A Good Endeavor

I’m not sure how to tell this story other than candidly and from the beginning.

Cotton Bureau was conceived all the way back in 2011 as an extension of United Pixelworkers, a place our friends (designers and businesses alike) could sell high-quality, well-designed t-shirts on a pre-order basis just like we did. At the time we were too busy building websites for paying clients to start yet another side project, but we finally hinted at the possibility at the bottom of a lengthy blog post in early 2013. People were interested. We decided to go ahead and build the world’s most minimally viable ecommerce site. Cotton Bureau offically launched in July 2013. Submissions were entirely by email, we sold nothing but t-shirts, and you could only support one design per transaction. It wasn’t so much a store as a t-shirt crowdfunding site that had more than a little in common with Kickstarter. At the time, Cotton Bureau was just one business of a three-headed monster which included our web design shop Full Stop Interactive and our imaginary digital labor collective slash lifestyle brand, United Pixelworkers. We were content to let it grow at its own pace.

That all changed November 2013. We had cleared the decks internally for a large client project we were anticipating. Out of nowhere, it fell through. While it certainly wasn’t the end of the world, it felt like a sign. We were always extremely selective with our clients, yet, at the end of the day, they were still clients which left them perfectly capable of dropping the ball after we handed it off. We were also tired of the grind of winning a job, engaging in discovery and design, building, and launching. What if we could work on the same website for long enough to start making iterative improvements and measuring the impact of our decisions? One of the companies we most admired had switched from client services to products once upon a time. Why couldn’t we? So we did.

That left us in an exciting but precarious position. We needed more money to meet payroll than we were bringing in. Let me quote from our farewell letter:

The decision to walk away from lucrative client work is difficult, to say the least. Our products don’t make enough to completely support us. We think they can, but the only way to know is to try. In many ways, we’re right back where we were four years ago when we started the company: jumping from a precipice, hoping we sprout wings before we hit the ground. It’s thrilling, but we know that there’s a fine line between thrill and abject terror.

It’s right about the time you’re paying yourself well below market salary and aren’t sure you’ll even be able to do that next week that you begin asking yourself the VC question. We knew Cotton Bureau had big time potential. The idea was solid, we had more than enough traction, and there were others in our space who had already raised. When you’ve got kids at home or your spouse is laid off or you know you could walk away tomorrow and double your salary, it’s, shall we say, challenging to stick to the plan. We reminded ourselves that we were working to build something that lasts, something that reflected our values rather than abandoned them, something in which we could *all* take pride.

For the next three years we worked steadily to realize that vision. We shuttered United Pixelworkers to dedicate more time to Cotton Bureau. We hired. Then we hired again and again. We rejected the predominant mode of startups and startup culture. We were (and are) on Team Cameron. We didn’t want to run a race where the predetermined outcome was to get big or die trying. We said repeatedly that we wanted to remain independent and run our business in a way that took all stakeholders into consideration, not just the ones with the most money.

I’d like to quote from one of our many statements on running an independent business. This is from our soliloquy “Selling Out”:

Here’s the truth: Cotton Bureau has never sought or accepted outside investment. We didn’t set out to grow fast and flip the company for a quick profit. We’ve earnestly and frankly laid out our motivations before you. We can’t promise they’ll never change. Ultimately, we — like you — have to do what is best for ourselves. We trust that the business model we created is sustainable, fulfilling, and fair to everyone involved. After all, we agree with Cabel: maybe this is the best time of our lives.

For three years we did that. We proved to ourselves that Cotton Bureau could exist and thrive as a small business amidst both well-funded startups that are growing as fast (or faster) than humanly possible and entrenched incumbents who have all the advantages (and disadvantages) that come from decades-long legacies.

Then something changed. Last week, we concluded an agreement to accept a small cash injection from some new friends of ours. We want to tell you why and what we think it means for us (and you) going forward.

Why now?

First, we’re not desperate. Cotton Bureau is in a healthier place today financially than it has ever been. Revenue for the first half of 2016 was 40% higher than the previous six months, and we expect the rest of 2016 to be even better. Still, after three years, the list of things we want to do is so much longer than the list of things that we have been able to do. It will take us 10 years to complete our development roadmap at our current pace. We don’t want to wait.

Second, bootstrapping a business is like starting a fire by rubbing two sticks together. Through sheer effort, we coaxed an ember into existence. We laid it in the fluffiest nest of tinder and breathed on it gently until the tiniest of flames emerged. Even now, the kindling is barely lit. The success or failure of this fire requires our constant vigilance. We want to fuel this fire not nurse it. Locking in the value we’ve spent the last three years generating gives us the financial flexibility and resilience we need to do just that.

Third, we found Indie.vc.

Why Indie.vc?

Indie.vc was first announced January 2015. Cotton Bureau was 18 months old at the time. We had just closed United Pixelworkers. Every decision we made had to be measured in terms of its effect on our week-to-week cashflow. Was the precise thing we were working on worth our time and effort? If we ran an ad, would it make back the spend and then some? Could we find someone willing to work part-time?

For years we had been looking to obtain a line of credit from a bank to give ourselves some breathing room. Each time, however, they made up a new and more ridiculous reason why we couldn’t qualify. (Actually these were probably completely rational reasons from the habitually risk averse banks’ point of view, but compared to the more aggressive nature of internet businesses, they seemed maddeningly short-sighted to us.) We considered trying a small business loan, but we didn’t have a large capital expense or an obvious way to immediately recoup the money.

As you can tell, outside investment was definitely not our first choice. We reluctantly decided to have a few conversations with friends and investors during this time just to make sure we weren’t missing an opportunity out of ignorance, but it only confirmed what we already knew: when you get in bed with a VC, that’s not a decision you can unmake. You had better be sure that’s what you both want.

The good news was that revenue at the time was climbing consistently month-over-month, and we were now working full-time on Cotton Bureau. The bad news was that we were still just barely scraping by personally and as a business. When we saw the Indie.vc announcement and the follow-up discussion on Hacker News, we were intrigued. It probably goes without saying (again), but we hang our collective hat on a certain stubborn independence. If we’re not free to make decisions consistent with our values, we’re not interested. Now here was someone offering money and support with the explicit premise that independence was a virtue and should be guaranteed.

Bryce, the creator and director of Indie.vc, even wrote up some principles that might as well have been hanging on our office walls in his post “Drafting a Declaration of Independents”:

* Independent businesses are majority owned by their Founders.
* Founders should maintain full voting control of their board of directors.
* Independent businesses should provide equity or equity-like profit sharing to all employees that should be reported in percentage of company/profits vs. number of shares.
* Independent businesses provide a real time view into companies financials and make that available to all employees.
* Independent businesses should provide the same level of benefits for all employees as they do for their Founders.
* Independent businesses respect their users by not selling their data to 3rd parties or opting them into spammy offers.
* Independent businesses, who’ve raised outside capital, put in place a distribution plan for their investors to share profits and relieve pressure to go public or sell out.

Where do we sign?

Along with 500 or so other applicants, we threw our hats in the ring. We reserved the right to decline any offers we might receive, but we felt obligated to at least see how the process played out. Fast forward a few weeks or months, and we were on the short list. Except… it didn’t happen. Bryce and his team rightly concluded that while our core business was strong, the amount of money being invested was unlikely to move the needle for us, particularly without a firm plan for how to spend the money. We were inclined to agree. Indie.vc decided to invest in some other companies instead. Still, we kept in touch and even bumped into each other at XOXO last year in Portland. If there’s one thing I’ve learned to embrace in the past seven years of running a business, it’s valuing people and relationships as highly or even more highly than product. None of our businesses would have succeeded without the kind words and deeds of others. Doors close in your face all the time. Don’t burn the house down out of spite.

A little more than a year after the original round launched, Indie.vc announced that they would be opening a second round of investments, this time with a higher cap. After a brief discussion internally it was agreed that we would try again. Revenues were up significantly year-over-year, but that didn’t alleviate our frustration with being cash-strapped. So many ideas, so little disposable income. Some ideas were big, some were little, very few if any could be realized without severely straining our resources. We contacted Bryce and suggested Indie.vc might want to take another look at Cotton Bureau. That email set in motion a chain of events that culminated in Indie.vc investing the full amount available for an individual company under the terms of their current round. It’s not a huge number by Silicon Valley standards, but it’s a radical change for an independent company with revenues that exceed costs. When you have a negative burn rate, it doesn’t take multi-million dollar investments to unlock substantial possibilities.

A Good Endeavor

That more or less concludes our story for today. It’s a good day, and we’re excited. We had our celebratory office donuts yesterday, and while it’s neither the end nor the beginning of the story, we think it’s a good time to remind ourselves of the help we’ve had along the way. We would like to offer a public acknowledgement and thank you to our partners and families for their patience and support the last seven years as we felt our way along this path. We would also like to thank a handful of friends in the industry who were considerate enough to lend us their time in answering our questions about their experiences with business and outside investors including (but not limited to) Dave Pell, Mike Davidson, Sean Ammirati, Ned Renzi, Stephan Ango, Matt Alexander, Matt Haughey, Derek Powazek, and Heather Champ. We can’t do justice to their contributions in this limited space. Finally we need to thank each person who has bought or designed a shirt and especially the people who have chosen to entrust their livelihoods into our hands. Cotton Bureau doesn’t exist without you.

Let us leave you with this: Cotton Bureau is a company of people from different backgrounds, in different situations, with different beliefs. We don’t agree all the time. In fact, we disagree a lot. If you’ve seen Jay and I speak at a conference before, you’ll know our differences run wide and deep. If you visited the office, you’d often find us in a heated debate on what is right and good. Where we agree is in having a shared understanding of the value of a job well done, in our insistence that work provide not just money but meaning, in our concern for fairness and empathy in the relationships we build with one another, with our vendors, our partners, our customers, and, now, our investors. We believe an independent Cotton Bureau can do great things. We’re thankful Indie.vc shares that vision.

The following are some questions you might or might not have.

How will Indie.vc support and empower Cotton Bureau to fulfill its goals as a company?

We’ve stated publicly that “success for us is building a sustainable company that helps designers and communities meet their financial, practical, and creative needs.” There’s no question in our minds that aligning ourselves with Indie.vc is going to advance that mission. Working together gives us access to more resources without compromising our principles or the financial integrity of the company.

What are you going to do with the money?

We’re going to spend it. We’ll have more on that soon. If you’ve been paying attention, though, you might be able to guess one of our highest priorities.

Does this make it more likely that Cotton Bureau will raise additional money or be acquired in the future?

More likely? Yes. Likely? Not necessarily. If either of those events ever takes places, we would like to think our approach will involve the same cost-benefit analysis that led to this decision. How does the proposed event help or hinder our stated corporate goals?

Are you hiring?

Yes, we are. Thank you for asking. We’ll have more details on that next week, but we are specifically looking to hire a designer and a developer. If you’re considering applying, please know that you need to be good at those things. Designers are expected to be sufficiently well-versed in HTML and CSS to be able to execute their designs in the browser. Developers should have a functional grasp of both front-end and back-end technologies. You can email us@cottonbureau.com if you’re interested. We’ll have full job descriptions available next week along with some thoughts on hiring in general.

Are you moving?

No, we are not moving. We’ll be staying right here in sunny Pittsburgh.

Democracy Design Challenge

Cotton Bureau has been around for more than three years, and believe it or not, in all that time, we've never give you a theme for design submissions. That ends today, because this month's design challenge is...DEMOCRACY.

It's go time here in America. The conventions are behind us, there are only 100 days left until the 2016 presidential election, and (almost) everyone has chosen sides. Maybe you're with her. Maybe you're still feeling the Bern. Maybe you're (deep sigh, eye roll, gulp) hoping to Make America Great Again. Maybe you prefer a third party candidate, or hope for four more years with Barry. Or maybe you just wish someone else entirely (Beyoncé, anyone?) or someone fictitious (Josiah Bartlet?) was running.

Whoever ya got this November, we wanna know, so send us a tee design this month featuring your chosen candidate (or just something vaguely election-related). We'll be featuring our favorites on Instagram, Twitter, and the Cotton Bureau homepage.

Good luck, and we'll see you again for our next design challenge in September.

We’re Turning 3!

We’re turning 3, and we want you to have all the presents! Read on to learn more.

Three years ago, we launched a little project out into the world called Cotton Bureau. An offshoot of our beloved United Pixelworkers, we had an idea (and a hope) of what it could become, but really no idea what it would become. Three years later, we're on track to sell more than 60,000 shirts in 2016. We’re a full-time team of six. Every month this year has been bigger than any other month that came before. We've worked with some of our industry heroes and made dozens (hundreds?) of new friends. We're eternally grateful for everything the Cotton Bureau community has done for us.

So just like last year, we're celebrating our birthday not by buying ourselves something nice—though we did pick up a pretty sweet toaster oven for the office a few weeks ago—but by giving you all the gifts.

For the next 4 days—from today, Friday, June 10 through Monday, June 13 at 8pm EDT—we're passing along big savings and giving away awesome prizes. The more shirts we sell, the more we'll give away.

Go shop now!

To give you an idea of how this should go, we sell ~500 shirts on a typical Friday through Monday, so we're basically guaranteed to get through the first four prize/savings tiers. Last year, when we ran a similar contest, we sold 900+ shirts in a single day. So...this should be big.

To sweeten the deal a little more, we cooked up a Cotton Bureau 3rd Anniversary Commemorative T-Shirt—available for pre-order in tri-blend black and 100% cotton black tees and a tri-blend black tank top until Monday, June 13 at 8pm EDT.

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You knew there'd be fine print, so here it is...

The contest happens today, Friday, June 10 2016 through Monday, June 13 2016 at 8pm EDT. If you buy a shirt 20 minutes past 8pm on Monday and ask to be included in the drawing, we’re going to act really disappointed and probably shake our heads at you.

Discounted price is not cumulative, and only applies to shirts purchased during the contest timeframe. So if we sell 1,250 shirts, all eligible shirts will be $4 off.

The gift portion of the contest is only open to customers in the United States, though all pre-order purchases are eligible for discounts.

Each entrant is limited to five (5) prize entries. If you buy 5 shirts, you get 5 entries. If you buy 15 shirts, you get...5 entries.

Only purchases of pre-order designs are eligible. That means no mystery shirts or kids shirts (though you should totally still buy them).

We’ll contact the prize winners on Friday, June 17. If you win, please allow us a few weeks to ship you the goods.

You don't have to buy something to enter into the drawing. Mail us a note to Cotton Bureau 2000 Smallman Street Suite 203A Pittsburgh, PA 15222 and make sure it's postmarked by Monday, June 13, and make sure it arrives by Thursday, June 16. Also, make sure your name and email address is included somewhere.

Freshly Laundered 038 / Matt Hamm

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British designer and illustrator Matt Hamm hit a thread with his Deathstar Interior Lighting shirt design - it’s one of our top 20 all-time best sellers. Pretty impressive considering it’s been on the site less than nine months. We sat down for a quick interview on the man behind the shirt. Read on to hear about the risk he took in starting his own studio.

CB: Let’s start with a quick history - how did you become Creative Director and Co-Founder of Supereight?

MH: I was working at a web design agency in 2009 with a very talented web designer Pete Orme. Increasingly I found myself thinking that I could do most of the work here like new business, project management and accounting as well as designing and front-end development.

That week, I met up with my ex-boss from a larger design consultancy, that I had worked at previously, for a bit of extra freelance illustration work. We starting chatting about the idea of setting up my own company, using some office space there and becoming part of the consultancy’s network. He was also offering to become a silent investor and feed me work from the consultancy and the network. It all seemed like an offer to good to refuse.

He also suggested finding another designer or developer to work with and Pete Orme, my colleague at Kyan, came to mind immediately. I suggested the idea to Pete and he didn’t even need time to think about it. He said he was in and even had a feeling that was something I might suggest to him before all this happened.

We waited a few weeks and then dropped the bombshell that both of us were leaving Kyan. Kyan were gutted, yet really good about it all and completely understood.

As the time got closer to us starting our new company, now called Supereight, the whole deal with the design consultancy fell through and we were left to start this thing on our own. We were gutted, but we had already made the first leap. Looking back now after 7 years, it was the best thing that could have happened to us.

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CB: Wow. What a rollercoaster of emotions that time must have been for you. How did you go about making sure the new studio was able to stay in business without the safety net of your investor?

MH: We only had one project lined up and we didn’t really pay ourselves much for the first couple of months. We didn’t have an office space initially so our overheads were pretty low. We managed to get our company noticed by our newly designed website being listed on lots of website galleries and got some interaction going on a few social media channels.

We were lucky to have a few bigger projects roll in after that from word of mouth. Once we had a financial buffer in place we were able to feel a bit more stable and continued getting work from recommendations.

It did feel risky at times, but that was part of the excitement of starting up a new business. We put in the hours and that time paid off.

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CB: A little hard work (and luck!) can go a long ways sometimes. What’s the best thing about being your own boss?

MH: The best thing about being your own boss is the flexibility of working hours and how that fits around family life. You call the shots. If you want to go for a ride mid-morning because it’s a nice day, you can.

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CB: You’re a pretty avid cyclist - what’s the connection between cycling and designing? Is there one?

MH: I don’t think there is a link between cycling and designing. Cycling, like running or any other sport, is just an activity to get you away from the screen and clears the mind.

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CB: Ha - fair point! How else do you spend your free time?

MH: Most of my free time is spent with my family. I have a beautiful wife from Venezuela and two lovely kids, aged 7 and 4. I’ve been doing lots of DIY recently. We moved into a new house last year and I ripped up all the horrible dated carpet and laid solid oak flooring in every room. I really enjoyed doing it, it looks amazing and we saved a hell of a lot of money in the process.

CB: Sounds like quite the undertaking! Thanks for chatting with us, Matt.

To see more of Matt’s work, you can check out his personal site or follow him on twitter, instagram, and dribbble. Sign up for the next printing of Deathstar Interior Lighting here.

Freshly Laundered 037 / Bridget Reed

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Philadelphia based Designer Bridget Reed hasn’t been in the design business long, but she’s already faced her fair share of hurdles and learned some good lessons along the way. Read on to learn more about her trials and tribulations, and how she’s overcome.

CB: Give us a quick history - how did you land on Design & Development as a career choice?

BR: My family says that I have always been drawn to both art and technology as a whole. While I was in high school, I constantly found myself spending my lunches and daily study period in the art department, better known to my high school as “the gallery” so – though I wasn’t quite sure EXACTLY what I wanted to do with the arts – I opted to attend a Tyler School of Art, Temple University, in Philadelphia for the beginning of my BFA. After my 2 years at Tyler, what I refer to as my “discovery period”, I found myself drawn more towards to my graphic and computer courses, and I transferred to Antonelli Institute, a 2-year school specializing in design and photography, as well as the business sides of both careers.

Throughout my first few months of post-grad interning, working, freelancing, contracting, bad bosses, late-night coffee runs, and career-jumping, I almost always found that the jobs that I was interested in the most wanted someone with knowledge of AT LEAST basic programming languages. I started my (early) career-transition by taking some online HTML/CSS courses with Codecademy and Free Code Camp, until I saw a twitter post from Philly Tech Week about Girl Develop Its Philadelphia chapter. I finally attended my first GDI class, Intro to HTML/CSS, in August 2014, and the rest is history!

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CB: Now you’re a Designer, TA, and co-organizer for GDI in Philly, right? How did you get from mentee to mentor?

BR: Honestly, I feel like I was super lucky to end up in the position that I’m in. If you had asked me in college where I wanted to be in five years, I had one plan – I was going to (maybe) graduate, stay in touch with the friends I had made in Philly’s DIY scene, design their albums and apparel, and essentially get to travel with the bands as “Bridget, the merch girl”. If you were to ask me about those plan now, I’d tell you that I went into art school with super idealistic goals for my future, considering my impending $1,000/month student loans and affinity for shoes, and I wish that someone, whether it had been an advisor, instructor, etc. had actually told me that in the midst of my long nights in dark, loud basements, trying to fit in with a crowd I’d never truly be accepted in.

Fast-forward 4 years, and I constantly found myself either taking classes with GDI, continuing to work on classwork, and/or thinking about what I wanted to learn next. I saw that there was a design class, Photoshop 101, coming up and offered to TA. I found that there are tons of women in the dev and tech world who truly wanted to learn about more about design, whether it be to better communicate and understand the designer that they work with or for personal gain, so I continued to TA classes, both design and dev, and love to talk to students about how I made the jump from print to web design and dev.

As for the volunteering, designing, and organizing, I had gotten so used to designing for either school or work that when an opportunity popped up to design for myself (as well as a great non-profit), I jumped at the chance! I currently work on an amazing core team, all of which are men. I have had such great experiences with my primarily-male dev team as a whole, but I think that applying for jobs and just putting myself out there in general has really shown me how vital it is to introduce more women into this field and has helped me become a “mentor” of sorts.

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CB: Speaking of advice - what is one piece of advice you wish you’d have gotten in college you didn’t? What advice do you give to the women you meet through GDI?

BR: I think that one piece of advice that always rings true to me NOW is the fact that “the straight and narrow is not the only path to success.” I went through high school and college with classes and advisors that ingrained the importance of going to a 4-year college or university into each of us. They never touch on the fact that there were other options, and they never tell you that it’s okay to NOT know what you want to do with the rest of your life as a 16-year-old.

Ultimately, I have met plenty of men who automatically discount my opinions - whether it be because of my gender, my age, my education, or my affiliations - but I have met just as many women who are equally excited and terrified to make the jump into tech. It is a super empowering time to be a woman in STEM.

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CB: Where do you hope to see yourself in five years? And 15?

BR: I’m actually not quite sure what the future holds, but I definitely have a few long-term personal and professional goals!

Advertising:
After college, I was initially working in the advertising world and, while I wasn’t in a more interactive or UI/UX-centered position like I am now, I loved the feeling of seeing your work out in “the real world”. While I was going through the process of changing jobs, I had a few offers for print and production jobs in the ad world, but none of them really felt right, so I promised myself I’d get myself back out into the ad world if and when the right job comes along! Speaking of “jobs”, this leads me to…

Teaching:
Teaching design courses for Girl Develop It? Teaching design courses at my alma mater? (I mean, a full male design staff? What’s up with that?) Who knows! The sky’s the limit! Which leads me to…

Tech Conferences:
I’m speaking at my first tech conference, Web Design Day, in Pittsburgh this June! Crazy right?

I finally felt “worthy enough” to attend my first day-long female tech conference, ELAConf, in Philadelphia back in November 2015, and it changed EVERYTHING for me. I hope to continue speaking, networking, and traveling as much as possible while I’m young and (somewhat) free. Which leads me to…

Travel:
Look, I’m just going to get this out of the way: I went to Walt Disney World for the first time in my adult life over the week between Christmas and NYE (also known as the busiest week of the entire year) last year, and it is an amazing, beautiful, magical place that totally took away the stress of a shitty job and a bad boss for every single second of the 3.5 days I was there. That being said, I plan on visiting Disney as much as possible for AT LEAST the next 5-15 years and finally understand the magic of sunshine, dole whip, and pixie dust.

*Phew!* Now that THAT’S out of the way I’m traveling out of the Northeast for the first time EVER to go to California for Google I/O in mid-May, and I cannot say enough about how thankful I am to Girl Develop It for the travel grant and to Google’s Women Techmakers program for setting aside tickets to get more women involved with the conference and allowing me to meet so many amazing women from all over the world (including Cotton Bureau’s own, Virginia Poltrack)! Though I’ll only be there for a few days, Justin – my significant other & a super-talented photographer – jokes that I’ll never come home and we’ll have to move to Silicon Valley (only time will tell)! Which leads me to…

Personal Projects:
Between work, GDI, and other commitments I have, when it comes to the concept of “time”, I really don’t have much of it. I very rarely give myself the time to do personal projects, though Justin always jokes that I always find more than enough time at night to catch up on the latest episodes from the wonderful world of “ShondaLand”. Which leads to me…

Tumblr:
Though I may be exhausted at the end of the day, I will almost always make time for my nightly Tumblr blogging. It’s a place to zone out, get inspiration, find more music, see the best reaction GIFs, and absorb the types of content I totally need and appreciate on a platform that I have formed over the past 6 years; it is honestly my happy place. In other words, if I totally give up on Tumblr within the next 5 years, I will DEFINITELY be surprised.

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CB: How exciting that you’ll be speaking at WDD! We’re bummed to be missing the festivities this year. These are a solid set of goals - how are you working towards achievement in these areas of your life?

BR: Thank you! I’m super excited!

So I’ve always been a people-pleaser, and I used to pay more attention to the looming thought of disappointing others rather than what I wanted or – more importantly – WHAT I NEEDED. So, one day back in the beginning of the year, I decided that this was going to be “the year of me” or – a better way to put it – the start of a better relationship with myself.

After both graduating Antonelli in 2014 and leaving an underwhelming, underpaying job with your typical bad managerial situation back in January, I immediately wrote off the people who gave off a negative vibes or who were a source of bad energy. I, ultimately, decided to put myself first to figure out who and what was most important to me. None of my goals are possible without the super supportive people that I choose to to surround myself with, as well as the occasional “Treat Yo'Self” day and Sunday brunches.

CB: Sounds like an excellent plan! Thanks for chatting with us, Bridget.

To keep up with everything Bridget has going on, you can follow her on twitter, instagram, tumblr, and dribbble. Check out her website here. To be notified when Bridget releases a new CB design, sign up here.