Mystery Tees

Get a cheap Cotton Bureau shirt in absolutely perfect condition.

Under most circumstances, we order our shirts in exact quantities. But from time to time, for reasons that are boring and not worth discussing, we tack a few extras onto a print run. That means that over the past year, we've accumulated a lot of extra tees here at Cotton Bureau headquarters. Not misprints, or shirts with stains, or shirts with holes...we’re talking first-rate, pristine Cotton Bureau originals. It's time for us to get rid of them, so we're introducing the first-ever Cotton Bureau Mystery Tee Sale. Here's how it works: you give us $10 (plus shipping) and tell us your size, and we’ll ship you a random shirt of our choosing. And if you order more than one, we'll do our very best to mix up the batch so you don't get stuck with the same shirt twice. So c’mon, spin the wheel of mystery. What’s the worst that can happen? You get a cheap—like, below cost—Cotton Bureau shirt in absolutely perfect condition. Not a bad deal.

THE FINE PRINT: Mystery Tees are non-returnable and non-refundable (unless it gets like, lost in the mail or something. We're not heartless). Otherwise, you buy it, it's yours.

Freshly Laundered 002 / Robyn Kanner

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Robyn Kanner is a designer based out of Portland, Maine. Her first tee with us, Dozen, is one of our all-time best sellers (and available again for purchase as of this moment). We checked in with her last week to see what was new.

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CB: Tell us how you got into design - what brought you to where you are now?

RK: When I was a teenager, all of my friends were in bands. I didn’t have the skills to play an instrument yet, so I picked up a camera and started to photograph them. A couple years later, those same friends were recording albums and I wanted to design them. I taught myself the trade until I reached undergrad where I honed in on design through various course work. After finishing undergrad, I didn’t have a mentor and was seeking any chance to learn and gain knowledge. Around that time, Mike Monteiro started posting podcasts, blogs, and giving talks regularly. I learned from the process he outlined and the books he suggested reading and did my best to implement them in my current practice as a designer.

CB: Would you say Mike has been a big influence on your career? Who else would fall in that category?

RK: I would say that I’ve taken the things he’s said very seriously. A few years ago I was strongly considering going freelance full time. I thought, “Well, I’ve got enough client work to kind of get by, and I could maybe figure it out, etc.” Then I listened to a podcast where he spoke about all of these designers in their twenties opening up their own shops and working for themselves. He talked about how these new designers should really be spending their time working under design directors gaining knowledge and learning from the experience they have. For that alone, I’ve actively gone out of my way to work with and under people.

In addition to Mike, I’ve always been a fan MK12, Michael Cina, Karen McGrane, and most recently, Alexandra Bond.

CB: That’s great advice from Mike - having a workplace (or non-workplace mentor) is such a valuable tool when you’re fresh out of college. You recently posted some interesting findings based upon your first six months of Hormone Replacement Therapy (HRT). Have you had a mentor or confidant to help you through this process? How has it been going for you so far?

RK: Yeah! I compiled data from a series of questions I was asking myself for the first six months of being on HRT with the Reporter App. Then I took that data and designed a poster.

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I didn’t have an individual mentor, but I did surround myself with wonderful friends who have been superb in letting me mentally work through this shift as well as a digital network that was able to relate to what was happening in my body. A large fear that I had prior to starting HRT was that design would somehow take a back seat in my daily thinking. Fortunately, the reverse happened. I was able to target problems that were previously unclear, understand the importance of accessibility, and recognize when empathy needed to play a role in design (which is always). Without a doubt, transitioning made me a better designer.

CB: That’s great to hear! It’s always a worry when something major is affecting life outside the office whether it will influence work as well. Glad to hear that for you, it turned into a positive. What’s next on the horizon for you?

RK: I’m working on the visual design (print & web) for a restaurant that’s opening up in downtown Portland, Maine, flirting with starting up a food blog, and continuing to visually document HRT. On a larger scale, I’m taking it all as it comes. As long as my core principles of designing for the user and with a team are in place, I’ll be happy.

CB: Those sound like awesome projects! Thanks for chatting with us Robyn.

Discounts Are Here!

Learn all about the magic of discounts.

Lest we bury the lede: discounts are here! Get 20% off on everything in your cart today and tomorrow only using the code “DISCOUNTSAREHERE” at checkout. Go now!

We’ve been hard at work building a discount engine and all we have to show for it is this tiny little box.

If anyone is still here, we want to talk a little bit about why we built discounts at all.

Starting a retail site from scratch means we don’t get a lot of features for free out of the box. We have to choose carefully. Discounts might seem like a slam dunk—and, indeed, they are an essential tool for running sales, providing top-notch customer service, tracking external advertising, etc.—but with great power comes great responsibility.

First, we want to be clear, buying a discounted shirt does not change the amount of money designers receive. Any discounts we offer come directly from our cut. We think that’s only fair. Don’t you?

Second, as we’ve said on more than one occasion in the past, we’re committed to making sure Cotton Bureau is profitable and sustainable. That means we have to balance the needs of designers, customers, and ourselves. Running sales is sort of like taking out a loan. Sure, there’s an immediate cash influx, but there are undesirable long-term consequences. For Cotton Bureau to work, prices need to be more or less what they are. Sales bring new customers, help price-sensitive customers get over the hump, and reward everyone for being part of this little community. Unfortunately they also tend to undercut our business model of making money by selling people t-shirts. We’re happy to “make it up on volume”—so long as our margins are still positive. What all this boils down to is that sales are by necessity going to be few and far between. Enjoy them while they last, use them as an opportunity to introduce a friend to Cotton Bureau, but don’t get too attached.

Used in moderation, discounts are good for everyone. We’re thrilled to finally be able to offer them. Today won’t be the last time you can save a few bucks on Cotton Bureau, but it might be the last for awhile, so head on over and use the code “DISCOUNTSAREHERE” at checkout to get 20% off on everything in your cart. Offer expires midnight Eastern tomorrow. Thanks, yo.

Doldrums

When Cotton Bureau launched last summer, an immediate wave of attention washed over us; the swells that followed in its wake obscured a critical reality of commerce: the summer slump.

We don’t know much about retail. It’s true we ran United Pixelworkers for years (still do), but it was always a side-business. We celebrated the good times and tried not to sweat the bad times. When Cotton Bureau launched last summer, an immediate wave of attention washed over us; the swells that followed in its wake obscured a critical reality of commerce: the summer slump.


Fast-forward to July 2014. The mighty Cotton Bureau schooner is becalmed, floating listlessly as we tug the sails this way and that, trying to catch the flimsiest breeze. Maybe you noticed the slipping numbers on the home page. Maybe you’re a designer wondering why shirts that sold so well in the past are barely going to print. More likely, you’re reclined on a chaise lounge by a pool somewhere, sipping lemonade, reading a good book, blissfully unaware that Cotton Bureau’s sales are sagging. (And good for you, by the way. That’s the right approach.)


At first, we blamed ourselves. Was it the switch to 12? Was it because we stopped tweeting every new shirt? Did we exhaust our customers with new shirt after new shirt after new shirt? We started digging into our numbers. Twitter’s new dashboard tells us that Cotton Bureau’s impressions are down 35.4% as compared to the previous 28 days. Ouch. Overall traffic peaked in March, held steady through early June, then began to decline heavily. The ratio of shirts hitting 25 was dropping as well. What did it all mean?

The first thing we had to remind ourselves was that Cotton Bureau is not a store, it’s a pre-sale engine. We can’t rely on standard numbers. We need to think differently about a successful pre-order and an unsuccessful pre-order. We need to acknowledge that events outside of our control (and sometimes even awareness) can radically alter our statistics. We have the privilege of providing a platform to a variety of designers—designers whose ability to bring traffic to the site can fluctuate by orders of magnitude. Separating the signal from the noise was going to be difficult.

Fewer people seeing our tweets was telling us something. Fewer people visiting the site was telling us something. Which numbers are significant? We chose to focus on conversion percentage, average order quantity, and shirts funded. Conversion percentage so far in July has been a rock-steady 2.07%—just a hair over our lifetime average of 2.05%. Clearly people coming to the site had not stopped buying tees, whether as a result of changes to the site or the type and quality of the t-shirt designs. Average order quantity has been similarly consistent. For every four orders we sell about five tees. That number jumped a few ticks back in March when we introduced the shopping cart and hasn’t moved since. That’s a good thing, we think. The first bit of bad news in our bellwether metrics was a decline in total shirts funded. More shirts go to print now than ever before thanks to the reduction of the goal from 25 to 12, but fewer of those shirts are getting to 25. That’s disappointing both to us (we make more money the more shirts we sell, naturally) and our designers (designers get paid only if a shirt reaches at least 25 sales).

Why are fewer shirts getting to 25? Is it because customers aren’t telling their friends as much as they used to (because the threshold for getting to print has been lowered)? Is it because we have more shirts than ever on the site, causing the same number of sales to be spread out? Or is it because, as we increasingly believe, it’s tough to move merchandise in the summer when people have better things to do than shop for t-shirts?

We asked some of our friends with more retail experience and the answer was unequivocal: summer is brutal, people will come back, relax. Easier said than done, of course, but we found one other number that helped make the medicine go down a bit more easily: search. Referral traffic comes and goes as a function of the shirts on the site and the outreach efforts we are able to make, organic search traffic, however, is a relatively reliable measurement of the core audience—and ours has been going up steadily for the last nine months (nearly 250%). July will be down, just slightly, but we’re no longer worried that the dip is anything more than the natural consequence of everyone getting a little well-deserved relaxation.


So what are we going to do about it? Well… not much. As much as we love numbers, we know that if you torture numbers enough, they’ll confess to anything. At our scale, a tweet here, a link there can alter an entire fortnight-worth of sales. We’ll continue running the numbers, trusting our gut, working hard behind the scenes to get more awesome shirts on the site, building new features, and talking with you all.

On that note, we started a Tumblr recently that Sara is having a blast using to share stupid Vines, examples of great design, and interviews with fantastic Cotton Bureau designers.

We also recently built a little discount engine for ourselves that we plan on putting to good use. (Keep an eye out for discount-laden tweets, yeah?) Of course, we’ve got plenty of other big ideas for the site, but timing-wise, we don’t really expect those to hit before the fall anyway.

Regardless of the features we add or don’t add, the coverage and traffic that does or doesn’t come, we have a reminder for ourselves and for you: we’ve all been conditioned to believe that the essence of business is growth. Everything needs to go up, up, up. If the business isn’t growing, Houston, we have a problem. That’s simply not true. The growth mantra dangerously warps our incentives as independent businesses and hobbyists, leading us, more often than not, to make decisions not on what is best for the customer—or even our own happiness and long-term well-being—but what most impresses our peers and satisfies the requirements of the investor playbook.

Look, business is simple if we don’t muck it up. Find something people want, produce it for a price less than they’re willing to pay, sell it with integrity. That’s the model we tested last June with Cotton Bureau, it’s the model we continue to believe in today, and it’s the model we expect to continue with as long as we’re in business.

Next year, we’ll know what to expect and won’t needlessly wring our hands. In the meantime, we’ll weather the current doldrums as best we can without resorting to an undue number of gimmicks or frantic pleas for attention.  Enjoy your summer, and, if you don’t mind, tell a friend about Cotton Bureau. We’ve got the best t-shirts around.

Freshly Laundered 001 / Ryan Hamrick

Since Cotton Bureau opened our doors a little over a year ago, letterer and designer (and our good friend) Ryan Hamrick has quickly become one of our most prolific designers. In the past twelve months he’s had six different tees for sale on the site, with five of them successfully going to print. We chatted with Ryan briefly last week to get the inside scoop on his new adventure in Austin and what keeps him going while he’s hard at work. Interview after the break.

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CB: How’s life in Austin?

RH: Austin has been really great so far! There are so many new and different things to do here, especially for families with kids. Our nine and six year-old have both found great new friends right on our street, and are having a blast at summer camp.

For me, it’s been great to be able to slowly get around and start meeting some of the people I’ve known and talked to for so long now online, and start forming actual IRL friendships. And thanks mostly to a three-week snafu with the moving company, I’m finally starting to catch up on my client work, or at least getting close, so that’s good.

Also, I’m excited to officially kick off work this week with my first local Austin client for a project that will be 1) awesome, and 2) belt-buckle related.

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CB: Wow, belt buckles?! That’s going to be really amazing! We’ve seen your work on all types of surfaces: paper, t-shirts, glassware, web, bricks, even the grille of your car. Is there a surface/texture you haven’t worked with yet that you’re itching to try? What has been your favorite so far?

RH: I actually have a few fire-based ideas I’m just dying to try as soon as I can figure out the best way to not die trying them. Without giving too much away, think “fire-retardant masking fluid”.

I think my favorite is still, and will probably always be, paper. There’s just something about being able to grab a sheet and instantly turn an idea into something real.

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CB: Don’t stand too close to the flames! Where do you find inspiration for your personal work (i.e., not client based)?

RH: I feel like I hardly ever have time for personal work, at least not as much time as I’d like. Whenever I do get a second (or steal a couple from what should probably be a client’s time) to throw together a Cotton Bureau shirt or something, I guess a lot of my inspiration usually comes from the steady stream of shitty “dad jokes” running through my head at any given time, from punny clocks that read “Time to Kill”, to black-on-black shirts that reference other black shirts. That’s always great, because it’s a way for me to turn those corny ideas into something real that I can share with other people that can appreciate it, too. Then, when no one buys them, it’s a powerful ego check and reminder that I’m not as funny as I tend to think I am.

Aside from that, I suppose a good deal of my inspiration comes from music. I’ve found very few things in my life that really trigger emotion and feelings in me in quite the same way music does. Whether I’m feeling particularly productive on a certain day, or inspired, or lazy, or whatever, I can almost always link it to what I’m listening to. It’s like my mind goes on little mini trips to these wonderful and sometimes strange places through the course of each day’s soundtrack. Sometimes it comes back with some cool-ass souvenirs.

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CB: Music is definitely a great source of inspiration and we think you’re funnier than you give yourself credit for. To finish up, who are you listening to lately?

RH: Oh man, I’m definitely a hip-hop kid, so I’ve always got some of the classics in the rotation. Can’t make myself get into a lot of the newer stuff that’s coming out these days, probably because I know I could rap better than most of them (seriously, next time we’re out, catch me after a couple Old Fashioneds, and I’ll drop bars).

So instead, there’s actually a German rapper named Cro that I listen to a lot. I can’t even understand 99% of the lyrics, so maybe they’re shit, but I find I can groove to him far easier than half the bullshit American artists out right now.

Aside from that, I play a lot of hip-hop-vibe electronic music and if there’s a female lead singer, even better. Current faves are Geographer, Sylvan Esso, Poliçia, Vacationer, Elliphant…I know I listen to so many more too, but I’m like varied to the point of forgetting what I even listen to. Thanks, Rdio.

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If you liked this interview, check back for more in our Freshly Laundered series. Thanks to Ryan Hamrick for being the first in what we hope is a weekly spotlight on the designers keeping us up to our ears in well-designed tees.