Raise your hand if you remember our last Give Back Friday.
Anybody?
Kind of hard to believe it’s already been five years since we most recently donated to classrooms across the country. But today school is back in session.
Just like last time, we’re funding projects through Donors Choose. Cotton Bureau is pledging 100% of sales up to $3,000 — plus we’ll be featuring designers all day who are also donating their cuts. Surely we can work together to reach $5,000, right?
P.S. If you are a teacher (or know a teacher) in need, we’d love to hear about your project and help fund it if possible.
Live funding
9:29 am: We’re kicking off the day right by fully funding Mrs. Wermager and Ms. DeFeo’s reading projects. You can’t go wrong with a few good books and magazines.
12:25 pm: We take our sports pretty seriously here at Cotton Bureau (Go Steelers 🫠), which is why we're pumped to fund Mr. Putnam's project to supply his 6-8th grade Pueblo, CO soccer team with soccer balls for the season. That officially pushes us past the $1,000 mark for our GOOOOOAAAAAAAALLLLL!!!
1:19 pm: We're rolling now! Two more projects down for a total of five funded. And we're just gonna say it… Ms Potoma's New Hampshire's screen printing project might be our favorite. How could it not be? And of course we're thrilled to fund another hometown project as well.
We're almost half way to our goal. Let's keep it going!
3:46 pm: STEM projects in North Carolina and Nevada? Check and check! That's another $856 down if our math is correct. Perhaps Ms. Burcalow and Mrs. Brown can have their young mathematicians double check for us. Either way, we're almost fully funded!
4:14 pm: We definitely saved a neat one for last. Ms. Collins school store for deserving scholars is a great idea. The final donation makes it over $3,000 for the day with 8 total projects funded. You guys rock.
And keep in mind that many of our sellers have pitched in their cut to push the total even higher. All sales until midnight ET tonight will count towards Give Back Friday. Finish strong and we'll hopefully see you again next year!
Just in time for winter weather we’ve got cozy looooong sleeve shirts live on the site. You don’t have to do anything (other than let people know). All products on the site using black, navy, charcoal, grey, white, or maroon color bundles have been automatically updated to include the new styles.
After a bit of internal dialogue, we ended up going with the Bella + Canvas 3501 for these. They’re a bit roomier than the comparable Next Level style (3601) and have a nice cuffed sleeve that just feels right. We’d love to expand the color range next year, but we’re just happy to finally make something on this front happen at all. Like everything else we do, it’s been a long time coming and has a ways to go. Better late than never though, right?
Earlier this year (April to be precise) we officially announced our third on demand product category: embroidered hats. That announcement included a fairly important caveat. At the time, the on demand embroidery program was extremely limited. Every new on demand hat needed to be sampled and photographed before it was available to purchase on Cotton Bureau. We were well aware that process would limit the number of people who could participate.
In order to make embroidery available to everyone, we needed to create a tool to you all create your own products just like you do for t-shirts and phone cases. Over the last six months we identified and overcame each of the obstacles that prevented that from happening. Mockups needed to be generated instead of photos taken. We spent a fair amount of time dialing in the textures and warping to look as close to real life as possible. There’s still room for improvement there, but we couldn’t wait any longer to launch seeing as it’s now, uh, pretty much Thanksgiving.
Another challenge is ensuring that what you get is what you see. Embroidery is notoriously tricky. A multitude of decisions need to be made to translate artwork from pixels to threads including color matching, orientation, and stitch type. We explored a number of solutions that promised to handle all of that automatically. Frankly, they weren’t good enough. Maybe the technology to handle that will be ready in the future. For now, we rely on people to make those calls. When you upload your artwork, you can be confident that someone is reviewing and adjusting as necessary to make your hat the best that it can be.
With those problems licked, we are happily now able to expand access to our on demand embroidery program. If you have a track record of strong sales on Cotton Bureau, you can start selling hats today. Just head over to the submission tool to get started. For all intents and purposes, hats work just like t-shirts: you upload artwork, choose a size, add a few color bundles, and away you go. Naturally we take care of the rest, like always.
(Editor’s note: the nature of on demand embroidery means that the total number of thread colors available to us is limited. When you upload your design, if the colors look slightly weird, don’t panic. Check out our list of thread colors and edit your design to match as closely as possible. If it still isn’t working, get in touch so we can help.)
If you have been looking forward to on demand embroidery and don’t see the hat option, let us know. Given the manual steps still involved in the process we will be rolling out and expanding access gradually over the next several months, but we might be able to move you to the front of the line if you have a solid body of work on the site already.
Before we move on to additional holiday announcements, we just want to say thank you again for your patience and support. Adding new products, particularly ones with entirely new supply chains, is challenging but of course also exciting and deeply rewarding.
We’ve been very happy with the decisions we made for on demand embroidery in terms of thread colors, hat manufacturers, and embroidery partners (shoutout to our friends here in Pittsburgh who continue to do tremendous work). We’re thrilled with the quality and deliverability of the product. We can’t wait to see an explosion of hat designs on the site and look forward to promoting them with you over the coming months.
If you have questions about hats, we (might) have answers. Please don’t hesitate to reach out if you are confused or just want to explore what is possible. We’ll be making new hats live as quickly as possible. Please be patient if we don’t reply immediately.
N.B. We also managed to more than double the total number of colors and styles available. The full list of styles now includes dad hats, trucker hats, snapbacks, baseball hats, and rope hats across a broad spectrum of colors (black, navy, charcoal, natural, white, red, light blue, and royal).
Heyo! So excited to get a chance to chat with you. How's everything going? I just took a peek at your instagram and noticed the stamps you've been making? So cool. How'd you get into that?
Hey Beth,
It's so lovely to have a chance to chat with you, thanks for having me :)
Things are going well at the moment, but also a bit hectic as the run-up to Christmas tends to be the busiest period of the year for me these days. A staple diet of three coffees a day is what currently helps to keep me on track.
Thanks for checking out my linocut stamps, I'm so pleased you like them. Printmaking is a fairly new chapter for me as I have had what some people would define as a "squiggly career". After studying Architecture at Uni, I taught myself graphic design and worked for 6+ years as a visual designer (i.e. branding, graphics, and web) in agencies across the UK and Australia.
Eventually, my design career became no longer sustainable and I started a journey to reconnect with my long-dormant creative side. Fast forward six months of boundless creative exploration and loads of failed experiments, I casually stumbled across linocut printmaking by taking a class at a local art center. It is fair to say I instantly connected with the medium, falling in love with the slow making that comes with carving and hand-printing linocut blocks.
So, yeah, these days I refer to myself as a full-time artist focusing on linocut printmaking, who very occasionally takes on design projects when they have a focus on sustainability, conservation, and animal welfare.
Hey, coffee is a major food group I'm pretty sure so no shame there. I'm not surprised Christmas is busy for you, your Lino prints sound like great gifts.
Squiggly careers are the most interesting in my opinion. Who actually knows what they want to do forever? Even if you do it probably takes some squiggles to get there. Plus it sounds like you had a lot of cool experiences along the way so more power to ya.
Let's talk about the animals for a minute (or 20). Your Penguin Calendar has taught me there are different species of penguins? Am I the only one who didn't know this? I'm almost embarrassed to commit to publishing this interview with this confession but I really thought there was just one kind of penguin out there just doing it's adorable waddle thang.
Yes, you're totally right! I don't really regret any of the stops I made along the way to becoming a printmaker. Each one has provided me with a chance to develop skills that feed into what I am doing now. Plus, I got to live in a bunch of cool places and meet many amazing humans along the way.
Glad you want to talk about animals: by far my most favourite topic out there 😁
No need to be embarrassed at all as I was the same: before doing the research for the calendar I thought there were 3-4 different penguin species tops! However, there is actually 18 different species (or 17 according to some experts who consider one to be a subspecies) and they all live in the southern hemisphere, except for the Galapagos penguin (the islands actually straddle the Equator, hence the slight distinction). I've also learnt that all penguin species are flightless and that a group of penguins is called a "colony".
It was super fun to get familiar with penguins and to illustrate the twelve different species to feature in the calendar. Fun fact: the illustrations started off as rough pencil sketches on paper which I drew during a road trip my husband and I took through Morocco back in July.
Wow 18!? That's bananas. I also just looked up fuzzy penguins after looking at your King Penguin Chick design and I'm obsessed. I didn't realize they were even cuter somehow as chicks.
How was Morocco!? It looks incredible. I imagine the penguin you drew was the only spotting lol any other cool critters worth mentioning?
Baby animals are absolutely adorable and penguin chicks are no exception :) Do you have a favorite baby animal? I would struggle to choose, to be honest.
Morocco was a very interesting trip: we did enjoy the sights in the bigger cities from Marrakesh to Fez and Rabat, but the road of a thousand kasbahs and the general area south of the Atlas mountains served as a very stark reminder of the impact of desertification driven by climate change. Also, it was quite heartbreaking to witness the extremely low levels of animal welfare for cats, dogs, and working animals (donkeys and horses). It truly shocked me and I have been planning to go back next year and volunteer through a local animal charity working towards improving things (if anyone is interested in learning more and/or helping, Morocco Animal Aid and SPANA are two great organizations doing meaningful work). Anyways, there were also many happy animal sightings ranging from storks (and their incredibly huge nests on top of most minarets and telecom towers) and very friendly berber apes in the cedar forests of the Atlas mountains. All in all, the trip was memorable and I've been toying around with the idea of making a series of linocut prints inspired by all that we saw and experienced... watch this space!
Oh my gosh, yeah choosing is very tough. Currently I think bear cubs are my favorite but I just love them all. This video of a cub playing with a balloon melted my soul a bit.
Planning a volunteer trip sounds like an amazing idea, helping all those sweet animals would be so rewarding. Thanks for the tip on where we can learn more! And we'll definitely keep an eye out for a new series of linocut prints.
The holidays coming uphave me thinking about your festive animal collection. Have any plans to add a festive penguin to the mix? The African Penguins are practically begging for a mistletoe. I realize you're probably too busy but hoping we can't blame a girl for trying lol. What do the holidays typically look like for you?
Awww, that bear cub is pure cuteness overload! My husband and I were lucky enough to see bears (including a mama and cub!) in Sequoia NP back in 2021 and it was the most exciting thing ever.
I love your idea about adding the mistletoe to the African penguins, it would look fab! I'll definitely try and make time for that once I'm done with all the stock delivery and prep for the Christmas market season. In the meantime, I've uploaded yet another illustration from my penguin calendar: a Little Blue penguin wearing a Christmas jumper and looking super cuddly :)
This year the holidays will be a bit different as I'll actually be traveling back to Italy to see family (I was born and grew up in Rome), which I don't often do. The plan is to also sneak in a cheeky 5-day-mini-road trip in Sicily before heading back home to Bristol at the beginning of January. I admit that being a self-employed artist is not super easy as a career choice, but having this kind of flexibility about taking time off makes it all worth it. Traveling is for me a wonderful source of inspiration and my favorite way to recharge as I am not a fan of routines and the familiar. What about you? What will your festive season look like this year?Aaaah that sounds incredible! I haven't made it to Sequoia yet but I've heard good things about Moro Rock. Hoping to make it there one day! Especially if I can get my eye on some little cubbies (from a safe and respectable distance of course).
TBH Little Blue Penguin might just earn a spot in my wardrobe soon. SO stinking cute. Something about animals wearing clothes just gets me. I've been plugging a marketing campaign for 'goat-tees' for about a year now but I'm struggling to get the CB leaders on board. Maybe when this interview takes off they'll approve ;)
Born and raised in Rome is such a fun fact! Is the food much different there than other Italian cities? I imagine it's all amazing but I've never been. Quite a big difference from Bristol I bet. I'm excited for your trip! It sounds incredible, definitely a perk that you're able to create your own schedule. As for me I'll be here in Pittsburgh *hopefully* enjoying some snow. If I'm lucky I plan to squeeze a snowboarding trip in January but we'll see if that pans out.
One final question for ya, mostly inspired by your trip. If you had to pick one favorite food dish from anywhere you've been, what would it be?
Glad you like the Little Blue :)
It was actually inspired by the Knits for Nature penguin jumper program by the Penguin Foundation. Basically, in the unfortunate event of an oil spill, when oiled penguins are rescued and admitted to the Phillip Island Wildlife Clinic, knitted jumpers are temporarily placed on the penguins, acting as a barrier to prevent them from reaching their oily feathers with their beaks, before rescue staff are able to wash their body clean.
The food scene in Italy is objectively wonderful and so, so varied. Each region has its own signature dishes and local products, despite all sharing the common traits of the Mediterranean diet. Growing up in Rome, my favourite thing was pasta carbonara which I still love today, but eat in a slightly modified version since becoming vegetarian around 9 years ago (I swap out the pancetta for tasty mushrooms and it works a treat). While I do not like cooking, I do enjoy good food and miss many Italian dishes, however, Bristol has been a pleasant surprise as it actually has an amazing food scene, unlike much of the rest of the UK.
Staying on the topic of food, I confess I find it very hard to answer your final question, there is simply too much to choose from! But, if I really had to pick one thing, it would possibly be kottu roti (well, its veggie version at least), a tasty Sri Lankan street food consisting of chopped roti, a curry dish of choice, along with scrambled egg, onions, and chillies. The ingredients are chopped together using special cleavers as they sautee on a hot griddle. YUM!
Honestly, it's been such a pleasure chatting with you Bethany, thank you so much for having me! I am so happy to be part of the Cotton Bureau fam :)
I hope you have the most wonderful festive break this winter with plenty of snowboarding time.
Hey Josh. Gotta say, I have a ton of questions for you so I'm pretty excited about his one.
It seems like your journey to social media superstar status was kickstarted by your coffee cup sketches. It's been a minute since we've seen one though. Was there a particular reason you ended the series or was it just time to move on to new challenges?
I started the coffee cup series in March of 2014. Then, in 2018, I successfully crowdfunded a book using the publisher Unbound.com out of the UK. Eventually, the work that went into creating that book, writing it, designing it, and coming up with rewards for all the different support levels for the people who contributed to it wrung me out creatively. And having this anthology, this tangible complete thought as far as the coffee cups went, felt like the logical end to the series.
Plus, drawing on coffee cups was a massive pain in the ass. I was ready to return to nice, simple, traditional flat media.
Your work has a very unique tone. Let's call it… sarcastic. Do you feel your satire is more prevalent in your art than in your personal interactions?
Personal interactions? I've barely left my house over the last three years. The pandemic permitted me to fan the flames of my most reclusive tendencies, so most of my human-to-human interactions are limited to the barista working the window at Starbucks and the cashier who's forced to help me when I miss-scan something at the self-checkout at the grocery store.
So, yes, most of my sarcasm is dedicated to my creative work, save a small percentage I expend in self-defense as my grown children insist on making fun of me at every opportunity.
Everything feels so serious today, which is why I think your humorous takes are needed in our current environment. Have you found any other outlets that complement your disposition? Standup comedy, script writing, podcasting, etc…?
Everything is serious, and when the news cycle is like this, I find it hard to create cartoons or anything humorous. While I agree it's needed more than ever, the weight of the world also makes everything I do seem trite and pointless. I know that sounds depressing, but it reminds me of the scene from the movie Moneyball when Brad Pitt (playing Oakland A's General Manager Billy Beane) comes into the clubhouse to find players joking around and dancing to "We Want the Funk" by Parliament Funkadelic after a loss. He smashes the radio with a baseball bat, stares them down, and asks, "Is losing fun? IS LOSING FUN?" The player who had been dancing on a table humbly admits, "No," to which Beane responds, "So, what are you having fun for?"
I hate to say it, but that's the way I feel when I think about posting some drawing out of my sketchbook or working on a silly comic. With all this hate and suffering, what am I having fun for? It's not a healthy attitude, I know – being a sensitive artist is stupid.
But to answer your question, I've returned to my roots over the last year, filling up sketchbooks with drawings and comic ideas. I hope to return to posting things that other people can enjoy, but for the time being, I'm focusing on just entertaining myself.
Your cartoon setup-to-punchline equation is dang near perfect in my mind. Do you have a cartoon influence? Either in artistic terms or delivery style…
I have so many influences, but Gary Larson of The Far Side is one of my all-time favorites and who I most tried to emulate when I was starting out. Most of all, I loved his ability to create one singular, timeless joke. And while I loved to draw, my ability to redraw the same characters repeatedly, like Bill Watterson of Calvin & Hobbes fame, was a non-starter. Thus, the single-panel comic was always my muse, which made the coffee cups a natural fit at the start.
You've worked on a few books at this point. Tell me how the process differs from individual illustrations to integration within a story. Is it difficult to create in linear terms?
I've worked on two books over the last five years. My All the Coffee Cups anthology and I illustrated a children's book about inclusion called Some People Do, written by Frank Lowe (a friend of mine from Twitter.) The coffee cup book was fun to write because it was me poring over the entire project, cup by cup, and featuring the best of the 500+ I created over the years. It wasn't an easy process, but it turned out just as I wanted, which still feels like a heck of an accomplishment.
As far as the children's book goes, that was hard for a different reason. It required so many different drawings, and it took me so much longer than I ever anticipated to complete. When you add my tendency to procrastinate almost everything, it required a mad scramble to finish by the final deadline.
While both experiences were mostly positive, I don't recommend it to others looking to get into the book game. It's expensive and time-consuming, and there is only a return for your effort if you're a celebrity with a massive audience or have an exceptional book agent. I'm not jaded.
OK, I'm a little jaded.
I think my favorite CB design of yours is the Carbs hat. So very important question: In or out on the Chick-Fil-A Pimento sandwich?
The "Carbs" design is the most popular thing I created on Cotton Bureau. As far as that Chick-fil-A pimento sandwich goes, I still can't believe the food stylist didn't throw up 1,000 red flags and encourage the powers that be to tank that from the menu as soon as they saw what they were working with. It looks like cat vomit on a chicken sandwich, and I want to know what kind of person in the world looks at those ads and is like, "Oh yeah, I'm all in on THAT." I'm nauseous even talking about it.
As a company HQ'd in a city with a minor identity crisis (is Pittsburgh Midwest? East coast? Appalachia?), I'm interested in how you view your hometown of Columbus. Do you feel like there's a supportive art community?
As far as Columbus goes, it has an amazingly supportive art community. When my cups initially went viral, I was featured in the local paper a few times and had invitations to be on the news (which I declined because no).
The Ohio State University also has the Billy Ireland Cartoon Museum, which boasts one of the most significant archives of comic and cartoon art worldwide. Every October, the city hosts CXC: Cartoon Crossroads Columbus, a big convention featuring tons of artists from all over the country. I've never gone because I'm basically a shut-in at this point (like Maurice Sendak with far less talent), but it's nice to know it's there.
We've covered a variety of projects you've worked on in the past, but what comes next for you? Any interest in dabbling with AI art? I'm always interested to see what influential people in this space are expecting for the future.
Honestly, I'm not sure what's going to be next. While my social media production has stopped, I'm still churning out new ideas on the daily. Like most of us, I’ve poked around ChatGPT but I'm not into AI from a visual perspective. Art & technology have always been intertwined, but something about AI art kinda bums me out.
I guess I feel like most artists have already been robbed by social media platforms and AI generated art feels like an extension of that. Artists, comedians, and other content creators made all these platforms more fun to visit, and how did they get repaid? Their audiences were held hostage by the all-knowing algorithm.
Which is why I’ve always loved partnering with Cotton Bureau*. You guys saw the immense amount of creativity that was unlocked and found a way for artists to make money on their talent. We upload a fun design, and you do all the hard stuff – the printing, the shipping, the customer service and the keeping track of everything. And while I haven’t made a million bucks doing it, it’s definitely helped me keep cash loaded on my Starbucks app, and that alone is something to be thankful for.
* I just want to highlight I was not asked to say anything nice about Cotton Bureau before the interview – I just wanted to make sure to give them credit for being one of the good companies out there supporting artists and designers and helping them do more of what they do best..
Sure, we’ve found creative ways to use social media and some of us have been lucky enough to build big audiences. But in doing so we made Instagram, TikTok, Twitter and whatever fun to visit because audiences loved being able to get something funny, cute, awe-inspiring or interesting every single time they signed onto them.
Well, we couldn't love that response more (and it's not just because of the CB praise). You bring such a unique perspective and candidness. This definitely did not disappoint. Thanks so much Josh!