So You Want to Make Even More T-Shirts

Selling t-shirts online has never been easier. We’re here to help you do it at scale.

Welcome to the third in what is apparently a never-ending series of posts on how to sell t-shirts. If this is your first rodeo, you may want read parts one and two before diving in.

Five years ago we launched a t-shirt store by the name of United Pixelworkers. In a good month, we sold 50 shirts. Fast-forward to 2013, and we could boast of averaging 50 sales every couple days. Today, Cotton Bureau sells 50 shirts every eight hours. Our little online retail experiment has mutated from a tiny side project to the ink-guzzling engine of this fiercely independent, self-funded, small-but-growing company. Yeah, that doesn’t happen by accident. Let’s talk about the trials and tribulations of quintupling your sales.

That’s gold, Jerry! Gold!

We told you you wouldn’t get rich selling t-shirts unless you struck gold. Those of you rubbing your hands together as you fantasize about your future t-shirt empire, stop it right now. Have you ever flipped real estate? Caught the right penny stock just before it took off? Hit the scratch-and-win jackpot? No? Well your odds of making a million bucks selling t-shirts this year aren’t much better. Anybody who tells you otherwise is using you. Now that doesn’t mean you can’t earn a few dollars on the side or maybe even pay your mortgage. Just keep in mind that it’s taken us nearly 2,000 days and nights of hard work to reach the magical $1 million in annual gross revenue, and, yeah, we don’t get to keep most of that.

Money, money, money.

So where does it all go? Shirt prices haven’t changed much if any over the years, which means unless you’re cutting and sewing, material cost is going to be a big chunk—maybe the bulk—of your expenses.  As with most things, you get what you pay for. Want a brand-name tee? Want it made in America? Want reliable selection and diverse color options? Like your tees soft? Want ‘em to last? Prepare to pay more.

For most businesses, labor is the number one expense. If you’re clever, you might be able to keep those numbers down. Instagram famously had only 13 employees when they sold to Facebook. Getting a physical product out the door requires boots on the ground, so to speak, but we’ve managed to ship several thousands items each month for the price of one part-time employee. Whether you’re buying software or writing it yourself, never underestimate the leverage of a good application.

We’ve got one other trick up our sleeves when it comes to holding the line on cost: we live and work in beautiful western Pennsylvania, home of pierogis, Primanti’s, and Buster Olney’s pick to win the 2015 World Series, the Pittsburgh Pirates. It also happens to be the most affordable city in the world, according to some people. That means we get to have an office / warehouse in the most walkable (and delicious) neighborhood in town, the Strip District. We pay $18sf for a luxurious, well-lit, wood-floored, exposed-brick, 10ft-ceilinged work nirvana. That’s awfully tough to beat.

Every business must choose where to allocate its budget. Ours goes to printing the best possible shirts right here in town and paying ourselves and the many, many wonderful people who have chosen to share their designs on Cotton Bureau fairly and sustainably.

Product

The thing you’re selling on your site, the one you put in the box that goes out the door, is the tangible expression of your product. It might not be the only thing people pay you for, but it’s still kind of important. If you want to print direct-to-the-cheapest-garment-you-can-find, we can’t really help you. If you’re looking for soft-feel, crazy-good tees printed with slavish attention to detail and buckets of affection, well, we’re happy to say we still work with the same shop that we did two years ago. They haven’t let us down yet and, to be honest, really go out of their way to be accommodating. We’ve referred dozens of people to them. Nobody has been disappointed with their service. You can’t go wrong working with Clockwise.

Assuming you came here to read about selling t-shirts, you probably also need mockups. We can help with that. Get your officially-licensed Cotton Bureau mockups now on Creative Market.

You won’t have any trouble finding Photoshop tutorials on the Internet or articles teaching you how to identify that untapped niche, but designing a good shirt is an art not a science. It needs to come from the heart. Work hard, share what you’re doing (ping us privately or even publicly on Dribbble—we’re always happy to advise), and never be afraid to fail. The t-shirt market may be crowded, but we’ve always got room for one more.

Setting Up Shop

When we launched Cotton Bureau in 2013, it wasn’t possible to drive a pre-order sales model using off-the-shelf (or even a hosted) software. As far as we know, the situation hasn’t improved since then. If you’re doing something unconventional, you may need to roll your own shop. If you’re sticking to the beaten path, however, you’ve got your choice of solid options. Traditional storefronts are a great fit for Shopify (still our recommendation), Big Cartel, Magento, Big Commerce, Storenvy, etc. You’ll need to do your homework to decide which is the best fit for you. In addition to basic order processing and inventory management, you’ll get the benefit of paid support, vibrant communities, third-party plugins, and constant improvement. No matter if you’re selling one shirt or thousands, it’s never been easier to sell your stuff online.

Speaking of never being easier to sell stuff online, don’t forget about more managed marketplaces like Etsy and eBay. There’s something to be said for letting someone else do some of the dirty work for you. It’s even possible to run your store directly on your favorite social network. Instagram, Facebook, Twitter, Tumblr… they all have or are building support for payment processing. It’s hard to argue against going straight to the people.

What about skipping the whole shop thing and listing your designs directly on a bona fide t-shirt market? We’ve got good news here. When last we spoke, your options for turnkey t-shirt printing and sales were distinctly fewer than they are today. Zazzle, Spreadshirt, RedBubble, Society6, Threadless, etc are still around if you’re into that kind of thing. But now you’ve also got a new, pre-order driven breed in Teespring, Booster, and, of course, yours truly. Some are screen-printing only, others offer direct-to-garment. With some you make a little money, with others you can make a lot. Some are all about community, others aren’t. We ain’t gonna break ‘em all down for you today (and you thought nothing was beyond the scope of this post). You’re just going to have to dig a little deeper if you’re intrigued. Or, you know, you could just send us your design right now since you’re already here.

Hosting

Set up shop with a company like Shopify (noticing a theme?), and you’re good to go. You’ll have access to a huge variety of third-party add-ons, you can pick an existing look or design your own, and you won’t have to wake up in the middle of the night to burp the server. At some point though, you might find that what you want to do just isn’t possible if you’re using somebody else’s platform. When (and if) that time comes, we cannot recommend any hosting company more highly than we do Linode. Like everyone else on this list, they aren’t perfect. But they’re really, really good. Fast, cheap virtual hosting is a great option if you know what you’re doing. You can grab a shared host like Media Temple (we’ve used them in the past; you could definitely do worse) if you want to go that route, or you can get really hands-on and go full colo like Stack Exchange, but for people that aren’t doing top 100 Alexa traffic, it’s really hard to beat Linode. We were previously on Slicehost (Rackspace disappeared them), and some people like Digital Ocean, but Linode has terrific performance bang for your buck, solid support, and, hmm, well, acceptable UI. The interface that won’t give Stripe a run for its money, but it just may be better than the other hosting UIs out there. Tell ‘em we sent you, and we’ll get $20 if you stick around for 90 days. I don’t know what you get, but that’s not really important.

Marketing

As if designing a shirt and getting a shop set up wasn’t hard enough, now you actually have to convince people to buy what you’re selling. Here’s a lesson in economics for you: the easier it becomes to manufacture something, the more of it will exist. This might not sound like news, but have you noticed how easy it is to pump out the tweets and photos and “content” these days? The supply of things vying for your attention is effectively infinite. Everyone, everywhere wants it, and once they have it, they want to sell you something. Now you’re one of them. What do you do?

There’s no shortage of things to say about marketing. Entire, you know, books have been written about it, and we’re not going to turn this into a “10 Tips for Sales & Marketing” article. That being said, we have a marketing philosophy we’d like to share with you. Marketing can be divided into two big buckets: strategy and tactics. You can spend the rest of your life learning tactics: funnels, paid advertising, earned and organic media, how to pitch yourself, etc. You can shout into the void on Twitter and Facebook. You can do what we did and send your Internet heroes free t-shirts. You can release a making-of video on Instagram or Vimeo. You can conjure up publicity stunts or email people with popular blogs or stand on the corner of a street holding a sign. All of those things are good. Some will be more successful than others. Strategically, however, you need to take a hard look in the mirror and decide who you are and why you’re doing this. Is your design any good? Will the world be better because of the shirt you’re promoting? If the answer is yes, then tell people. Tell them why you made the shirt, why they need it, why what you’re doing is unique. There’s no shame in reading this and deciding it isn’t for you.

Pricing & Discounts

Let’s talk about pricing. You’re going to be tempted to go cheap. Don’t do that. You’re not Amazon. You won’t make it up on volume, trust us. Sell something you’re not ashamed of, price it fairly. And don’t over do it with the discounts. Sure, a promotion here and there is necessary. Sales bring the customers to the yard. What happens, though, when your fans have been conditioned to expect sale prices? They aren’t sales anymore, that’s what. That’s your new retail price. Retail is now a synonym for ripoff. Please don’t teach people to expect a coupon or sale before they buy. You’re only hurting yourself. That said, here are some things we’ve found that work:

  • Discounts in exchange for subscribing to the newsletter. You are periodically sending out a newsletter, right? You don’t need to give away the farm (we do 10% off your first purchase; if you haven’t signed up yet, quit reading and do that now), and you don’t need to stop people dead in their tracks with a pop up (we have a simple banner at the top of the site that converts like crazy).
  • Free shipping. If you can’t afford to lose money today in the hope of making it up tomorrow, you have to run the numbers before offering free shipping. Repeat after me: You have to run the numbers before offering free shipping. Free shipping is a powerful elixir. You’ll be shocked how many more orders you get with free shipping, but more orders don’t do you a whole lot of good if you’re losing money. Remember what we talked about. Unless your brother is hand-delivering packages, shipping costs real money. Because we’re effectively splitting profits with our designers, eating shipping really cuts to the bone. When we do offer it, it’s conditional: half-price shipping if you order two items, free shipping (domestically) if you buy three or more. This is a common move among independent designers that benefits everyone. Customers get a break if they buy more, retailers get to make a few bucks more than they would otherwise. Even Amazon requires spending at least $25 or signing up for a Prime membership to receive free shipping. Again, this is strong medicine. Use with caution.
  • Affiliates. So… our little referral trial sorta worked and sorta didn’t. We definitely found some new customers, which is great, but discount sites scraped those codes straightaway, which is less great (see pricing discussion above). Overall, it more or less worked as expected. We’re hoping to try it again someday with a few tweaks.

Advertising

While we’re talking pricing and discounts, we might as well hit ads too. Ugh. Advertising is torture, isn’t it? A whole lot of short-term pain for what you can only hope will be an equivalent amount of long-term gain. Here’s the bottom line with advertising: never buy an ad you can’t afford unless you’re willing to bet the company on it. Seriously, whether you’re looking at a podcast ad, a display ad, a native ad, or even a more traditional move like magazine, television, and radio ads, you just aren’t going to see the kinds of immediate returns you need at our size. Standard caveats apply. If you’ve got a bankroll that allows you to not be concerned with turning a profit today, then by all means, light it on fire. Not all ads are worthless. The more clever and unexpected your ad, the better it’s going to do. Maybe if you’re some kind of advertising genius you’ll fare better than we have. We expect to have more, um, useful information on advertising as we continue taking our knocks.

Payment Processing

Whether you use a store like Shopify or roll your own thing like we do, you’re going to need someone to process all those payments. Previously we used PayPal, Amazon, and, for other projects, Braintree (now owned by PayPal), but ever since Stripe came to town we’ve been all in with them. It literally does not get easier than using Stripe. Every interaction we’ve had with them has been fantastic. Their terms are more than fair. Your bank will try to talk you into some arcane merchant services company whose technology will make you cry because they promise same-day payouts and low, low processing fees. Well, don’t do it. Yes, seeing what credit card fees look like will make you cringe, but you’ll pay for it in other ways if you sign up for one of those dinosaurs. And hey, look on the bright side: when you start selling a few thousand shirts each month Stripe will reach out to offer you better rates anyway.

Inventory

Going pre-order only is a bold move. It’s an elegant solution to the inventory problem, but it’s not for the faint of heart. The traditional way of selling is to make (or buy) a whole bunch of something, toss it in a pile, and have it ready to go out the door at a moment’s notice. That isn’t so bad if you’re our bff Aaron Draplin and half of what you’re selling is one-size-fits-all doodads. T-shirts though? Yeah, have fun with that. The most popular sizes are going to be men’s medium, large, and extra large, so stock up on those. But you want to sell to everyone, right? Well then you’ve got to have men’s small, maybe even extra small, men’s 2X–5X, plus a whole range of women’s sizes (let’s not even get started on how hard it is to find a women’s apparel manufacturer that can reliably stock a wide range of colors in sizes that actual adult women can wear). Hey, you’re up for a challenge though, so why not. Let’s see now that’s, um, at least nine sizes if you’re ignoring 20% of the population across—wait, how many designs will you be selling? Things get out of hand pretty quickly when you start offering Ugmonk-levels of product. We’re talking shelves on shelves on shelves just to have the bare minimum in stock. Which brings us to…

Fulfillment

Short of outsourcing fulfillment to Amazon or Shipwire, you’re going to be packing those shirts yourself. That’s not a bad thing if you care about quality. Here at Cotton Bureau World Headquarters, shirts come in and shirts go out every day. We’ve been using (and improving) our hand-rolled fulfillment software to bulk pack since 2011. Frankly it’s super-awesome and you all should be so lucky. That said, not all orders are created equal. Most are small, but some are medium, some are large, some are even extra large. If you’re selling more than just t-shirts, you’ve also got to account for crushables, breakables, and things that just don’t fit neatly into a poly-mailer. Our top-secret, highly classified system automatically slices-and-dices outgoing orders into correctly sized packages. If you’re going with a straight inventory model, you likely won’t be grabbing 50 tee stacks of men’s large, so it won’t make as much sense to bulk pack. You might as well pick-and-pack until your outgoing order volume gets insane. If you do decide to ship yourself, we still have nothing but good things to say about ShipStation. That’s what Ugmonk uses. Let us know when you start selling more shirts than Jeff.

Shipping

Shipping is where the sales rubber really meets the customer road, or something like that. Here’s what you need to know about shipping: it sucks. You optimistically put your package in the hands of your local postman or woman and cross your fingers it will arrive at your customer’s front door. Domestically (that’s in the U.S. for us) that’s a pretty safe bet. That doesn’t mean, however, that we don’t spend hours every week talking on the phone with the postal service waiting to find out what we already know: they have no idea where your package is. Shipping internationally may as well be shipping to another planet. Fully one quarter of our sales are international. We offer only the cheapest, first class mail service because shipping across an ocean is expensive no matter how you slice it. The reality is packages are going to get lost, all the time, even in first-world, fully industrialized, how-is-this-even-possible countries. If that sounds dire, that’s because it is. The situation has become frustrating to the point that we’re actively investigating more reliable shipping methods even at the risk of increased cost. Shipping is part of the cost of buying independent. As with everything else, we’d rather charge more than provide a worse experience. If you plan to sell and ship things, you’re going to have to make the same difficult decisions.

As far as managing (USPS) postage, we can recommend both Stamps.com and Endicia. We used Endicia for several years until recently switching to Stamps.com. You really can’t go wrong with either. For our purposes, Stamps.com was an improvement because it let us move everything to the server rather than whatever computer we happened to have laying around. If you choose to go in that direction, you’ll definitely want to take a look at RocketShip.it (what we use) and EasyPost (what we might have maybe used if it was cheaper when it first came out). (Word to the wise: international shipping has extra forms you’ll need to fill and doing it by hand is cray cray. Germany even requires a packing slip on the outside of the package, just to be safe, I guess.)

Fact: you can’t spell international shipping without customs, duties, and VAT—or maybe you can, we’re not very good at speling. Either way, import fees and inspections are the absolute worst. The ground should open up and swallow every country that requires them. Practically speaking, we do the best we can to enumerate the various fees you’re going to run into if you’re ordering from outside the country in our FAQ. If anyone wants to get their hands dirty, that is an area ripe for disruption.

Customer Service

Get your keyboard shortcuts and canned emails and apps ready cause if you do manage to sell some tees, you’re going to have customers asking you every question in the book. Maybe you tell ‘em to read the FAQ. Maybe you make triple-sure they get their address right before checking out. Things happen, and if you have an ounce of compassion, you’re going to want to make them right.

You could choose to outsource your customer service. I guess that’s a thing people do. We’ve always made customer service part of our identity, so from the beginning—whether it was Jay or Nate or now, the queen of customer service, Sara—we carried that load ourselves. You don’t need to respond within 30 seconds—though of course the sooner the better. You do need to respond at some point though. Being proactive is good. Being honest is better. Let people know what’s happening (and why, if you like). Give discount codes or store credit liberally. Maybe instead of calling it customer service we should call it marketing because that’s what it really is. These people like you enough to give you money. If you make them happy, not only will they probably give you more money in the future, THEY WILL TELL THEIR FRIENDS TO GIVE YOU MONEY. Is that clear?

If you want to get next level with it, your customer service archives are the perfect place to go fishing for product feedback and suggestions for what you could improve. We highly recommend having email conversations with your customers. The more the better, in fact.

Some software: we used to use Zendesk. Today we use Help Scout. We are not going to sugarcoat this: while the interface is thoughtful and well put together, we have real reservations about recommending it. As of today, there’s still no mobile app. Today. 2015. Things are slow more often than we would like for a tool we use all day, every day. You know what else would be great? Twitter support. Much as we would like everyone to just email us, Twitter is the first place people go to ask questions or vent. Zendesk had Twitter support and a native iPhone app when we left it way back in 2013. We wanted something simpler. Help Scout certainly delivers on that front, but you would be wise to conduct your own reviews. Groove is a company that has caught our eye recently, and Respondly is making some moves on the Twitter support front. Customers don’t typically email just because things are swell. Trying to help frustrated customers is a challenge in the best of times. Fighting your customer service app is not going to help. The good news is that customer service software is getting better every day. You almost can’t go wrong… unless you’re still using your personal Gmail address, in which case, what are you waiting for?

Project Management & Communication

Selling thousands of shirts each month is not a one-man/woman job. If you’re fortunate to be in this position, you’ll need some strong team management fu. Finding a style that works for everyone can be a challenge. If you made it this far, though, you’ll figure it out. Here’s some of our favorite project management and communication software:

What did we all do before Slack? Oh, I remember, we used Campfire. Slack is Campfire (or IRC) on steroids. Private DMs, infinite channels, custom emoji, beaucoup integrations, and jaw-dropping ease of use. They still don’t have sound effects which can be a good or bad thing depending on your penchant for dropping “/play live” into your chats. Slack makes it easy, probably too easy, to talk to each other. Now if we could just get external support channels…

Like everyone else, we use Skype for the odd face-to-face chat. As magical as it was once upon a time to be able to talk to people, the mystique has worn thin over the years. With Slack’s Screenhero acquisition it probably won’t be long before it replaces Skype for us too.

On the project management side, we’re big fans of Trello. (Also, Trello, if you’re listening: Taco shirts, pls.) The freemium slope is extremely gentle. You can’t go wrong at least giving it a try. The unstructured nature of the tool makes it a real double-edge sword, but if you learn to wield it, look out. Trello-style Kanban is the spreadsheet of our time.

Taxes & Accounting

Nobody, nobody, nobody wants to think about taxes and accounting—which of course makes it all the more important that someone on your team is. Here’s what we know:

The good news: t-shirts don’t count as sales taxable items in Pennsylvania. The bad news: we’re not accountants. You should talk to some. Online stores like Shopify make it easy to collect taxes upfront for whatever you’re selling. This may go without saying, but it would be smart to look into that before you actually sell people anything. Likewise, if you ever solicit designs and sell them, you’re going to need to collect some tax information from your designers and make sure they get the appropriate paperwork at the end of the year. In the United States, anyone that you pay more than $600 needs a 1099. There are plenty of services online to make this happen—we used Track1099 this year—but again, talk to thy accountant. Speaking of accountants and such, while we have our own bookkeeper, Bench looks intriguing. Definitely something to keep an eye on if you want to keep accounting and bookkeeping separate.

On the accounting side, you’re probably looking at something north of $100 / hour to work with a legitimate company, maybe less in a smaller town or with someone independent, maybe a lot more if you’re in a bigger city. For a single company that keeps good books and handles business in a relatively straightforward way (read: not us), you might be looking at $1,500–$3,000 / year. That might sound like a lot, especially when you’re just getting started, but, well, there be dragons, best to have a seasoned guide around to point you in the right direction. In terms of software, we’re currently using Xero. It’s… fine. The interface is better than Quickbooks Online, but it’s not without quirks. The best advice we can give—and the advice we wish someone would have given us years ago—is don’t overthink this. Ask your accountant what he or she recommends. Even if it’s the desktop version of Quickbooks, you’re better off working with software your accountant understands than something you think is pretty or clever or less expensive.


If you’ve been with us since part two in this series, you’ll remember us teasing what would eventually become Cotton Bureau:

Starting soon, like real soon, we’re going to be launching a store where anyone can pitch us a tee about pretty much anything. If we like it, we’ll put it in the store. Your design gets two weeks to sell 25 or more shirts. If it’s successful, we’ll print and ship it and handle all the customer service as well. Plus we’ll pay you $3 for every sale. Does that sound like something you might be interested in? Email us at us@unitedpixelworkers.com. If you have some artwork you want to include, even better. Making great shirts is a passion of ours and it just so happens that giving our friends and colleagues a helping hand is too. We’re champing at the bit to roll out our new t-shirts-as-a-service offering. If you you’re as eager as we are to see it live, we want to hear from you.

Huh. Would you look at that. We had a feeling you all would enjoy what we were cooking up, and we couldn’t be happier to be where we are today. A lot has changed in two years, but it’s incredibly gratifying to look back and see that the hard work has all paid off. We wish we could share our full to-do list with you. There’s no doubt you would be as excited as we are about all the little (and big) things we have planned for Cotton Bureau. There’s still so much room to improve and so many things yet to learn. We’d love to see better photography on the site. We know that easier returns and exchanges will make everyone happier. More reliable international shipping is a huge priority for us. Better PR, better advertising, improved customer and designer accounts, finding and hiring more smart, talented people…  when you find something that you love doing and people love supporting, the list of ways to make it better really is endless. Today, we’re five people with way too much to do. (Speaking of which, we could use some help. If you’re interested in an internship or part-time position, hit us up. We’ve got openings, um, everywhere.) As our business has grown, so has the breadth of what we need to know to pull it all off. It’s probably past time to break these all into smaller pieces. Maybe we’ll do that going forward. For now, we hope this can be a reference for you as you go from selling zero to thousands of whatever it is you choose to sell. Godspeed.

P.S. Have questions? Let us know. We’ll do our best to answer them.

If you enjoyed this post, let us know. We could also use your help spreading the word. Share it, subscribe to the RSS feed, follow us on Twitter, join the newsletter, buy a shirt, tell a friend—we can’t do this without you.

Freshly Laundered 022 / Matt McDaniel

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UX Designer Matt McDaniel works and plays in Austin, TX. We spent a little time chatting with him about UX design and the Tron soundtrack. Read on.

CB: Give us the Matt McDaniel backstory - how’d you get interested in being a designer in the first place?

MMcD: Well… I started out with an interest in art and architecture (when I was real young) and eventually found my way to graphic design and then, with everyone else, UX design. Most of my professional design career has been UX and visual design.

T-shirts, though, have honestly always been a passion and soft spot of mine. My main goal with that stuff is to make shirts I want to wear.

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CB: What sort of stuff do you design in your day job?

MMcD: In my day job, I’m a UX designer. Some interaction design, some visual design, lots of product design.

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CB: Besides making awesome designs for CB, do you have any other side projects you like to work on? What kind of hobbies keep you busy?

MMcD: I’ve been working on a game with a couple friends of mine so I’ve been getting into some sprite animation recently. I’m trying to get more into making some music with some synths but haven’t really sat down with them to do it yet.

I also have a bad habit of saying yes to every shirt that my day job thinks about making… so I do a lot of shirts when I’m not doing CB shirts.

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CB: Synths huh? Are you into electronic music mostly? What kind of stuff do you listen to while you work?

MMcD: I wouldn’t say mostly. The genres I listen to are pretty broad but I like to put on stuff like Caspian’s You Are The Conductor, some Tycho or some Caribou (especially that new one, oh man), or the always-good Tron soundtrack.

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CB:  If you could design album artwork for any band (current or dissolved) who would it be, and why?

MMcD: Tycho, probably. Anybody who can appreciate some nice simple geometry.

CB: Thanks for chatting with us, Matt!

For all things Matt McDaniel, follow him on twitter, instagram, dribbble, or check out his website.

Freshly Laundered 021 / Stewart Scott-Curran

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Scottish transplant Stewart Scott-Curran is a designer & CreativeMornings organizer living in San Francisco. We chatted with him about the differences he’s found about work culture in America, accepting criticism, and championing the people and things he loves. Read on to get the scoop!

CB: How did you get involved with CreativeMornings?

SSC: When I moved to Atlanta from the UK, the local CreativeMornings chapter was an amazing resource that helped me meet fellow designers that lived in the area. It really helped me feel at home in my new city. After a while I was invited to speak at one of the events. Since then I’ve worked with the HQ team in Brooklyn on various projects and it just so happened that as I was relocating to San Francisco that they were looking for a new organizer. It was a great opportunity to continue my involvement and give something back to an organization that had given me so much.

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CB: That’s great! A sense of community is so helpful to getting settled in a new city, state, or in your case, country. How have you found it working in America? Are there business or cultural differences that have made you go “What…?”

SSC: I worked for almost 10 years in Amsterdam before moving to the US. There’s some huge differences in how those two cultures communicate with each other, especially in a professional setting. In Holland, everyone is very direct. Almost to the point of being brutal. There’s none of the ambiguity you get in the US or the UK. If you approached a meeting or conversation here like you would in Holland, everyone would be offended and you would be labeled as incredibly rude. Of course, that’s not their goal. They just want to get things done simply and efficiently. No one has time to mess around. I think we could benefit from growing a slightly thicker skin when it comes to criticism or direction here in the US.

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CB: Agreed! Criticism, as long as it’s constructive, shouldn’t be seen as a bad thing. It’s there to help the recipient grow and progress in whatever skill they’re lacking. Was there ever a piece of criticism you received that really helped you take a closer look at your skill set and make strides towards improving?

SSC: Yeah there’s been a few occasions that constructive criticism has really helped me. A great example of that would be when we were designing the Nike World Cup kits. We spent a lot of time traveling to countries to really get under the skin of the soccer culture. We would try and reflect some of those values in the design of the uniform. Particularly through graphics. Ultimately though we needed the expertise of locals and often we would need to tweak the phrasing or execution of designs based on their feedback. It’s definitely good not to be too precious about the work. There’s always someone who can bring a bit of expertise or in-depth knowledge that can make a big difference even if you think you’ve researched it really well.

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CB: Speaking of feedback, do you have a mentor? Are you a mentor to anyone?

SSC: I don’t have someone who acts as a mentor in an official capacity but I do have a network of trusted colleagues and collaborators who I trust implicitly to give open, honest, and actionable feedback on any given project or situation. I have had many great mentors in my career however and cannot overstate the importance to younger designers of finding a great mentor. Now that I’m getting older I am trying to pay it forward as much as possible and actively mentor several people. Alongside that I am passionate about connecting people and bringing likeminded people together, whether for mentorship, starting a collaborative project or just people who I think would enjoy each others’ company. Those “real world” connections are so valuable.

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CB: They really are! What’s the deal with the links you include at the bottom of every email you send?

SSC: Ah! Well first of all I can’t take credit for the idea. I sent my designer friend Margot Harrington an email a while back at a time that she was out of the country and her “out of office” auto reply had some links to other sites and articles that she found interesting. I thought it was a great idea and tried it out for myself. I switch out the links every couple of weeks and hopefully it encourages people to check out some interesting articles and perhaps lead them to contemplate a variety of issues. It also gives a little bit of insight into what I find important. Often there will be links to articles on diversity in tech, empowering girls and personal growth. I like to champion the people that I care about and who’s work I identify with and ultimately this is just another way to do that. It’s definitely led to some interesting conversations that may not have happened otherwise.

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CB: That is a great way for you to promote others works and ideas, and champion the causes you’re passionate about - maybe everyone should do something like this! Thanks for chatting with me Stewart.

You can see more of Stewart’s work on his website, check out his latest project, You Are A Light In The World, or follow him on twitter, instagram, or Medium. Love his Black Circle or Freedom tees? Request a reprint!

Freshly Laundered 020 / Lisa Llanes

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Todays interview is a quick chat with New York resident and designer Lisa Llanes. If you read to the end, you’ll even get the scoop on the best ramen in NYC - perfect for your next trip to the big apple!

CB: You went to college for Public Relations, graduated and then went back and got a graphic design degree a few years later, what prompted the switch?

LL: In the very last semester of undergrad, my PR curriculum included a visual communications class. This immediately sparked my interest in visual design. I was always that kid that messed around in bootleg copies of the Creative Suite software and took notice in layout design and fonts, etc. so I’m not sure why it wasn’t evident to me before. After graduating I took some design classes at the local community college to increase my technical knowledge of the software, which led me to working at a small PR/marketing/design firm in my college town. After working there for a bit as a production designer, I decided that I really wanted to be more on the creative side and decided to go back to school!

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CB: That’s awesome! It kind of gives you the benefit of knowing both sides of the business, how to design and how what you design will be used for marketing purposes. Do you have projects you work on outside of work? A creative outlet for the ideas that aren’t useful for work?

LL: Yes I do. I try to have small personal projects going on to keep me motivated and inspired. Sometimes it’s things like Tacocat - fun little doodles that turn into shirts. I’ve more recently been exploring hand lettering and calligraphy.

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CB: What made you decide to try out hand-lettering and calligraphy?

LL: I’ve always been interested, but recently started practicing more. I’ve always been intrigued with how beautiful the letterforms are and the different styles. It’s nice to work with my hands away from the computer.

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CB: It’s definitely great to have projects outside of work, keeps the mind fresh! What other stuff do you like to do in your free time? Got any fun hobbies?

LL: Living in New York, there is always a new or new-to-me restaurant to try. I love trying all different kinds of foods which goes hand in hand with my love for traveling. I’m also big reader of fictional novels and memoirs and enjoy going to see live music. More recently, I’ve been trying to become more outdoorsy and have taken up hiking!

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CB: The best thing about visiting NYC is all the good food to eat! Do you have a favorite restaurant? What has been your favorite place to travel to?

LL: A favorite restaurant in NY?!?! That’s so hard. I will say, I love ramen. I’m slowing eating my way through all of New York’s ramen joints. My favorites so far have been Mu Ramen and Totto Ramen.

As far as travel - my favorite place so far has been Iceland. Sometimes, I felt like I was on another planet!! It has such a cool and beautiful, diverse terrain. The glaciers and waterfalls were incredibly breathtaking.

You can see more of Lisa’s work on her website or keep up with her on twitter, instagram, or dribbble.

Freshly Laundered 019 / Alana Lyons

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Designer and illustrator, Alana Lyons moved from Pittsburgh, PA to Austin, TX almost a year ago. We caught up with her to learn about how she’s liking ATX so far, and how she’s keeping busy now that she’s all settled in. Read on to learn more about Alana.

CB: How’s Austin treating you so far?

AL: Austin is an amazing city. I moved here with no prior visit or friends in town and after 9 months or so, I already have good folks to rely on, secret fishing spots, and way too many options for breakfast tacos. I can’t complain.

Growing up in the peach state of Georgia, I became accustomed to ‘yes m'am’s and 'how do you do’s but I have to say the Southern hospitality I’ve felt in Austin is as real as it gets. People are genuinely nice; more so than in any other Southern state I’ve visited, aka all of them.

I had grown used to taking long drives just to experience a decent hike or crucial view, but in less than 15 minutes I can find myself in a place like McKinney Falls or Longhorn Dam and still be inside the city. I know there are far more of these places that I haven’t even discovered yet.

Out of the three major cities I’ve lived in, Austin has been the first where I can clearly see constellations at night. It’s true that the stars at night are big and bright deep in the heart of Texas.

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CB: The greenbelts were always a favorite place for me to go and grab some inspiration when I lived there. Are you finding that the creative community there has welcomed you in? Any opportunities you’ve enjoyed there that wouldn’t have been possible back in the 'Burg?

AL: The creative community in Austin is an opportunity in itself. There are so many studios in the city and probably way more that I don’t know about. It’s almost unreal how close I live to studios that I followed during art school - something I did not experience while in Pittsburgh. And again, people are so fucking nice. Just recently I had lunch with Brad Woodard / Brave the Woods who is not only an amazing illustrator but also such a nice dude.

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CB: That’s awesome! Brad had a shirt on our site over the summer - he’s such a great illustrator. How are you keeping yourself busy outside of work? Anything special you’re working on in your free time?

AL: During office hours, I work as a visual and interaction designer. So, after hours, I enjoy creating apps with friends to help myself improve at my day job, but I have also been taking on freelance projects that are primarily illustrative or print-based. These types of projects are refreshing and are sort of a mental break for me. Most recently, though, I’ve been doing a lot of weird collaborations with Colin Miller - including a shirt for Cotton Bureau that just got approved!

Oh, and I draw a lot of wolves.

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CB: We’re stoked on the new design you and Colin came up with! Can’t wait to see it in the flesh. How does collaborating with someone change your work style?

AL: I think what I love about doing collaborations is that each person has to be malleable to the others’ styles. I’ve never experienced a colllab where each contributor puts together what currently exists and then the project is done. There’s always some sort of process of ensuring that whatever is incorporated is flexible towards each other so it doesn’t look like a weird mixture of completely separate directions. Oh, and I also like to use collaborations as an excuse to try new things. Always DTC (down to collab).

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CB: If you could collaborate with anyone (living) in the world on something, who would it be and what would you like to collaborate on?

AL: If I could collaborate with anyone in the world it would be with Daniel Romano. I could imagine us covering 'Deep in The Heart of Texas’ by George Strait (with him on lead vocals and guitar, me as backup vocals and bass), pressing our single on splatter vinyl - maybe 100 copies and thats it, and designing the record sleeve together.

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CB: Wow! That sounds amazing. Are you a singer or musician as well?

AL: Haha not really. I am attempting to learn bass though!

CB: Learning a new skill is great, even if it’s just going to be a hobby. Have you learned to play any songs yet?

AL: After two lessons, I have played 'All Too Well’ by Taylor Swift, 'Old White Lincoln’ by Gaslight Anthem, and 'Dammit’ by Blink 182. I am still a rookie.

CB: That’s pretty good after only two lessons! Thanks for chatting with us, Alana.

You can find Alana on twitter, dribbble, and tumblr, or check out her portfolio here. To request a reprint of her Wolves tee, sign up here. (Artist profile photo courtesy of Woven Magazine.)