Freshly Laundered 003 / Christopher Michon

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Christopher Michon is a graphic designer, dad, and husband living just north of Boston. Back in May we convinced him to do a t-shirt with us and his Hot Dog tee went to press just in time for Memorial Day weekend. We checked in with him recently to hear about where he finds inspiration and how to juggle #designlife and #dadlife. Interview after the break.

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CB: Hey Christopher! The designs you feature on your website are bright, simplistic, and frequently come with thick bold lines. What inspires your illustrations and design aesthetic?

CM: Hi! Thanks for having me. I would have to say that my biggest inspirations come from my childhood. Things like cartoons, drawing books, and building blocks. I have always been obsessed with building things from basic shapes, and I believe that is the basis of my design aesthetic.

Growing up I was always playing with Legos or drawing from an Ed Emberley book (both of which I still do today). They taught me how to see things differently. How to break things down, and then build them back up again. How to find the most basic form in something complicated. I credit both of them with how I approach any design or illustration.

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CB: Simple designs don’t have to be boring and you do a great job of showcasing that in your work. Speaking of Ed Emberley, you do a #makeaworld series on post-it notes via Instagram based off his Make A World drawing book. You’ve been doing this series for over a year now. How’s it going? What’s been the best part of it for you?

CM: I appreciate you saying that. It’s a little cliché, but I like to think that making something simple can sometimes be more difficult than making something intricate. It’s easy to get bogged down in the details, but knowing which parts to take out to make the piece successful is a lot of fun.

The Make A World project has been a lot of fun for me. I started it because I realized I wasn’t drawing as much as I used to. So I picked up a copy of Make A World, and started doing one drawing a day from it. I am posting them on Instagram to keep myself accountable.

Overall the project is going very well, and it is still lots of fun for me. I’ve had mostly positive feedback, which is great since I started doing this solely for myself. I’ve done over 200 drawings, and I am getting very close to the end of the book, so I’m trying to figure out how to transition into something else.

The best part of the whole thing was being able to meet Ed Emberley himself. I had met him numerous times as a kid, since I grew up in the same town he lives in, but being able to connect now was a dream. I was ecstatic that he had seen the project, and enjoyed it. He also reiterated something that I hadn’t realized, that even though I’m drawing from his book, and his steps, they are still my drawings and have a completely different life than something he would do.

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CB: He makes a great point - so much of design is influenced by people who came before you or from something you see out in the world, but each persons individual take can be drastically different. Obviously, you’ve produced a design for a t-shirt with us, have you ever done other work of that sort? Prints? Tees? Album cover art? What kind of projects keep you busy in your free time?

CM: Very true. It’s something I remind myself of daily. That it’s not about whether you could do a better or worse job on something, it’s that your outcome would be different.

The hot dog shirt wasn’t the first T-shirt I designed, but it’s definitely the one I’m most proud of. I was ridiculously stoked and humbled every time someone posted a picture of them wearing it. And as some people know, I designed a sticker and pin to be included with every order as a thank you. These are the type of things I love to make. Stamps, stickers, pins, cards, etc. There is usually such a quick turnaround on these types of things, that it’s easy to come up with an idea, get it printed, and then have something to trade by the end of the month. And it thrills me to share these things with people and have them be as excited about a sticker, or whatever it may be, as I am.

I’ve done various other things outside of my day job, like album covers, logos, and posters, but honestly when I have free time, I like to spend it with my family. My wife and I are busy with our two year old son, and I wouldn’t have it any other way. They really help keep me grounded, and my priorities in check. I do, however, usually have some Field Notes in my back pocket just in case.

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CB: How much has having a small child around the house changed how you get work done? You often post #dadlife shots to your instagram feed; sometimes those include you working while caring for him. Is it difficult to balance those roles since a lot of a designers job can (conceivably) be done at home?

CM: The easiest times to get things done is while he’s asleep. Right now I work from home one day a week. He mostly wants me to play with him instead of being stuck behind the computer, so it’s tough. He understands that I have to do work, but I try and balance it with breaks where we play. Overall it’s difficult, but anything worth doing usually is. I’m extremely lucky and grateful that I get to spend some extra time with him, even though I'm working.

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CB: You’re right, having that extra time at home is a real treat, you’re lucky to have a job that has that flexibility! Thanks for chatting with us - it’s been fun.

CM: Great to talk with you Sara!

You can find more of Christopher’s work on his personal site, his tumblr, and his instagram feed. If you’d like to see his Hot Dog tee have a second run, you can request it here.

Mystery Tees

Get a cheap Cotton Bureau shirt in absolutely perfect condition.

Under most circumstances, we order our shirts in exact quantities. But from time to time, for reasons that are boring and not worth discussing, we tack a few extras onto a print run. That means that over the past year, we've accumulated a lot of extra tees here at Cotton Bureau headquarters. Not misprints, or shirts with stains, or shirts with holes...we’re talking first-rate, pristine Cotton Bureau originals. It's time for us to get rid of them, so we're introducing the first-ever Cotton Bureau Mystery Tee Sale. Here's how it works: you give us $10 (plus shipping) and tell us your size, and we’ll ship you a random shirt of our choosing. And if you order more than one, we'll do our very best to mix up the batch so you don't get stuck with the same shirt twice. So c’mon, spin the wheel of mystery. What’s the worst that can happen? You get a cheap—like, below cost—Cotton Bureau shirt in absolutely perfect condition. Not a bad deal.

THE FINE PRINT: Mystery Tees are non-returnable and non-refundable (unless it gets like, lost in the mail or something. We're not heartless). Otherwise, you buy it, it's yours.

Freshly Laundered 002 / Robyn Kanner

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Robyn Kanner is a designer based out of Portland, Maine. Her first tee with us, Dozen, is one of our all-time best sellers (and available again for purchase as of this moment). We checked in with her last week to see what was new.

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CB: Tell us how you got into design - what brought you to where you are now?

RK: When I was a teenager, all of my friends were in bands. I didn’t have the skills to play an instrument yet, so I picked up a camera and started to photograph them. A couple years later, those same friends were recording albums and I wanted to design them. I taught myself the trade until I reached undergrad where I honed in on design through various course work. After finishing undergrad, I didn’t have a mentor and was seeking any chance to learn and gain knowledge. Around that time, Mike Monteiro started posting podcasts, blogs, and giving talks regularly. I learned from the process he outlined and the books he suggested reading and did my best to implement them in my current practice as a designer.

CB: Would you say Mike has been a big influence on your career? Who else would fall in that category?

RK: I would say that I’ve taken the things he’s said very seriously. A few years ago I was strongly considering going freelance full time. I thought, “Well, I’ve got enough client work to kind of get by, and I could maybe figure it out, etc.” Then I listened to a podcast where he spoke about all of these designers in their twenties opening up their own shops and working for themselves. He talked about how these new designers should really be spending their time working under design directors gaining knowledge and learning from the experience they have. For that alone, I’ve actively gone out of my way to work with and under people.

In addition to Mike, I’ve always been a fan MK12, Michael Cina, Karen McGrane, and most recently, Alexandra Bond.

CB: That’s great advice from Mike - having a workplace (or non-workplace mentor) is such a valuable tool when you’re fresh out of college. You recently posted some interesting findings based upon your first six months of Hormone Replacement Therapy (HRT). Have you had a mentor or confidant to help you through this process? How has it been going for you so far?

RK: Yeah! I compiled data from a series of questions I was asking myself for the first six months of being on HRT with the Reporter App. Then I took that data and designed a poster.

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I didn’t have an individual mentor, but I did surround myself with wonderful friends who have been superb in letting me mentally work through this shift as well as a digital network that was able to relate to what was happening in my body. A large fear that I had prior to starting HRT was that design would somehow take a back seat in my daily thinking. Fortunately, the reverse happened. I was able to target problems that were previously unclear, understand the importance of accessibility, and recognize when empathy needed to play a role in design (which is always). Without a doubt, transitioning made me a better designer.

CB: That’s great to hear! It’s always a worry when something major is affecting life outside the office whether it will influence work as well. Glad to hear that for you, it turned into a positive. What’s next on the horizon for you?

RK: I’m working on the visual design (print & web) for a restaurant that’s opening up in downtown Portland, Maine, flirting with starting up a food blog, and continuing to visually document HRT. On a larger scale, I’m taking it all as it comes. As long as my core principles of designing for the user and with a team are in place, I’ll be happy.

CB: Those sound like awesome projects! Thanks for chatting with us Robyn.

Discounts Are Here!

Learn all about the magic of discounts.

Lest we bury the lede: discounts are here! Get 20% off on everything in your cart today and tomorrow only using the code “DISCOUNTSAREHERE” at checkout. Go now!

We’ve been hard at work building a discount engine and all we have to show for it is this tiny little box.

If anyone is still here, we want to talk a little bit about why we built discounts at all.

Starting a retail site from scratch means we don’t get a lot of features for free out of the box. We have to choose carefully. Discounts might seem like a slam dunk—and, indeed, they are an essential tool for running sales, providing top-notch customer service, tracking external advertising, etc.—but with great power comes great responsibility.

First, we want to be clear, buying a discounted shirt does not change the amount of money designers receive. Any discounts we offer come directly from our cut. We think that’s only fair. Don’t you?

Second, as we’ve said on more than one occasion in the past, we’re committed to making sure Cotton Bureau is profitable and sustainable. That means we have to balance the needs of designers, customers, and ourselves. Running sales is sort of like taking out a loan. Sure, there’s an immediate cash influx, but there are undesirable long-term consequences. For Cotton Bureau to work, prices need to be more or less what they are. Sales bring new customers, help price-sensitive customers get over the hump, and reward everyone for being part of this little community. Unfortunately they also tend to undercut our business model of making money by selling people t-shirts. We’re happy to “make it up on volume”—so long as our margins are still positive. What all this boils down to is that sales are by necessity going to be few and far between. Enjoy them while they last, use them as an opportunity to introduce a friend to Cotton Bureau, but don’t get too attached.

Used in moderation, discounts are good for everyone. We’re thrilled to finally be able to offer them. Today won’t be the last time you can save a few bucks on Cotton Bureau, but it might be the last for awhile, so head on over and use the code “DISCOUNTSAREHERE” at checkout to get 20% off on everything in your cart. Offer expires midnight Eastern tomorrow. Thanks, yo.

Doldrums

When Cotton Bureau launched last summer, an immediate wave of attention washed over us; the swells that followed in its wake obscured a critical reality of commerce: the summer slump.

We don’t know much about retail. It’s true we ran United Pixelworkers for years (still do), but it was always a side-business. We celebrated the good times and tried not to sweat the bad times. When Cotton Bureau launched last summer, an immediate wave of attention washed over us; the swells that followed in its wake obscured a critical reality of commerce: the summer slump.


Fast-forward to July 2014. The mighty Cotton Bureau schooner is becalmed, floating listlessly as we tug the sails this way and that, trying to catch the flimsiest breeze. Maybe you noticed the slipping numbers on the home page. Maybe you’re a designer wondering why shirts that sold so well in the past are barely going to print. More likely, you’re reclined on a chaise lounge by a pool somewhere, sipping lemonade, reading a good book, blissfully unaware that Cotton Bureau’s sales are sagging. (And good for you, by the way. That’s the right approach.)


At first, we blamed ourselves. Was it the switch to 12? Was it because we stopped tweeting every new shirt? Did we exhaust our customers with new shirt after new shirt after new shirt? We started digging into our numbers. Twitter’s new dashboard tells us that Cotton Bureau’s impressions are down 35.4% as compared to the previous 28 days. Ouch. Overall traffic peaked in March, held steady through early June, then began to decline heavily. The ratio of shirts hitting 25 was dropping as well. What did it all mean?

The first thing we had to remind ourselves was that Cotton Bureau is not a store, it’s a pre-sale engine. We can’t rely on standard numbers. We need to think differently about a successful pre-order and an unsuccessful pre-order. We need to acknowledge that events outside of our control (and sometimes even awareness) can radically alter our statistics. We have the privilege of providing a platform to a variety of designers—designers whose ability to bring traffic to the site can fluctuate by orders of magnitude. Separating the signal from the noise was going to be difficult.

Fewer people seeing our tweets was telling us something. Fewer people visiting the site was telling us something. Which numbers are significant? We chose to focus on conversion percentage, average order quantity, and shirts funded. Conversion percentage so far in July has been a rock-steady 2.07%—just a hair over our lifetime average of 2.05%. Clearly people coming to the site had not stopped buying tees, whether as a result of changes to the site or the type and quality of the t-shirt designs. Average order quantity has been similarly consistent. For every four orders we sell about five tees. That number jumped a few ticks back in March when we introduced the shopping cart and hasn’t moved since. That’s a good thing, we think. The first bit of bad news in our bellwether metrics was a decline in total shirts funded. More shirts go to print now than ever before thanks to the reduction of the goal from 25 to 12, but fewer of those shirts are getting to 25. That’s disappointing both to us (we make more money the more shirts we sell, naturally) and our designers (designers get paid only if a shirt reaches at least 25 sales).

Why are fewer shirts getting to 25? Is it because customers aren’t telling their friends as much as they used to (because the threshold for getting to print has been lowered)? Is it because we have more shirts than ever on the site, causing the same number of sales to be spread out? Or is it because, as we increasingly believe, it’s tough to move merchandise in the summer when people have better things to do than shop for t-shirts?

We asked some of our friends with more retail experience and the answer was unequivocal: summer is brutal, people will come back, relax. Easier said than done, of course, but we found one other number that helped make the medicine go down a bit more easily: search. Referral traffic comes and goes as a function of the shirts on the site and the outreach efforts we are able to make, organic search traffic, however, is a relatively reliable measurement of the core audience—and ours has been going up steadily for the last nine months (nearly 250%). July will be down, just slightly, but we’re no longer worried that the dip is anything more than the natural consequence of everyone getting a little well-deserved relaxation.


So what are we going to do about it? Well… not much. As much as we love numbers, we know that if you torture numbers enough, they’ll confess to anything. At our scale, a tweet here, a link there can alter an entire fortnight-worth of sales. We’ll continue running the numbers, trusting our gut, working hard behind the scenes to get more awesome shirts on the site, building new features, and talking with you all.

On that note, we started a Tumblr recently that Sara is having a blast using to share stupid Vines, examples of great design, and interviews with fantastic Cotton Bureau designers.

We also recently built a little discount engine for ourselves that we plan on putting to good use. (Keep an eye out for discount-laden tweets, yeah?) Of course, we’ve got plenty of other big ideas for the site, but timing-wise, we don’t really expect those to hit before the fall anyway.

Regardless of the features we add or don’t add, the coverage and traffic that does or doesn’t come, we have a reminder for ourselves and for you: we’ve all been conditioned to believe that the essence of business is growth. Everything needs to go up, up, up. If the business isn’t growing, Houston, we have a problem. That’s simply not true. The growth mantra dangerously warps our incentives as independent businesses and hobbyists, leading us, more often than not, to make decisions not on what is best for the customer—or even our own happiness and long-term well-being—but what most impresses our peers and satisfies the requirements of the investor playbook.

Look, business is simple if we don’t muck it up. Find something people want, produce it for a price less than they’re willing to pay, sell it with integrity. That’s the model we tested last June with Cotton Bureau, it’s the model we continue to believe in today, and it’s the model we expect to continue with as long as we’re in business.

Next year, we’ll know what to expect and won’t needlessly wring our hands. In the meantime, we’ll weather the current doldrums as best we can without resorting to an undue number of gimmicks or frantic pleas for attention.  Enjoy your summer, and, if you don’t mind, tell a friend about Cotton Bureau. We’ve got the best t-shirts around.