let’s just chill and reminisce about the time when the most difficult thing we had to do in a day was try to beat Goldeneye (🎵) on 007 mode after school. This is a celebration. We’re just happy to be here, and we’re glad you’re here too.

Free Shipping On Everything

Let’s keep it simple. You like us, we like you. Let’s do free shipping on everything today through next Thursday, June 19th. Boomshakalaka!

If you’ve been waiting for the perfect moment to snag a mug, t-shirt, phone case, mug, embroidered hat, or canvas tote, you’d be silly to miss this chance. Don’t say we didn’t warn you.

Use code HAPPY12 at checkout. (International shipping is half-off, cool?)

Year Two of the Ultra Cheap Birthday Tee

In what we hope will become an annual tradition, we’re heavily discounting a sick, screenprinted Cotton Bureau tee created just for the occasion, this time by one of our good friends and favorite designers, Annica Lydenberg.

For the next week only, limited edition “High Quality, Low Key” apparel is available for sale. Get either vibrant, paint-splattered CMYK or minimalist black foil on your choice of garments including super fresh 100% cotton heavyweight Comfort Colors 1717 tees just the way your remember plus our usual variety of lightweight tri-blend men’s and women’s tees, soft Bella + Canvas fleece, casual tank tops for lounging around the pool. Touchdown!

Tees are available for the low, low, we’re-definitely-losing-money-on-these price of $12 each. Fleece is obtainable for the equally ridiculous price of $25. Get ‘em while they last, because like last year’s Cotton Burro tee to celebrate our 11th birthday and the appliqué sweatshirts and floral tees from our 10th birthday, they won’t be back.

One (?) More Thing

We liked Annica’s work so much, we couldn’t resist dropping a few more styles.

If you’re into simple scripts, we’ve got the shirt (and hats) for you.

The full hat lineup runs the CMYK gamut from cyan script to pretty in pink to PGH edition black and yellow to mega minimal black-on-black.

Okay, that’s it! Thank you again for 12 phenomenal years. Go shop all styles, and feel free to say something nice to us on Bluesky or Instagram. We’re not above fishing for compliments on our special day.

Feature Friday #026 - Grant Shepley

Feature Friday #026 - Grant Shepley

From phonograph DJs to skateboarding astronauts, his breadth of creativity is unrivaled on Cotton Bureau. You know him as Gamma Ray, but now get to know Grant, the artist behind your favorite designs.

See more on his
Instagram and enjoy 20% off all his on-demand items through Sunday, June 1 with coupon code featurefriday20 at checkout. But first, the conversation…


Thanks for joining us Grant. I want to rewind a bit before getting your thoughts on the future of the industry. Back in 2018 you left your full-time gig as a designer to start your own business. A lot of folks get to the point where they want to be independent but aren't ready to fully take on the pressure. Looking back, would you have done anything differently?

Making the decision and then working through obstacles (like worldwide pandemics) to be successful feels so stressful and rewarding. What gave you the motivation to stick with it?


I was in a pretty comfortable spot for the first few years after leaving my job. Therefore, looking back, I think I got a little too used to doing things the same old way instead of keeping up with new trends.

Since going out on my own, one of the biggest challenges as a designer and illustrator has definitely been the rise of AI art. It's had a huge impact on artists like me. That said, as frustrating as it is, I'm starting to see that there might be ways to adapt, maybe even use AI as a tool to help spark ideas, rather than just seeing it as a threat. It's not easy, but I'd rather evolve with the times than get left behind.

As cliché as it might sound, I'm genuinely passionate about turning my ideas into art. That passion has always been what keeps me going, and thankfully, my artwork has continued to support me financially, even through tough times like Covid.

Going back to AI art, it's been a real challenge. It's not just replacing designers in my field, it's also flooding the print-on-demand space. People are uploading hundreds of AI-generated designs a month to the big platforms. That kind of volume makes it even harder for original work to stand out. That's why I'm really grateful for platforms like Cotton Bureau. They're more curated and truly supportive of real artists like me, and that makes a big difference.

Morse Code album artwork by Grant Shepley

You actually beat me to the punch. We've been asking all of our guests about the introduction of AI and how they see it impacting the industry. We're 100% in line with your thinking that it's great as a tool but not for a finished product (and definitely not for tees!).

A more pressing question might be how AI will affect the future of design. I wonder if we'll ever see it prevalent in big ticket advertising or among prestige brands. Do you see it snowballing or is regulation imminent?

Hmm, that's a tricky question. I've already seen a lot of big brands using obvious AI art in their ads, probably because it's faster and cheaper than hiring a real illustrator or digital artist. I have a feeling it's only going to become more common over the next few years. That said, I've heard an interesting theory that AI art might eventually sabotage itself by constantly training on other AI-generated images, which could water down the quality over time. As for regulating it, I'm not really sure how that would even work. Some apps are trying to protect artists by blocking AI from scraping their work, but it still feels like a bit of a grey area right now.

There's no doubt that usage has increased, even among well-known brands. For now it seems like there's still some trepidation for advertisers to buy all the way in though. Almost like we're in the testing phase. Hopefully it doesn't become the norm.

Drop the Beat by Gamma Ray

That's also an interesting theory on AI art becoming watered down. Adapting is key for any artist (human or otherwise) to stay relevant. You mentioned using AI as a tool to spark creativity. How else has your process changed since you first began designing? Being independent I'm sure you've developed some new techniques and picked up a few tricks along the way.

It's changed A LOT since I started designing and subbing designs to Threadless as far back as 2009. Before I had a sketch tablet I used to sketch my rough idea on paper and scan it, haha. I would then print the sketch at lower opacity and draw a neater version over it and repeat the process. Sometimes I would do that like 5-7 times until I had the final artwork to scan and clean up in Illustrator and Photoshop.

These days the process is way more streamlined. I usually sketch one rough idea and then I'm straight onto the sketch tablet to complete it digitally. Back in the day I often used to forget a lot of my concepts, so I've made a habit of noting them immediately and then going through them all weekly to see which ones look the best to start.

Space Boarding by Gamma Ray

Yeaaah things are just a bit different in the tablet era. I think we can agree that's an advancement for the better.

With everything being more streamlined, how does your routine work? You pump out a lot of t-shirts, and we're not complaining. But you also create brand identities, provide UI/UX design, and illustrate book covers, among other projects. How do you pick and choose what's best? Is there any method to prioritizing your time?

I don't pump out as many Tee designs as I used to 3-5 years back. I have begun focusing more on commissioned freelance (because of the changes in the tee industry as mentioned earlier… AI etc). I will always prioritize paying freelance first. Although creating tee designs under Gamma-ray will always be my true passion 😄

Future of Work book cover art by Grant Shepley

It's hard to pass on paying freelance work, we get that. Whether it's commissioned jobs or t-shirt design, I'm curious about how your cultural background impacts the final product. Being in South Africa, does your design approach change based on the target audience's location? Are there any specific challenges to overcome when producing work for the States, Europe, or other particular regions?

South Africa is pretty westernised, especially in the bigger cities like Cape Town, where I live. So my approach to design isn't all that different, really. I'm pretty flexible when it comes to different styles, even cultural ones if needed. I guess the biggest challenge is working with clients in the US. The time difference can be tough since they're about 6 to 9 hours behind.

Grant in Egypt, one of his favorite travel destinations.

That makes sense. I'm always interested to see how designers cater their work to different locations, regardless of how similar their home area is.

Ok let's get out of here on a fun one. Your current work setup provides a lot of flexibility, so when you're not collaborating with clients or designing apparel, what are you getting up to? There's so many amazing sites in your part of the world. Any travel in particular you'd recommend?


South Africa, although it's been in the news for the wrong reasons and some inflated, but putting politics aside, is honestly an incredible place to visit. Everyone's heard of the big highlights like Kruger National Park, Table Mountain, the Garden Route, and the Drakensberg, and they really are worth the hype. Then there are more low-key hidden gems too. Scarborough, for example, is a tiny seaside town just 35km from Cape Town - peaceful and beautiful.

Then there's Swellendam and Bonnievale, about 150km out, offering a slower pace and loads of charm. The Cape region especially has a bit of everything - hiking trails, mountains, surf spots (the water's chilly though!), lush greenery, adventure sports, and a buzzing nightlife.

It's a mix that keeps things interesting for any kind of traveller.

Well I might have just found my next international destination! It truly sounds like a magical place to live. 

Thanks so much for taking the time to chat with us, Grant. Best of luck with the freelance work and know that we're always looking forward to the next Gamma Ray design!

💡
P.S. Use code featurefriday20 for 20% off all Gamma Ray products now through Sunday, June 1!