A. Always.

Two years ago, long before Cotton Bureau existed, we reached out to someone about a possible job for our now defunct client services company. It would have been a very high profile job, and we had good reason to believe we had a shot. The owner (someone with whom we had previously had positive contact and with whom we believed we had much in common) had publicly expressed interest in having the site re-designed making our offer not, we hoped, completely unsolicited. We composed a short, pleasant, to-the-point email that did not receive a reply. Chalking it up to anything but malevolence, we moved on as we always do. It wasn’t the first time we’d didn’t hear back from someone, and we knew it wouldn’t be the last.

Nearly a year had passed when a new idea occurred to us for the same person.  We again reached out by email, this time to suggest that making t-shirts with us might be of interest. At the time United Pixelworkers had a well-established partnership program, having run shirts for industry heavyweights like A Book Apart, Dribbble, and Rdio. No luck. Maybe our email was eaten by a spam filter? Maybe our advances were unappreciated? There was no way to know. At that point, exasperated by the silence, we could have been persuaded to move on. The last thing we wanted was to be an irritation. In the land of the Internet, however, there’s no body language to read, no clues to investigate. As business owners, writers, and website makers, we’ve always considered ourselves peers of the people we contact, regardless of their celebrity status. We’re not too proud to admit that the silent treatment stung. Writing a decent email is table stakes for running an online business. After 3-4 years of practice, we had a pretty strong batting average at this sort of thing. Nearly everyone else we had emailed previously had been responsive and, usually, interested.

Four months later we reached out again for what we hoped would be the last time. Mixing it up, we added a few additional people to the email who might be better positioned to at least return our email and, ideally, to give us an unequivocal yes or no. We got a reply, thankfully, with something resembling interest (though not from the original recipient). By this time, we had spun our partnership program off into the site you see today, Cotton Bureau. Maybe the delay had been for the best. The new site would have been the perfect vehicle for a limited run of shirts for a popular and beloved project.

Time passed (slowly) as we waited to hear whether the shirt we knew would be a monster would land on Cotton Bureau. Five months later it became clear (publicly) that t-shirts were a priority once a satisfactory design could be found, place of sale TBD. With nothing to lose at this point, we sent a last plaintive email: we’ll help with artwork, we’ve got the experience, the credentials, the contacts to make this a fantastic shirt. Just give us a chance. No answer.

This story does not have a happy ending.

Four months later, it was announced that the shirt would run on a competing service. It sold over 1,000 tees—twice as many as our most popular shirt ever. We had spent nearly a year pursuing this shirt, and there it went, without an explanation. What could we have done differently? Was our service considered and rejected? Were we too aggressive in reaching out? Who knows?


There’s a powerful idea about the Internet, embedded in the deepest recesses of our psyche, that excellence is all that matters, that the world we’re building is purely meritocratic. We know this isn’t true, of course. Anyone can see that just by looking around. It should be obvious that simply being good isn’t good enough; in fact, it isn’t even close to being good enough. Why?


You should be familiar with David Sherwin’s Tipsy Triangle of Software Startupdom. If you aren’t, become so quickly. David argues that every startup needs to divide its focus among three core areas: user experience, tech choices, and business model. Let’s use Cotton Bureau* as an example.

User Experience: Our website is responsive, reasonably performant, easy to navigate (we hope), and has a delightful checkout experience that we haven’t seen anywhere else.

Tech Choices: We use a basic LAMP stack running on a super-cheap Linode. We take advantage of third-party, open source libraries (like Sass, jQuery, and Laravel) whenever possible to minimize development time. Nothing fancy is happening here. Our goal is to build a reliable e-commerce site, not push the technology envelope.

Business Model: The entire reason Cotton Bureau exists is because the business model is relatively new. By creating a pre-order t-shirt platform, we enable transactions that previously couldn’t happen.

*Technically Cotton Bureau isn’t a startup. We’re a five year old small business bootstrapping a new product. We’ll talk about why we made that decision in future post.

It’s easy—terrifyingly easy—to get fixated on any one of those variables. The user experience on Cotton Bureau is good, but it’s so far from what we would like it to be that we cringe each time we look at it. Our friends and colleagues work on the sites and apps we use every day. It’s essential we remind ourselves that we don’t have the resources of an Instagram, Twitter, Google, etc. That we have to balance our urge to perfect the design with the reality of staying in business.

Our technology choices are practical, but are they exciting? Hardly, and that’s intentional. Nobody jumps out of bed eager to fire up their PHP virtual environment, and we have hundreds of improvements and refactorizations we’re itching to make.

The temptation to tweak the business model is constant and one to which we’re particularly susceptible. What if we added stock? Is direct-to-garment good enough yet? Will it ever be? How much should designers make? Can we lower our cut to spur sales, i.e. make it up on volume? Is it fair (and profitable) to curate designs rather than letting anything and everything on the site? Certainly there’s value in examining and re-examining the assumptions of your business model—but not every day, not to the exclusion of work that needs to be done on the site.


And yet, there’s a hidden, fourth dimension (if you will) to David’s triangle that we would do well to observe. Here it is: Sales. Marketing. Public Relations. For sake of mnemonic ease (and geometric validity), let’s call our new shape the Cotton Bureau Not-So-Tipsy Pyramid of Staying in Business.

I suspect we’re all thinking the same thing right about now: ugh. For anyone who isn’t naturally extroverted or whose skin isn’t leathered to an impermeable hide by years of failure, the fear of putting oneself out there for rejection is very real and the rejection itself (even when unintentional, as it so often can be) is agonizing.

But I have news for you. All the effort that’s been put into making your thing special is useless and, worse than useless, irrelevant if nobody is coming to see your thing. We’ve had many conversations about this topic on Skype and Twitter and even in person with people who are very good at what they do, and there is real frustration and confusion about the lack of attention being paid to products and businesses that lie outside the traditional venture capital narrative. These people might appear to be successful and profitable, but behind the scenes, staying afloat is a continual, painful struggle, which makes getting to the next level feel like it might as well involve flying to the moon.


I don’t know about you, but we don’t have a wheelbarrow of VC cash in the corner. We can’t buy attention. We’re a small, bootstrapped business trying to make it work from humble Pittsburgh, PA. If we’re going to do this, it’s going to be the people in the room. TechCrunch, Fast Co., etc. won’t come calling (at least not if we don’t call first), and as far as meeting payroll goes, Ben Horowitz isn’t walking through that door.

So what’s the answer? Relentless sales. For real. Like I said on Twitter, if you look around the office and don’t see “the sales guy”, you’re the sales guy. Roll up your sleeves. You’ve got some work to do.

Sure, we all get the occasional shot in the arm—an out-of-nowhere link from swissmiss (thanks, Tina!) or a kindly tweet from another well-intentioned friend with a bucket of followers—but those waves crash on the shores of your website and wash maddeningly right back out to sea. Some people stick around to be customers. Most are gone forever.

That’s why May is Cotton Bureau Awareness Month around the office. We’re reaching out to anyone and everyone, brainstorming ways to bring people to the site. Our product is successful. We make money on every transaction and enough of it to meet payroll for 3.5 people. The last 10 months have proven that there’s a real desire for our services on the designer side and for t-shirt sales on the customer side (yeah, no kidding). We’re pretty sure we’ve got the ol’ product-market fit locked down. Now’s the time to take the vision to the people, not spend time twiddling knobs behind the scenes. Here’s to us (and you) making this month the month people hear about your thing.


Can we help? Let us know what your thing is. We’d like to shine a little spotlight in your direction. Let us know what’s worked well for you in the past, or what you’re hoping to try in the future. We’d love to follow up on this blog with some encouragement for people out there trying to make this all work on a shoestring. Email us@cottonbureau.com.

Site Refresh

A few weeks ago we intro’ed a fresh coat of paint on the Cotton Bureau home page. Here’s what you need to know:

Hero Cards

Remember that mangy, old hero area we had? Said something like, “Say hello to Cotton Bureau. The curated, crowd-funded t-shirt community for designers.”

Well, that’s all still true, but it was time for a change. Introducing the new and improved hero area:

For most people arriving at the home page, the hero area is going to be the first place their precious little eyes alight. We happily used it for the last nine months to introduce ourselves and suggest that, if you hadn’t already, you really ought to send us something. (No, seriously, send us something.) Well, we’re all growed up now, and want to use that space to highlight a few of our favorite shirts each week. Is your design a cut above? Is it streets ahead? You might just find yourself featured on the home page.*

*Applies only to large screen home pages. These kinds of shenanigans don’t belong on your mobile device.

Color

With your keen, Holmes-ian sense of observation, you might have additionally noticed: color. The ol’ Cotton Bureau color palette has been quite limited since the launch. With the exception of the t-shirt background grid, it’s been a steady diet of red, slightly different red, a little green, and a lot of neutral. Time to mix it up a bit.

The new (to you, at least) colors take center stage as big blocks in the hero area and major role players in the tagging feature that we’re going to talk about right… now.

Sorting & Tagging

Sorting isn’t a new Cotton Bureau feature, but we did tweak the style to stand up to the chunkier home page layout. (And you might just find a very “colorful” Easter egg if you give it a try.) We also included a view toggle, so you can see our new detail view (more on that below), men's mockup, or women's mockup right on the homepage.

Top, old; bottom, new.

The concept and implementation of tags came out of a desire to de-emphasize the progress meters without losing the benefit of showing which shirts were close to being funded. As long as we were tagging funded shirts, we figured, why not also show which shirts were new, which ones were ending soon, and which ones you could go ahead and order without worrying if it was going to make it.

Having tried a number of styles (hollow? ribbons? monochromatic? icons?), we think the current execution is prett-y nice. We hope they help you out as you work your way around the home page.

Detail View

Possibly the most substantial and eye-catching change of the new home page is the switch from t-shirt mockups to zoomed-in detail views.

Left, old and tired; right, fresh and new.

Showing t-shirt mockups made a lot of sense when Cotton Bureau was brand new. Being explicit at the expense of being convenient is always smart when you’re targeting new users. As we grow, however, the pain of not being able to see some of the more sophisticated designs is frustrating for repeat users of the site. We want to place the emphasis on the artwork, not the silhouette of the shirt.

Coda

Full disclosure: we have no idea if these changes are going to sell more shirts. What we can say is that they feel right, and that we’re going to do our best to learn how to test these changes so we can give everyone the most efficient and enjoyable experience possible.


This is fun, right? We’re learning and hopefully you are too. If you’d like to come along for the ride, follow us on Twitter, subscribe to the blog RSS feed), or sign up for our weekly newsletter.

Meet Cotton Bureau

For too long, we’ve been nameless, faceless bureaucrats. It’s time to say hello to the team.

First up, meet Jay. Jay’s in charge of colors, shapes, and letters. Oh, and if you want to get your shirt onto Cotton Bureau, Jay’s the one you need to convince.

Here’s Nate. Nate is in charge of front-end code, operations, ancient history, rhetoric, and hockey news.

This is Matt, the final member of the website team. He goes by many names: Chamby, The Beef, or when he’s feeling fancy, Le Boeuf.

Last (for now) Sara, our Chief Fulfillment Officer and Customer Service Czar. If you got a problem, yo, Sara’ll solve it.

See? That wasn’t so bad. Now it’s your turn. Tell us who you are and why you love (or hate?) Cotton Bureau. We want to know, promise. You can get in touch with us on Twitter at @cottonbureau or email us right here: us@cottonbureau.com.

12 Gets You Printed. 25 Gets You Paid.

If we had it our way, every shirt on Cotton Bureau would make it to print. The reality is, selling 25 shirts in two weeks is a pretty steep climb for most designers, and only about 40% of shirts make it. Though that number is greater than we expected when we launched the site, it's still not good enough. Over the first 10 months of Cotton Bureau, we've seen hundreds of awesome shirts come and go, never making it to reality. We want to change that.

Effective immediately, we're dropping the threshold for success from 25 to 12. That's right, from now on designers only need to sell 12 shirts to get their shirts to print. Pretty sweet, eh? We thought so too. This move means more happy designers, more happy customers, and more green progress meters on our homepage. Win-win-win. In theory, every single shirt on the site should make it to print now...because who can't get a dozen people to buy a shirt?! OK, OK, realistically, we know it'll be more like 70%, but we can dream, can't we?

There is a catch, however (you knew there'd be a catch). If you hit 12 but fall short of 25, you will not receive any profit from your sales. The reason is, compared to 25, the unit cost of producing 12 shirts is crazy expensive, and we need every penny to make it happen in a way that's even remotely profitable for us (after all, we're not some fancy startup with a Scrooge McDuck vault full of investor loot). Ya dig? So if you wanna get paid—and who doesn't?—you still have an incentive to keep pushing past a dozen.

Like everything we do, this is an experiment. It could take us to new heights, or it could totally blow up and send us back to 25. That's the fun/terrifying part. One thing we know for sure is that we've removed virtually every possible barrier for buyers and designers. If you see a shirt you like, you can order it knowing it'll most likely go to print. If you're a designer, you can submit a shirt with confidence.

(Thanks to @pstypelab for the blog post title.)

True Shopping Cart

Last month we updated the Cotton Bureau checkout experience. Here's what you need to know:

Buy Multiple Items

See a shirt you like? Add it to the cart. Notice another shirt you just can’t live without? Put it in the cart too. What’s the big deal, you ask.

Well, pre-ordering shirts from more than one designer is complicated. How (and when) do we charge your card? When do we ship your shirts? What happens if one of the shirts you pre-order doesn’t make it? If you’ve been here from the beginning, you know we chose to punt on those questions originally by designing and building the simplest possible pre-order system that worked: one shirt from one designer.

That may be fine for some people—and may have been necessary for us to launch—but it wasn’t good enough any longer. Customers want to buy more than one incredible design without being penalized by unnecessary shipping costs and inconvenienced by the hassle of checking out multiple times. Finally (at least that’s how it feels to us) that’s possible.

So give it a spin, add a thing to your cart and then another thing. If you find yourself swept up in the euphoria of the moment, wondering why you just ordered  three more black tri-blend tees you were pretty sure you didn’t need and one killer tri-evergreen tee, don’t worry: it happens to the best of us. We’ll be right here when you get back to break down that mesmerizing checkout.

Off-Canvas Cart

Back? Good. What a rush, am I right? Never seen anything like that before? It’s okay. Take a deep breath.

In re-evaluating the checkout experience, we got really excited (as usual) about doing something we’d never seen done before: a completely off-canvas cart experience. Add a product to your cart, have it slide out. Click “Go to Shipping” and it slides out even more*. Whoa. “Review Your Order” reveals a third and final pane in our immersive, rub-your-eyes-to-make-sure-you’re-really-seeing-this, off-canvas checkout triptych. Hit the cart button or anywhere left of the cart (if you can still see the page) to go back and add more tees. What started as a “what if?” scenario turned into one of the best checkout experiences we’ve seen on the Internet.

*On larger screens only; small screens have one slideout pane with the checkout experience showing vertically. (Of course everything is responsive. Come on.)

And we’re not just saying that. Look, here’s what [famous online tech publication] wrot—hmm, mumbling noises from off-stage. Ah, well, it seems our non-existent PR department has failed to feed the tech publication trolls. You’ll just have to take our word for it that it’s the smoothest, illest, most beautimous checkout experience you ever did see, or, better, go buy something already and see for yourself.