Democracy Design Challenge

Cotton Bureau has been around for more than three years, and believe it or not, in all that time, we've never give you a theme for design submissions. That ends today, because this month's design challenge is...DEMOCRACY.

It's go time here in America. The conventions are behind us, there are only 100 days left until the 2016 presidential election, and (almost) everyone has chosen sides. Maybe you're with her. Maybe you're still feeling the Bern. Maybe you're (deep sigh, eye roll, gulp) hoping to Make America Great Again. Maybe you prefer a third party candidate, or hope for four more years with Barry. Or maybe you just wish someone else entirely (Beyoncé, anyone?) or someone fictitious (Josiah Bartlet?) was running.

Whoever ya got this November, we wanna know, so send us a tee design this month featuring your chosen candidate (or just something vaguely election-related). We'll be featuring our favorites on Instagram, Twitter, and the Cotton Bureau homepage.

Good luck, and we'll see you again for our next design challenge in September.

We’re Turning 3!

We’re turning 3, and we want you to have all the presents! Read on to learn more.

Three years ago, we launched a little project out into the world called Cotton Bureau. An offshoot of our beloved United Pixelworkers, we had an idea (and a hope) of what it could become, but really no idea what it would become. Three years later, we're on track to sell more than 60,000 shirts in 2016. We’re a full-time team of six. Every month this year has been bigger than any other month that came before. We've worked with some of our industry heroes and made dozens (hundreds?) of new friends. We're eternally grateful for everything the Cotton Bureau community has done for us.

So just like last year, we're celebrating our birthday not by buying ourselves something nice—though we did pick up a pretty sweet toaster oven for the office a few weeks ago—but by giving you all the gifts.

For the next 4 days—from today, Friday, June 10 through Monday, June 13 at 8pm EDT—we're passing along big savings and giving away awesome prizes. The more shirts we sell, the more we'll give away.

Go shop now!

To give you an idea of how this should go, we sell ~500 shirts on a typical Friday through Monday, so we're basically guaranteed to get through the first four prize/savings tiers. Last year, when we ran a similar contest, we sold 900+ shirts in a single day. So...this should be big.

To sweeten the deal a little more, we cooked up a Cotton Bureau 3rd Anniversary Commemorative T-Shirt—available for pre-order in tri-blend black and 100% cotton black tees and a tri-blend black tank top until Monday, June 13 at 8pm EDT.

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You knew there'd be fine print, so here it is...

The contest happens today, Friday, June 10 2016 through Monday, June 13 2016 at 8pm EDT. If you buy a shirt 20 minutes past 8pm on Monday and ask to be included in the drawing, we’re going to act really disappointed and probably shake our heads at you.

Discounted price is not cumulative, and only applies to shirts purchased during the contest timeframe. So if we sell 1,250 shirts, all eligible shirts will be $4 off.

The gift portion of the contest is only open to customers in the United States, though all pre-order purchases are eligible for discounts.

Each entrant is limited to five (5) prize entries. If you buy 5 shirts, you get 5 entries. If you buy 15 shirts, you get...5 entries.

Only purchases of pre-order designs are eligible. That means no mystery shirts or kids shirts (though you should totally still buy them).

We’ll contact the prize winners on Friday, June 17. If you win, please allow us a few weeks to ship you the goods.

You don't have to buy something to enter into the drawing. Mail us a note to Cotton Bureau 2000 Smallman Street Suite 203A Pittsburgh, PA 15222 and make sure it's postmarked by Monday, June 13, and make sure it arrives by Thursday, June 16. Also, make sure your name and email address is included somewhere.

Freshly Laundered 038 / Matt Hamm

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British designer and illustrator Matt Hamm hit a thread with his Deathstar Interior Lighting shirt design - it’s one of our top 20 all-time best sellers. Pretty impressive considering it’s been on the site less than nine months. We sat down for a quick interview on the man behind the shirt. Read on to hear about the risk he took in starting his own studio.

CB: Let’s start with a quick history - how did you become Creative Director and Co-Founder of Supereight?

MH: I was working at a web design agency in 2009 with a very talented web designer Pete Orme. Increasingly I found myself thinking that I could do most of the work here like new business, project management and accounting as well as designing and front-end development.

That week, I met up with my ex-boss from a larger design consultancy, that I had worked at previously, for a bit of extra freelance illustration work. We starting chatting about the idea of setting up my own company, using some office space there and becoming part of the consultancy’s network. He was also offering to become a silent investor and feed me work from the consultancy and the network. It all seemed like an offer to good to refuse.

He also suggested finding another designer or developer to work with and Pete Orme, my colleague at Kyan, came to mind immediately. I suggested the idea to Pete and he didn’t even need time to think about it. He said he was in and even had a feeling that was something I might suggest to him before all this happened.

We waited a few weeks and then dropped the bombshell that both of us were leaving Kyan. Kyan were gutted, yet really good about it all and completely understood.

As the time got closer to us starting our new company, now called Supereight, the whole deal with the design consultancy fell through and we were left to start this thing on our own. We were gutted, but we had already made the first leap. Looking back now after 7 years, it was the best thing that could have happened to us.

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CB: Wow. What a rollercoaster of emotions that time must have been for you. How did you go about making sure the new studio was able to stay in business without the safety net of your investor?

MH: We only had one project lined up and we didn’t really pay ourselves much for the first couple of months. We didn’t have an office space initially so our overheads were pretty low. We managed to get our company noticed by our newly designed website being listed on lots of website galleries and got some interaction going on a few social media channels.

We were lucky to have a few bigger projects roll in after that from word of mouth. Once we had a financial buffer in place we were able to feel a bit more stable and continued getting work from recommendations.

It did feel risky at times, but that was part of the excitement of starting up a new business. We put in the hours and that time paid off.

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CB: A little hard work (and luck!) can go a long ways sometimes. What’s the best thing about being your own boss?

MH: The best thing about being your own boss is the flexibility of working hours and how that fits around family life. You call the shots. If you want to go for a ride mid-morning because it’s a nice day, you can.

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CB: You’re a pretty avid cyclist - what’s the connection between cycling and designing? Is there one?

MH: I don’t think there is a link between cycling and designing. Cycling, like running or any other sport, is just an activity to get you away from the screen and clears the mind.

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CB: Ha - fair point! How else do you spend your free time?

MH: Most of my free time is spent with my family. I have a beautiful wife from Venezuela and two lovely kids, aged 7 and 4. I’ve been doing lots of DIY recently. We moved into a new house last year and I ripped up all the horrible dated carpet and laid solid oak flooring in every room. I really enjoyed doing it, it looks amazing and we saved a hell of a lot of money in the process.

CB: Sounds like quite the undertaking! Thanks for chatting with us, Matt.

To see more of Matt’s work, you can check out his personal site or follow him on twitter, instagram, and dribbble. Sign up for the next printing of Deathstar Interior Lighting here.

Freshly Laundered 037 / Bridget Reed

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Philadelphia based Designer Bridget Reed hasn’t been in the design business long, but she’s already faced her fair share of hurdles and learned some good lessons along the way. Read on to learn more about her trials and tribulations, and how she’s overcome.

CB: Give us a quick history - how did you land on Design & Development as a career choice?

BR: My family says that I have always been drawn to both art and technology as a whole. While I was in high school, I constantly found myself spending my lunches and daily study period in the art department, better known to my high school as “the gallery” so – though I wasn’t quite sure EXACTLY what I wanted to do with the arts – I opted to attend a Tyler School of Art, Temple University, in Philadelphia for the beginning of my BFA. After my 2 years at Tyler, what I refer to as my “discovery period”, I found myself drawn more towards to my graphic and computer courses, and I transferred to Antonelli Institute, a 2-year school specializing in design and photography, as well as the business sides of both careers.

Throughout my first few months of post-grad interning, working, freelancing, contracting, bad bosses, late-night coffee runs, and career-jumping, I almost always found that the jobs that I was interested in the most wanted someone with knowledge of AT LEAST basic programming languages. I started my (early) career-transition by taking some online HTML/CSS courses with Codecademy and Free Code Camp, until I saw a twitter post from Philly Tech Week about Girl Develop Its Philadelphia chapter. I finally attended my first GDI class, Intro to HTML/CSS, in August 2014, and the rest is history!

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CB: Now you’re a Designer, TA, and co-organizer for GDI in Philly, right? How did you get from mentee to mentor?

BR: Honestly, I feel like I was super lucky to end up in the position that I’m in. If you had asked me in college where I wanted to be in five years, I had one plan – I was going to (maybe) graduate, stay in touch with the friends I had made in Philly’s DIY scene, design their albums and apparel, and essentially get to travel with the bands as “Bridget, the merch girl”. If you were to ask me about those plan now, I’d tell you that I went into art school with super idealistic goals for my future, considering my impending $1,000/month student loans and affinity for shoes, and I wish that someone, whether it had been an advisor, instructor, etc. had actually told me that in the midst of my long nights in dark, loud basements, trying to fit in with a crowd I’d never truly be accepted in.

Fast-forward 4 years, and I constantly found myself either taking classes with GDI, continuing to work on classwork, and/or thinking about what I wanted to learn next. I saw that there was a design class, Photoshop 101, coming up and offered to TA. I found that there are tons of women in the dev and tech world who truly wanted to learn about more about design, whether it be to better communicate and understand the designer that they work with or for personal gain, so I continued to TA classes, both design and dev, and love to talk to students about how I made the jump from print to web design and dev.

As for the volunteering, designing, and organizing, I had gotten so used to designing for either school or work that when an opportunity popped up to design for myself (as well as a great non-profit), I jumped at the chance! I currently work on an amazing core team, all of which are men. I have had such great experiences with my primarily-male dev team as a whole, but I think that applying for jobs and just putting myself out there in general has really shown me how vital it is to introduce more women into this field and has helped me become a “mentor” of sorts.

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CB: Speaking of advice - what is one piece of advice you wish you’d have gotten in college you didn’t? What advice do you give to the women you meet through GDI?

BR: I think that one piece of advice that always rings true to me NOW is the fact that “the straight and narrow is not the only path to success.” I went through high school and college with classes and advisors that ingrained the importance of going to a 4-year college or university into each of us. They never touch on the fact that there were other options, and they never tell you that it’s okay to NOT know what you want to do with the rest of your life as a 16-year-old.

Ultimately, I have met plenty of men who automatically discount my opinions - whether it be because of my gender, my age, my education, or my affiliations - but I have met just as many women who are equally excited and terrified to make the jump into tech. It is a super empowering time to be a woman in STEM.

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CB: Where do you hope to see yourself in five years? And 15?

BR: I’m actually not quite sure what the future holds, but I definitely have a few long-term personal and professional goals!

Advertising:
After college, I was initially working in the advertising world and, while I wasn’t in a more interactive or UI/UX-centered position like I am now, I loved the feeling of seeing your work out in “the real world”. While I was going through the process of changing jobs, I had a few offers for print and production jobs in the ad world, but none of them really felt right, so I promised myself I’d get myself back out into the ad world if and when the right job comes along! Speaking of “jobs”, this leads me to…

Teaching:
Teaching design courses for Girl Develop It? Teaching design courses at my alma mater? (I mean, a full male design staff? What’s up with that?) Who knows! The sky’s the limit! Which leads me to…

Tech Conferences:
I’m speaking at my first tech conference, Web Design Day, in Pittsburgh this June! Crazy right?

I finally felt “worthy enough” to attend my first day-long female tech conference, ELAConf, in Philadelphia back in November 2015, and it changed EVERYTHING for me. I hope to continue speaking, networking, and traveling as much as possible while I’m young and (somewhat) free. Which leads me to…

Travel:
Look, I’m just going to get this out of the way: I went to Walt Disney World for the first time in my adult life over the week between Christmas and NYE (also known as the busiest week of the entire year) last year, and it is an amazing, beautiful, magical place that totally took away the stress of a shitty job and a bad boss for every single second of the 3.5 days I was there. That being said, I plan on visiting Disney as much as possible for AT LEAST the next 5-15 years and finally understand the magic of sunshine, dole whip, and pixie dust.

*Phew!* Now that THAT’S out of the way I’m traveling out of the Northeast for the first time EVER to go to California for Google I/O in mid-May, and I cannot say enough about how thankful I am to Girl Develop It for the travel grant and to Google’s Women Techmakers program for setting aside tickets to get more women involved with the conference and allowing me to meet so many amazing women from all over the world (including Cotton Bureau’s own, Virginia Poltrack)! Though I’ll only be there for a few days, Justin – my significant other & a super-talented photographer – jokes that I’ll never come home and we’ll have to move to Silicon Valley (only time will tell)! Which leads me to…

Personal Projects:
Between work, GDI, and other commitments I have, when it comes to the concept of “time”, I really don’t have much of it. I very rarely give myself the time to do personal projects, though Justin always jokes that I always find more than enough time at night to catch up on the latest episodes from the wonderful world of “ShondaLand”. Which leads to me…

Tumblr:
Though I may be exhausted at the end of the day, I will almost always make time for my nightly Tumblr blogging. It’s a place to zone out, get inspiration, find more music, see the best reaction GIFs, and absorb the types of content I totally need and appreciate on a platform that I have formed over the past 6 years; it is honestly my happy place. In other words, if I totally give up on Tumblr within the next 5 years, I will DEFINITELY be surprised.

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CB: How exciting that you’ll be speaking at WDD! We’re bummed to be missing the festivities this year. These are a solid set of goals - how are you working towards achievement in these areas of your life?

BR: Thank you! I’m super excited!

So I’ve always been a people-pleaser, and I used to pay more attention to the looming thought of disappointing others rather than what I wanted or – more importantly – WHAT I NEEDED. So, one day back in the beginning of the year, I decided that this was going to be “the year of me” or – a better way to put it – the start of a better relationship with myself.

After both graduating Antonelli in 2014 and leaving an underwhelming, underpaying job with your typical bad managerial situation back in January, I immediately wrote off the people who gave off a negative vibes or who were a source of bad energy. I, ultimately, decided to put myself first to figure out who and what was most important to me. None of my goals are possible without the super supportive people that I choose to to surround myself with, as well as the occasional “Treat Yo'Self” day and Sunday brunches.

CB: Sounds like an excellent plan! Thanks for chatting with us, Bridget.

To keep up with everything Bridget has going on, you can follow her on twitter, instagram, tumblr, and dribbble. Check out her website here. To be notified when Bridget releases a new CB design, sign up here.

Cotton Bureau 2.0

N.B. design has been modified since publication.

Make new home pages, but keep the old; one is silver, the other, gold, is, to the best of my knowledge, how the saying goes.

Last week we soft-launched the new Cotton Bureau home page. It (finally) has touch navigation for product images. It looks incredible on mobile, tablet, and most other devices. Each shirt has custom colors, copy, and big, full-bleed images. The designer gets his or her name in lights, and we have a live countdown so you know the last possible second before the design goes away. You can even buy a shirt without leaving the home page. Go look at it right now. We’ll wait.

Now that the design is live, we naturally have some things to say. To start, I want to quote my partner Jay from this week’s email newsletter,

If you’re a service (which we are), a homepage is supposed to promote your benefits and entice people to sign up. If you’re a shop (which we also are), it’s supposed to feature the best/newest/shiniest products your brand has to offer. On any website, it’s supposed to act as a traffic cop, directing people to the content they’re looking for. If we’re being frank, our previous homepage, well…it did exactly none of that. It was the least we could get away with when we launched almost three years ago, and we’re embarrassed to say it hadn’t changed much since.

It took us months of painful conversations to decide what we wanted this page to do. The dam finally broke a few weeks ago. We couldn’t be more excited to have the new home page live and feel confident in the direction of the site.

A home page is a window into a vast world which necessarily means you can’t show (or do) everything. What you see now when you come to Cotton Bureau is the tip of the iceberg rather than (as before) the iceberg itself. When you arrive, you’re greeted by a testimonial from just one of the heaps of happy people we’ve worked with. If you scroll, you’ll see the main navigation and then five of our favorite shirts from the nearly 100 shirts that are available for sale on any given day. Three tightly focused areas checking the three boxes we had assigned for ourselves: pitch the service, provide essential navigation, promote shopping. Boom, nailed it.

Since launching, however, many have gently and not-so-gently pointed out some of our more glaring omissions. The huge focus on soliciting designs can be off-putting to customers. Viewing at it on a 5K iMac is, uhm, intimidating at best. We even forgot to show prices and size charts on the featured products.

Look, this isn’t our first website. We knew it wouldn’t be perfect out of the gate. Little stuff like that is easy to correct. What disappointed us most (we’re human, we were hoping for an enthusiastic response) was that what was so obvious in our heads was being misinterpreted by what felt like… pretty much everyone. Even for people as headstrong as Jay and I, it hurts to feel you’ve dropped the ball.

We may be stubborn (okay, we’re definitely stubborn); we hope we’re not blind. If it took us that long to find a home page solution we were excited about, we know we can’t expect you to feel the same way overnight. So let’s start again from the top, looking at each section and seeing if we can’t find where we went wrong and where we need to double-down.

If you’re not familiar with Cotton Bureau, when you first arrive at the home page you may be asking, who is Cotton Bureau and why should I care? If you’re a designer and you want to work together you may be wondering why you can’t just submit a design directly from the home page. If you’re one of our many regular customers (thank you!) who enjoy the giant wall of shirts, you are most certainly wondering where they all went. No matter who you are, it’s natural to want the thing you’re looking for to be the most obvious thing on the page. When it’s not, that’s a frustrating experience. It’s our job to speak to the right people at the right time. We tried to be clever and in-your-face with this design. If that came at the expense of clarity and usefulness, we need to try again. This new home page is a step the right direction, but it’s only a step. We clearly still have some work to do.

When we launched Cotton Bureau in 2013, the home page we built looked more or less the same as the home page you would have seen if you had come to the site last week and what you can still see if you go to the Shopsection: a message at the top followed by a grid of all the shirts we have for sale right now. The message has periodically changed—submit a tee, check out this shirt, kids tees are here, we’re running a sale, etc.—but the block has always been there. It’s a (good) convention when building websites to use the hero / above-the-fold area to promote your most important stuff. The new home page keeps that idea around. When we updated the home page last week, it was our belief that we needed to speak to designers in that area. We did that by showing testimonials. Based on feedback we’ve gotten, we think that was a mistake. We should instead speak first to people who don’t know who and what Cotton Bureau is, whether that person is a potential designer or someone just interested in buying shirts.

Below the testimonials area we hoped to move people as quickly and easily as possible to the major site destinations — shop, submit, kids, archive. We like that design and approach, but it has become clear that the navigation is, despite our best efforts to create a quiet space in what is admittedly a loud and busy design, getting lost. We’re going to fix that soon.

The major change, however, and the one I want to discuss in depth, is intended to speak to people visiting Cotton Bureau for the first time: the grid is gone. Say hello to the stream.

The Stream

Streams and grids are UI patterns we encounter every day on the internet. They each have their strengths and weaknesses, and they are very much notinterchangeable. Grids are great for seeing a lot at the same time, applying filters, scanning quickly, hunting. Streams are designed for consuming content linearly. That doesn’t mean they aren’t scannable, but they do force you to slow down and see each item individually. Streams are friendlier to beginners; grids, to experts. Streams are one-dimensional; grids, two-dimensional. (Don’t take my word for it, check out this David Galbraith post on the history of visual bookmarking.) A stream can be well designed or poorly designed (as can a grid), but it is still necessary to choose the right tool for the job. We love the grid. It bears repeating: you can still see all the shirts as a grid right here. Not only is the grid not going away, moving it to /shop allows us to begin adding features like searching and filtering that would have been cumbersome at best on the home page. But let’s get back to the stream, we’ve acknowledged it’s less efficient than the grid, so why use it?

The answer is simple: we want to provide a different, more accessible, more attractive (to some people) experience. To understand where we’re coming from and why we’re trying to provide that experience, you need to know how Cotton Bureau works on a fundamental level. The vast majority of sales come from individuals bypassing the home page and visiting a specific shirt page, almost entirely through word-of-mouth. Let’s call this group of people “visitors”. Visitors are more than happy to use Cotton Bureau to buy the thing they came to buy. Sometimes they take advantage of a feature like the reminder emails to buy the thing they came to buy at a later time, but rarely do they venture beyond the product they originally came to purchase. Sometimes they do, and when they do, you might say they become “users” of Cotton Bureau. A user may click a related product, create an account, sign up for the newsletter, browse all the available shirts, interact with us on Twitter, or even submit a design. When we design and build the site, we do the best we can to encourage visitors to become users—and we constantly ask ourselves how we can create more users, whether by converting visitors into users or by attracting more visitors to Cotton Bureau in the first place.

As part of the mission I described previously, we are very interested in 1) staying in business and 2) enabling great design. Sales of any given t-shirt are not highly correlated with (in our subjective opinion) the design’s merit. Shirts sell for many reasons—interest in the design content, familiarity with the designer, identification with a community, quality, price, color, perceived scarcity, time of day/week/month/year, number of exposures, and dozens of other factors, some within our control, many not. The design itself, unfortunately, is often one of the least important considerations, which brings us back to why we built the stream: we see too many great designs fail to find an audience.

We want to elevate the best designs to give them the greatest possible chance of succeeding. Whether you’re a new visitor or an old hand, we’re hoping to bring everyone together on the home page to rally around—and potentially even disagree about—smart, sophisticated, funny, thoughtful, beautiful shirts. We want Cotton Bureau to be a destination for t-shirt enthusiasts and design junkies. We want to create demand for shirts where demand otherwise didn’t exist. We want to build and cultivate a community. We want to connect designers and their designs in a way the site has not done to this point. Being featured in the stream is a badge of honor, something to be strived for. We want to direct the firehose of home page attention as much as possible at these particular tees for going above and beyond. Designers whose designs make it into the stream deserve to be rewarded for excellence.

The stream isn’t perfect today, we know that. We can and will design opportunities for people to exit the stream to see the most popular tees, the most liked tees, tees about sports, animals, and space, more tees from the same designer, or kids tees. We’ll tweak the design as necessary to work as well at grotesquely large sizes as it does on mobile. Community features aren’t baked in yet, but they’re coming. (Sign up for a Cotton Bureau account now if you haven’t yet.) Most importantly, we are listening. Tell us what you think. Leave a comment. Vent to us on Twitter at @cottonbureau. Email us@cottonbureau.com if you want to say something privately.

In the meantime, we want you to know that stream isn’t going anywhere and neither is the grid. They’re both vital aspects of Cotton Bureau’s personality. Browse the grid, get lost in the stream, and, whatever you do, tell a friend about Cotton Bureau, eh? Great design doesn’t market itself.