Cotton Bureau referral codes are here.

For years people have been asking you, “Where did you get that amazing t-shirt?” and you’ve been telling them, “Cotton Bureau. It’s where I get all my shirts.” purely from the goodness of your heart because you love your friends and you love Cotton Bureau even though there’s absolutely nothing in it for you.

While we’re incredibly grateful for the kind words and your generosity of spirit, we think no good deed should go unrewarded. That’s why starting today we’ve got a simple way for you to get a little something for the spectacular work you’re already doing.

Cotton Bureau Referral Codes Are Here. 🤝

If you have a Cotton Bureau account, check out your discounts page. You’ll see a private code (just for you) and a public code (for everyone else). Copy and paste that public code somewhere you can easily find it. Then, any time you mention Cotton Bureau, casually drop that sucker right in the middle of the conversation. For every new customer that buys an on demand shirt, hat, or phone case, you’ll get $5 you can use for anything on the site. Your friends will get $5 off their order and — for the next two weeks only — free shipping*.

When you’re ready, redeem your referrals to cover up to 100% of your order, including shipping. Just select the items you want to order and use your private code at checkout. You can review the total number of referrals you’ve made and the size of your discount from inside your account.

Do note, your private discount can only be used one time. Once used, a new private code will be generated. Any balance left over from the old one will be destroyed. Maximum earnable discount is $250 every three months.

You said something about prizes? 🥇

Wait! Before you go booking the nearest skywriter, updating your MySpace profile, and printing your referral code across your chest (people are going to ask a lot of questions already answered by your shirt), you should know that during the introductory period, we’re keeping track of who refers the most new customers to Cotton Bureau. We’ll be awarding a grand prize to the person who has the most successful referrals. We’ll also be handing out prizes to the runners up (second and third place) as well as smaller gifts to three winners that will be randomly selected from everyone who makes at least one referral by the end of the day Thursday, July 27, 2023.

Keep your eye on the Back Room blog and the @cottonbureau Threads account. We’ll be sharing anonymized leaderboard updates each day.

Here’s the initial prize list to kick things off:

Grand Prize: iPad 10th Generation
First Prize: AirPods Pro
Second Prize: Ninja Creami
Additional Prizes: Cotton Bureau Metal Card, Teva Hurricane XLT2 (2)

If we hit 100 referrals in the first two weeks, we’ll upgrade that iPad to an iPad Pro and throw in another pair of Tevas for good measure. (Additional stretch goals to follow if we happen to blow that number out of the water.)

Ready? Find your personal codes — including balance and usage — by logging in to your account and visiting the “Discounts” section.

Okay, go get ‘em.

Pro tip: click the discount code from your account to generate a URL to share. Anyone using that URL will have your discount applied automatically at checkout.

*International orders get 50% off shipping, like always.

Feature Friday #002 — Steve Habersang

Steve Habersang / Feature Friday #002

Hello, and welcome to Feature Friday #002, our new series highlighting some of the incredible people on Cotton Bureau. You can follow Steve on Instagram to keep up with all his work, or check out his entire Cotton Bureau portfolio.


Hiii, how are you!? Looks like you've been keeping busy this summer. Do you enjoy getting out and working the shows with fellow artists? I imagine you meet so many talented people, it's got to be interesting.

Yes! I do a lot of live events this time of year, and I love it. I live in a small state, so it's a pretty tight-knit artists community. It's honestly an honor to be among such a talented group of people. I'm always amazed when I see the creativity and ingenuity of fellow artists and artisans. As a small community we are also always rooting for each other, supporting one another and working together to encourage each other's success.

Live events are fun, too, because I get to have face to face interaction with my customers. They often share their stories about why they are attracted to a certain piece. My work tends to be a little quirky, so I really enjoy seeing people laugh or smile when they look at one of my drawings. It's just a good all-around energy to be live and in person among fellow creators, and those who appreciate the arts.

Chicken doodle

Gosh, that's awesome! Sounds like a really cool experience. I think I'd be nervous seeing people interact with my work irl but maybe not if I was as talented as you! Speaking of quirky, I'm a little obsessed with the Animal Farm series. Do you have any animals yourself? Or just get a kick out of drawing them. Something about a chicken with pearls and shopping bags just feels so wholesome. Definitely curious about the inspiration behind these.

Luckily for me, by and large the in-person feedback is mostly positive! Currently I'm owned by an orange tabby cat named Pooh. I have been obsessed with animals large and small since I was a kid. I actually almost became a marine biologist instead of an artist and graphic designer, which is why animals and ocean life are subjects I really enjoy drawing. I was also heavily influenced by books and cartoons that anthropomorphize animals, like Calvin and Hobbs and the Wind and the Willows.

Certain animals have very notable traits and behaviors, and I use that to imagine what they'd be like if they were human. I think it's just funny to consider an uppity chicken clucking around in fancy clothes, pecking into high-end shops. Or you had mentioned my thrash panda. I feel like if given the chance, a mischievous racoon would totally shred it up on a skateboard. It's playing up those traits I think these animals inherently have to the most ridiculous degree I can think of when I conjure up my ideas.

Thrash Panda tee

Ha yes, couldn't agree more with the notable traits and behaviors. I find myself wishing there was a book to go with your drawings sometimes. You create characters that are so interesting, I just need to know more about them. Ever consider something like that? Maybe a children's book or cartoon?

I've been asked many times about children's books, but I stick to what I know, which is drawing. Writing is not my strong suit. If a writer ever came to me with a compelling idea, I would definitely entertain the possibility though! As far as a series of my own, I have one character that I call Lil Grim. He's featured in a set of drawings exploring what the Grim Reaper does on his days off. As you can imagine, there's always a little twist of the macabre involved in his free time activities. I also tend to do "sets" of ideas. I have a set of drawings I call party animals, with different animals drinking (Beer Bear, Whiskey Wolf). And my pool days drawings (my shark in a flamingo floatie, and my dolphin in a donut floatie). I hope to expand on both of these soon!

Lil Grim doodle

The sets of ideas are really fun, I'd like to think all the Party Animals hang out and have a really good time. Hoping to see a Mai Tai Monkey join the mix soon lol. It looks like your preferred technique is stippling, has that always been the case? The time lapse videos are great to watch, but I'm not sure I'd have the patience to actually take the time to create a whole drawing that way (granted, I can't draw to save my life, so maybe it's more fun if you know what you're doing).

Haha I love a monkey with a mai tai. I just came back from Hawaii and had quite a few mai tais so I may have to make that drawing happen! Stippling does take quite a lot of time and patience. Right now, I'm working on a large, detailed drawing and am somewhat regretting the small penpoint I chose. Over the years I've experimented with a lot of different methods and tools, and always just preferred the end results of the stippling technique. Now it's become something of my trademark. I do draw in other styles but it's just what I prefer. I just love the fact that all these little dots can come together to create something visually clean and striking.

Whiskey Wolf phone case

Hahah yesss I'll keep an eye out for Mister Mai Tai. But yeah, the tiny little dots turning into a whole masterpiece is really something. Did you learn the technique anywhere or just one day pick up a pen and went to town?

I'm self-taught at stippling. It's just something I decided to try and have worked on it over time to hone my skills.

That's awesome. One last question for ya. Do you have a favorite project? Anything that's really stood out for you over the years?

I don't have one particular favorite or stand-out drawing or project. For me it would be like picking a favorite child. They all are meaningful to me in different ways. I think overall just building a catalog of work and turning it into a business has probably been my favorite "project."

Totally understandable, they're all pretty rad from the outside looking in so I imagine putting blood, sweat, and tears into them really ups the ante. But anyways thanks for participating on this one, Steve! It's always neat learning more about our designers and I'm excited to see what's next for Habby Art :)

Thanks for asking me to do it. It was a lot of fun!


Before you go, check out Steve’s perfect summer vibes Ahhhhh. Time to Relax. Dad Hat available now on Cotton Bureau!

Time to Relax shark dad hat

Feature Friday #001 — Virginia Poltrack

Hey, everyone. Welcome to a new series we’re starting highlighting some of the incredible people on Cotton Bureau. Virginia created our wonderful 10th birthday celebration tee (available only until Wednesday, June 21) and is a fantastic designer and illustrator. We previously interviewed Virginia all the way back in 2014 if you want to read more. You can follow Virginia on Instagram and Twitter to keep up with all her work, or check out her entire Cotton Bureau portfolio.


Hey, Virginia! How are you?? Are you still in Johnstown? What’s new?

Hi there! I am still in Johnstown - and what's new? Let's see...well, I've been working for about a year at a Start-up out of San Francisco called "Observable", it's a collaborative data visualization platform. It's been very challenging in the best way. I love the fact that the CEO is a woman, and my manager (the Design Lead) is also a woman. Sookie is still my office manager, of course, and she's still interrupting meetings in an arbitrary and capricious manner (I love her so much!).

Last time we talked you were working on some fun Google Glass projects. Since then we’ve had a number of AR (but mostly VR) projects that haven’t quite become mainstream the way smart phones and watches have. Are you still interested in the space? Do you think AR/VR are going to be as central to our lives in 10 years as phones are today?

I am interested in the space, but there are still a number of issues, I think. The price point for all of these devices is still prohibitive to the average consumer. Additionally, we haven't really found the problem we are solving - sure, you can do some cool stuff, but what are they REALLY for? And there is still this vague, like, factor of looks, right? People aren't used to seeing these facial devices, and they think it's not cool, or it freaks them out, and that's a real barrier to ubiquity. I don't know when, or if we will see cultural saturation of these AR / VR devices, or what form factor they will take. I will say, it is really fascinating to see smart folks working these problems out and finding solutions. And maybe it isn't the designers or companies that will crack the solution to this, I think it'll be the developer community - what they build, and how they build it may be the answer to changing public perception.

I love the hand-lettered place names and photos on your Instagram. Anywhere in particular you would like to visit next?

Ahhhhh thank you! I was inspired by all the phenomenal letterers on Instagram, so I started using this little Muji notepad to doodle names and get photos on trips. We were in San Francisco awhile ago, in line for the cable cars, and a tourist couple from Germany were asking about it when they saw me taking photos. They thought it was very cool 😎 I showed them all the places and names and we got to talking while waiting in line!

The top three cities I would love to visit someday are Tokyo, Lagos and Chiang Mai. No plans or tickets just yet, but I'm optimistic! I need to figure out a way to get a cantankerous, geriatric sausage dog flight ready (kidding, I think she would hate it). I recognize the privilege I have, being able to see all these amazing places, it's really delightful to try and document it as much as possible.

Wow, you have clearly thought about this. Those are some pretty amazing locations. (No disrespect to the rolling hills of central Pennsylvania farmland!)

Last question: what’s your favorite thing to do that isn’t drawing, designing, or traveling?

LOL the rolling hills of Pennsylvania farmland, I love it!

Whew, great question. Napping and snacking are two favorites, for sure! Also seeing concerts and live music, camping, hanging out with family, being outside, these are all things I really love to do as well. Oh, and I can't forget the Jeep! I have a 2006 Jeep which I adore (I know, I'm being one of those "Jeep people", it's fine). Sookie has a special harness she wears, and LOVES going for rides in the Jeep, it's hilarious. Her little ears flap in the wind and her little nose is up in the air, sniffing away.

Also, of course, creating shirts for Cotton Bureau ❤️

Aww, that’s super nice of you to say! Thank you so much for chatting with us. We love the 10th birthday design you put together for Cotton Bureau, and of course, everyone should check out your new Sookie hat.


That’s it for this week’s interview! Don’t miss the Cotton Bureau 10th birthday sale. We’ve got three incredible limited time only items available: the appliqué logo sweatshirt (on the ultra-soft Bella + Canvas 3901 in mauve, heather navy, and dark grey heather), Virginia’s flowery Cotton Bureau logo on a variety of black t-shirts, and our 10th birthday metal cards. Use code HBDCB10 at checkout to get free shipping on all items, and pick up a metal card to get free shipping on all orders for 12 months.

Oh, and don’t forget, we’re giving out prizes from our friends at the end of the sale. Read more about the whole sale.

Cotton Bureau turns 10.

There’s a strangeness to sitting down to write an email celebrating 10 years of Cotton Bureau. It’s difficult, or maybe impossible, to express the gratitude you feel towards the people who have been a part of the last decade of your life… employees, customers, partners, investors, collaborators, family, friends.

It’s equally challenging to describe the process of getting to here, wherever here is. It doesn’t happen all at once — launching, growing, exploding, shrinking, crashing, recovering, pivoting, steadying, evolving, expanding — yet it’s all somehow compressed, like traveling through a wormhole to the future, watching the present stream by.

Just yesterday, we were enthusiastically sketching out plans for kickstarting pre-order t-shirt campaigns and pitching potential names on an 8' wide glass marker board. Now we’re… a company with that has shipped nearly a million stickers, pins, notebooks, pens, posters, hats, mugs, phone cases, sweatshirts, tank tops, buttons, pajamas, totes, coins, towels, socks, wristbands, pillows, glasses, etc. to more than 100,000 people? Someone explain this to me.


The history of Cotton Bureau contains many firsts. The first conversation. The first tweet. The first comp. The first commit. The first submission. The first sale. The first shirt off the presses. The first dollar in the bank. Some of those firsts happened in December 2012, in our first real office on Smallman St, when Cotton Bureau was conceived. Some happened in March of 2013 when we began inviting designers and made the first public announcement that we had a new project up our sleeve. The big one though, the birth of Cotton Bureau, happened 10 years ago today.

On June 12, 2013 an email six months in the making blipped across the internet to 652 inboxes announcing that Cotton Bureau — a curated, crowd-funded t-shirt community for designers — was open for business. Some of you opened that email (489 if the stats are to be believed). Thank you for sticking around, and for telling a few of your friends about us too. Today’s anniversary email will be viewed by a humbling multiple of that number.

It’s risky and likely foolish to look to us for lessons on how to run a business. We’ve made mistakes, plenty of which could have and should have meant the end. Still, there is something to be said for showing up, doing the work, and enduring. Good things happen when you care.

Having now witnessed many companies come and go (including more than a few that we admired deeply), we’re grateful for the opportunity to continue working with tremendous designers and communities. It is a privilege. The people we’ve teamed up with that we never dreamed would answer our emails is too long to list, and singling any of them out feels wrong. Whatever success we have had is due in large part to their generous participation.

Many people have been thanked privately, but I would like to extend a special thank you to friend, co-founder, and designer emeritus Jay Fanelli. There would not be a Cotton Bureau without you.


And now for the cake and presents. It wouldn’t be a birthday if we didn’t have some fun.

First of all, get free shipping on all products using the code HBDCB10 at checkout for the next 10 days. (Fine print: free shipping for U.S. only, 50% off international shipping.)

Second, we have several brand new Cotton Bureau designs to share, including two limited time only pre-order campaigns.

There’s our 10th Birthday Logo Tee, designed by our good friend Virginia Poltrack. The classic Cotton Bureau logo is aged and a little overgrown now, but it feels like home.


We also have a special felt appliqué logo sweatshirt in mauve, heather navy, and dark grey heather. Perfect for evening fires and staying inside all year long.

As we are expanding our on demand offerings, we put together a Cotton Bureau logo dad hat and logo tote. We’ve also got Cotton Bureau notebooks for good measure.

Finally, and this is the big one, we have a very special 10th birthday product… Cotton Bureau Metal Cards. A fantastic souvenir for anyone who loves Cotton Bureau + free shipping on all Cotton Bureau orders for a year. It’s a steal. (Order quickly. These cards are sequentially numbered to 200 and extremely limited edition.)

Weighing in at pleasingly hefty 27g, these precisely milled stainless steel cards measure 89mm x 50mm x 1mm with 5mm smoothly radiused edges. The front features the Cotton Bureau badge and wordmark along with the year 2023 A.D. in Roman numerals, while the obverse proudly displays your exclusive serial number and our heartfelt appreciation for your support as a friend of Cotton Bureau.

Tongue-in-cheek message on the back notwithstanding, every Cotton Bureau Metal card includes free shipping (good for 12 months from the date of purchase) as well as automatic entry into any/all Cotton Bureau giveaways for one year, including our 10th birthday celebration.

Your Cotton Bureau Metal Card and associated benefits are renewable annually. Reserved for the truly committed, the Cotton Bureau Metal Card is a weighty symbol of your patronage. Who knows what other good things may come to those who possess one.


If that wasn’t enough, there are prizes. All orders in the next 10 days using the code HBDCB10 are eligible to win one of the following:

A MICRO Soft Shell wallet from slimfold.

MagLock sunglasses from Distil Union.

A limited edition iridescent purple Mark One pen from Studio Neat.

A pair of Amber Rocks Glasses from Manual.

A Pen Type-C from CW & T.

And the grand prize, a Time Since Launch from our friends at CW & T. What better way to celebrate a milestone of your own in the future.

If you’d like to get in on the prizes without purchasing, please send a birthday card to us. We promise we’ll read them all.

Cotton Bureau
6425 Living Pl
Unit 200
Pittsburgh, PA 15206


Thank you all for your support. Here’s to another five, 10, 15, or 20 years of Cotton Bureau.

Updated mockup rendering.

Every time you visit the Cotton Bureau home page or a product page or pretty much any page on the website, what you are actually looking at when you see a t-shirt is a carefully rendered mockup. The artwork (the design file you gave us) is layered over (and sometimes under) a series of other images to display a photorealistic composite that, we hope, matches what you and your customers ultimately receive in the mail after it has been printed.

When we started Cotton Bureau in 2013 (more about that next month!), that entire process took place in Photoshop. We took photos of blank shirts, then painstakingly separated the shapes, shadows, and highlights into separate layers. Every new shirt we added to the site was hand-edited to look great. It was also, as you can imagine, quite slow. As we added more shirt styles, the time to set up each new product naturally increased. We built tools; we automated; we eventually made the entire procedure self-serve — which is what you see when you go to submit a new product today.

Even at the small scale that Cotton Bureau operates at, you are still talking about hundreds of thousands of images today and likely millions of images in the near future. Each product typically has several colors, materials, and styles. Those images also then need to be served at device-appropriate resolutions. Altogether, that’s a lot of files, each of which are generated at the time of product creation then stored on servers all over the world to be displayed as quickly as possible when they are requested.

Clearly we’ve outgrown a few people on laptops cranking out mockups in Photoshop. What we have also outgrown thanks to the cost of storing and fetching all those images on all those servers is pre-generating every single needed file at the time of product creation that might ever be needed. With phone cases joining shirts last year (and hats and other new products on their way), we couldn’t wait any longer to create a new system.

The central premise of Cotton Bureau in 2013 is still the same today: try not to make something before you need it. That applies to images just as much as it applies to t-shirts. The cost of making and storing images is a lot lower than making and storing t-shirts, but the scale is a lot greater. What if we generated images just in time instead of (in computer terms) way, way ahead of time? If we did that, we could reduce the number of images we are storing (caching) from 100% to 10% or 1% or… 0.1%?

There’s no free lunch, of course. Now we’ll be paying more to generate images and less to store them, but overall we expect to see significant savings by migrating images away from Amazon and Imgix to our main servers (Linode).

Will you notice any of this? We hope not. We’ll be moving to the new system in stages over the next few months. If all goes according to plan, the website will look and feel the same.

But. All of that is relatively uninteresting and technical. Are there any other benefits? Yes! Because product images were all pre-rendered, changing any of the underlying assets meant massive re-renders across all site products. Adding colors and styles was quite painful. There is a plan — exacting timing is still very much tbd, though we are targeting 2023 —to start introducing additional non-core brands and styles (and completely new product types) as we are able to source and validate. That should result in increased flexibility for everyone in finding just the right garments.